Other editions of book A DOLL'S HOUSE

A Doll’s House aroused a great deal of controversy when it premiered at the Royal Theatre in Copenhagen in 1879. At a time when strict social conventions (and gender roles) were sacrosanct, Ibsen dared to have the central character, Nora Helmer, leave her suffocating marriage and her children to “find herself”. In spite of the scandal (or because of it), the production sold out every performance and was quickly followed by equally successful runs in Stockholm, Sweden and in Christiana (Oslo) and Bergen, Norway. The play is a domestic drama that takes place over several days during Christmas in which the delicate balance of the household is disrupted by the gradual exposure of secrets and lies. Nora secretly (and illegally) borrowed money to finance her banker husband’s recuperation from overwork from a man her husband is about to fire, himself a forger. Naturally, he resorts to blackmail, but eventually relents when he reconciles with his beloved, a former nanny to the family recently freed of a loveless marriage of necessity. Nora is exposed nonetheless and disowned by her husband before the threat is defused. Relieved when the incriminating note is destroyed, he forgives her, thinking her mistake a simple product of her daffy femininity. But the damage is done. He is not the man she thought he was and she is not the doll he so often calls her. She has to go. No good deed goes unpunished. It is no wonder A Doll’s House is the most performed play in the entire world.

A Doll's House is a three-act play in prose by Henrik Ibsen. It premiered at the Royal Theatre in Copenhagen, Denmark, on 21 December 1879, having been published earlier that month. The play is significant for its critical attitude toward 19th-century marriage norms. It aroused great controversy at the time, as it concludes with the protagonist, Nora, leaving her husband and children because she wants to discover herself. Ibsen was inspired by the belief that "a woman cannot be herself in modern society," since it is "an exclusively male society, with laws made by men and with prosecutors and judges who assess feminine conduct from a masculine standpoint."

A DOLL'S HOUSE (Bokmål: Et dukkehjem; also translated as A Doll House) is a three-act play in prose by Henrik Ibsen. It premiered at the Royal Theatre in Copenhagen, Denmark, on 21 December 1879, having been published earlier that month. The play is significant for its critical attitude toward 19th-century marriage norms. It aroused great controversy at the time, as it concludes with the protagonist, Nora, leaving her husband and children because she wants to discover herself. Ibsen was inspired by the belief that "a woman cannot be herself in modern society," since it is "an exclusively male society, with laws made by men and with prosecutors and judges who assess feminine conduct from a masculine standpoint." Its ideas can also be seen as having a wider application: Michael Meyer argued that the play's theme is not women's rights, but rather "the need of every individual to find out the kind of person he or she really is and to strive to become that person." In a speech given to the Norwegian Association for Women's Rights in 1898, Ibsen insisted that he "must disclaim the honor of having consciously worked for the women's rights movement," since he wrote "without any conscious thought of making propaganda," his task having been 2the description of humanity." In 2006, the centennial of Ibsen's death, A DOLL'S HOUSE held the distinction of being the world's most performed play for that year. UNESCO has inscribed Ibsen's autographed manuscripts of A DOLL'S HOUSE on the Memory of the World Register in 2001, in recognition of their historical value.

A Doll's House is a three-act play written by Norway's Henrik Ibsen. It premiered at the Royal Theatre in Copenhagen, Denmark, on 21 December 1879, having been published earlier that month. The play is set in a Norwegian town circa 1879. The play is significant for the way it deals with the fate of a married woman, who at the time in Norway lacked reasonable opportunities for self-fulfillment in a male-dominated world. It aroused a great sensation at the time, and caused a "storm of outraged controversy" that went beyond the theatre to the world newspapers and society. In 2006, the centennial of Ibsen's death, A Doll's House held the distinction of being the world's most performed play that year. UNESCO has inscribed Ibsen's autographed manuscripts of A Doll's House on the Memory of the World Register in 2001, in recognition of their historical value. The title of the play is most commonly translated as A Doll's House, though some scholars use A Doll House. John Simon says that A Doll's House is "the British term for what [Americans] call a 'dollhouse'". Egil Törnqvist says of the alternative title: "Rather than being superior to the traditional rendering, it simply sounds more idiomatic to Americans

A Doll's House By Henrik Ibsen Translated by R. Farquharson Sharp Presented by The Online Stage A Doll's House, published in 1879, was the earliest of Ibsen's "social dramas", and the first of his works to attract attention outside of Scandinavia. The central theme of the play is a woman's right to individual self-development, and represents, as humourist Stephen Leacock observed of many Ibsen plays, "a profound problem stated but not solved". Cast Amanda Friday as Nora Rob Goll as Torvald Helmer Denis Daly as Dr. Rank Elizabeth Klett as Mrs Christine Linde Jeff Moon as Nils Krogstad Danielle Cohen as Anne Noel Badrian as the Porter and the Servant Leanne Yau as the Housemaid Children played by Miranda Hodges and Leanne Yau Stage directions read by Craig Franklin Audio edited by Denis Daly

A Doll's House (Norwegian: Et dukkehjem; also translated as A Doll House) is a three-act play in prose by Henrik Ibsen. It premiered at the Royal Theatre in Copenhagen, Denmark, on 21 December 1879, having been published earlier that month. The play is significant for its critical attitude toward 19th century marriage norms. It aroused great controversy at the time, as it concludes with the protagonist, Nora, leaving her husband and children because she wants to discover herself. Ibsen was inspired by the belief that "a woman cannot be herself in modern society," since it is "an exclusively male society, with laws made by men and with prosecutors and judges who assess feminine conduct from a masculine standpoint." Its ideas can also be seen as having a wider application: Michael Meyer argued that the play's theme is not women's rights, but rather "the need of every individual to find out the kind of person he or she really is and to strive to become that person." In a speech given to the Norwegian Association for Women's Rights in 1898, Ibsen insisted that he "must disclaim the honor of having consciously worked for the women's rights movement," since he wrote "without any conscious thought of making propaganda," his task having been "the description of humanity."

A Doll's House was first performed in 1879 by the Royal Theatre in Copenhagen. Criticizing the marriage norms of the day Henrik Ibsen created a controversy over the role of women in society. With the laws written by men and courts judging women's behavior from a masculine point of view women cannot be themselves in society. With the protagonist leaving her husband and children at the end of the play to discover herself it has been an important piece of writing in the Women's Liberation Movement. A Doll's House provides a larger context for society as everyone should find the person that they are and strive to become that person.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

How is this book unique? Font adjustments & biography included Unabridged (100% Original content) Illustrated About A Doll's House by Henrik Ibsen A Doll's House is a three-act play in prose by Henrik Ibsen. It premiered at the Royal Theatre in Copenhagen, Denmark, on 21 December 1879, having been published earlier that month. The play is significant for its critical attitude toward 19th-century marriage norms. It aroused great controversy at the time, as it concludes with the protagonist, Nora, leaving her husband and children because she wants to discover herself. Ibsen was inspired by the belief that "a woman cannot be herself in modern society," since it is "an exclusively male society, with laws made by men and with prosecutors and judges who assess feminine conduct from a masculine standpoint." Its ideas can also be seen as having a wider application: Michael Meyer argued that the play's theme is not women's rights, but rather "the need of every individual to find out the kind of person he or she really is and to strive to become that person." In a speech given to the Norwegian Association for Women's Rights in 1898, Ibsen insisted that he "must disclaim the honor of having consciously worked for the women's rights movement," since he wrote "without any conscious thought of making propaganda," his task having been "the description of humanity."