Other editions of book The Heart of a Woman

"The Heart of a Woman" by Baroness Emmuska Orczy Orczy. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide. This text refers to the Bibliobazaar edition.

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No! No! she was not going to gush!—Not even though there was nothing in the room at this moment to stand up afterward before her as dumb witness to a moment's possible weakness. Less than nothing in fact: space might have spoken and recalled that moment . . . infinite nothingness might at some future time have brought back the memory of it . . . but these dumb, impassive objects! . . . the fountain pen between her fingers! The dull, uninteresting hotel furniture covered in red velvet—an uninviting red that repelled dreaminess and peace! The ormolu clock which had ceased long ago to mark the passage of time, wearied—as it no doubt was, poor thing—by the monotonous burden of a bronze Psyche gazing on her shiny brown charms, in an utterly blank and unreflective bronze mirror, while obviously bemoaning the fracture of one of her smooth bronze thighs! Indeed Louisa might well have given way to that overmastering feeling of excitement before all these things. They would neither see nor hear. They would never deride, for they could never remember. But a wood fire crackled on the small hearth . . . and . . . and those citron-coloured carnations were favourite flowers of his . . . and his picture did stand on the top of that ugly little Louis Philippe bureau . . . No! No! it would never do to gush, for these things would see . . . and, though they might not remember, they would remind. And Louisa counted herself one of the strong ones of this earth. Just think of her name. Have you ever known a Louisa who gushed? who called herself the happiest woman on earth? who thought of a man—just an ordinary man, mind you—as the best, the handsomest, the truest, the most perfect hero of romance that ever threw a radiance over the entire prosy world of the twentieth century? Louisas, believe me, do no such things. The Mays and the Floras, the Lady Barbaras and Lady Edithas, look beatific and charming when, clasping their lily-white hands together and raising violet eyes to the patterned ceiling paper above them, they exclaim: "Oh, my hero and my king!" But Louisas would only look ridiculous if they behaved like that . . . Louisa Harris, too! . . . Louisa, the eldest of three sisters, the daughter of a wealthy English gentleman with a fine estate in Kent, an assured position, no troubles, no cares, nothing in her life to make it sad, or sordid or interesting . . . Louisa Harris and romance! . . . Why, she was not even pretty. She had neither violet eyes nor hair of ruddy gold. The latter was brown and the former were gray. . . . How could romance come in the way of gray eyes, and of a girl named Louisa? Can you conceive, for instance, one of those adorable detrimentals of low degree and empty pocket who have a way of arousing love in the hearts of the beautiful daughters of irascible millionaires, can you conceive such an interesting personage, I say, falling in love with Louisa Harris? I confess that I cannot. To begin with, dear, kind Squire Harris was not altogether a millionaire, and not at all irascible, and penniless owners of romantic personalities were not on his visiting list.

Emma Magdolna Rozália Mária Jozefa Borbála Orczy de Orci, or more familiarly known as Baroness Emmuska Orczy, was born on September 23rd, 1865, in Tarnaörs, Heves County, Hungary. The family lived in their ancestral home; a great, rambling farmhouse on the river Tarna. Emmuska’s memories of the time were of sophisticated parties, sparkling conversation, joyful dancing and gypsy music. But soon fear of a peasant uprising meant their moving to Budapest and then 12 years of semi-nomadic travels across Europe. Arriving in London in 1880 Emmuska, aged 15, was studying painting and, a few years later, had them chosen for exhibition at the Royal Academy. London, she felt, was home, her spiritual birthplace. Art school also provided a husband. It was here she met a young illustrator, Montague Barstow, the son of an English clergyman. Fearful of mediocrity she plunged headlong into a writing career. And in the weeks after the birth of her son wrote the adventure classic for which she is so famed: The Scarlet Pimpernel. Originally rejected, after being re-worked as a successful play it was published as a book in 1905 and was an instant best-seller. In the coming years they lived on an estate in Kent, a busy and tasteful London home and an extravagant villa in Monte Carlo. All the while Emmuska’s pen continued to write adventures for that elusive hero; Sir Percy Blakeney. In 1934, the famed movie producer Alexander Korda turned it into a film starring Leslie Howard. The quintessential Pimpernel of everyone’s imagination now made visual reality. Baroness Orczy at the age of 82, died on November 12th, 1947 at Henley-on-Thames in South Oxfordshire.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

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About the Book These are titles about women who have been prominent in any field of endeavour, including education, literature, the arts, music, politics, medicine, science and technology. This also includes women who have been prominent in history, in women’s organizations, and part of the movement for women’s suffrage. Also in this Book Women's fiction focuses on women's life experiences that are generally marketed to female readers, and should not be confused with Women's writing, which relates to books written by women rather than for them specifically. There is no comparable maket for males. Women's fiction often describes a woman on the cusp of life changes, her personal development, and her transformative journey through her relationships with others, in particular her romantic relationship. Also in this Book Women's studies examines women’s lives and experiences, the social and cultural constructs of gender; systems of privilege and oppression; and relationships between power and gender. Subjects include feminist theory, standpoint theory, intersectionality, multiculturalism, transnational feminism, social justice, affect studies, agency, biopolitics, materialisms, and embodiment. About us Leopold Classic Library has the goal of making available to readers the classic books that have been out of print for decades. While these books may have occasional imperfections, we consider that only hand checking of every page ensures readable content without poor picture quality, blurred or missing text etc. That's why we: republish only hand checked books; that are high quality; enabling readers to see classic books in original formats; that are unlikely to have missing or blurred pages. You can search "Leopold Classic Library" in categories of your interest to find other books in our extensive collection. Happy reading!