Other editions of book The Private Memoirs and Confessions of a Justified Sinner

It is Scotland in the early eighteenth century. Fear and superstition grip the land. Robert Wringhim, a boy of strict Calvinist upbringing, is corrupted by a shadowy figure who calls himself Gil-Martin. Under his influence Robert commits a series of murders which he regards as 'justified' by God under the tenets of his faith. Hogg's masterpiece is a brilliant portrayal of the power of evil and a scathing critique of organised religion. Superbly crafted and deftly executed, it resists any easy explanation of events: is this stranger a figment of Robert's imagination, or the devil himself?

* Beautifully illustrated with atmospheric paintings by renowned artists, The Private Memoirs and Confessions of a Justified Sinner is a brilliant work that's considered by turns part-gothic novel, part-psychological mystery, part-metafiction, part-satire, part-case study of totalitarian thought, it can also be thought of as an early example of modern crime fiction in which the story is told, for the most part, from the point of view of its criminal anti-hero. The action of the novel is located in a historically definable Scotland with accurately observed settings, and simultaneously infers a pseudo-Christian world of angels, devils, and demonic possession.* Just as accessible and enjoyable for today's readers as they would have been when first published, the novels are some of the great works of English literature and continue to be widely read throughout the world.* This meticulous digital edition from Heritage Illustrated Publishing is a faithful reproduction of the original text and is enhanced with images of classic works of art carefully selected by our team of professional editors.

The Private Memoirs and Confessions of a Justified Sinner, (Full title, The Private Memoirs and Confessions of a Justified Sinner: Written by Himself: With a detail of curious traditionary facts and other evidence by the editor) is a novel by the Scottish author James Hogg, published anonymously in 1824.Considered by turns part-gothic novel, part-psychological mystery, part-metafiction, part-satire, part-case study of totalitarian thought, it can also be thought of as an early example of modern crime fiction in which the story is told, for the most part, from the point of view of its criminal anti-hero. The action of the novel is located in a historically definable Scotland with accurately observed settings, and simultaneously implies a pseudo-Christian world of angels, devils, and demonic possession.The first edition sold very poorly and the novel suffered from a period of critical neglect, especially in the nineteenth century. However, since the latter part of the twentieth century it has won greater critical interest and attention. It was praised by André Gide in an introduction to the 1947 reissue and described by the critic Walter Allen as 'the most convincing representation of the power of evil in our literature'. It has also been seen as a study of religious fanaticism through its deeply critical portrait of the Calvinist concept of predestination. It is written in English, with some sections of Scots that appear in dialogue.BONUS :• Biography of James Hogg.

A psychological thriller before its time, James Hoggs Private Memoirs and Confessions of a Justified Sinner, published in 1824, takes us back to the world of 18th-century Scotland, into a mind haunted by religious obsession, and driven to commit murder. The events are told from several different viewpoints, so that truth and reality appear to dissolve in this disturbing story of the dark legacy of Calvinist doctrine, and how it led one man to madness. Misunderstood and neglected for more than a century, The Private Memoirs and Confessions of a Justified Sinner is now regarded as a classic of the supernatural, comparable with Frankenstein, Dr Jekyll and Mr Hyde, or Dracula.

This now-famous book was given a hostile reception when it first appeared in 1824. It was not reprinted until the late 1830s, when a heavily bowdlerised version was included in a posthumous edition of Hogg’s collected Tales and Sketches published by Blackie & Son of Glasgow. Confessions of a Justified Sinner attracted little interest until the 1890s, when the unbowdlerised text was printed for the first time since the 1820s. However, the current high reputation of Hogg’s novel did not fully begin to establish itself until 1947, when a warmly enthusiastic Introduction by André Gide appeared in a new edition of the unbowdlerised text. He went on to record how he had read 'this astounding book […] with a stupefaction and admiration that increased at every page'. Many readers have subsequently shared Gide's enthusiasm, and Confessions of a Justified Sinner is now widely recognised as one of the outstanding British novels of the Romantic era. It has also been acclaimed as one of the defining texts of Scotland, with Iain Crichton Smith recently applauding 'a towering Scottish novel, one of the very greatest of all Scottish books'. Peter Garside’s eagerly-awaited new Stirling / South Carolina edition (available in both hardback and paperback) excitingly opens out our understanding of Hogg’s masterpiece. Its annotation adds very substantially to the contributions of previous editors, for example by showing various layers of hitherto undetected references. Through an impressive piece of scholarly detective-work, Garside has also uncovered the remarkable story of the first printing of the Justified Sinner and Hogg’s battle with his London publishers, Longman, for his subversive and challenging novel to make its first appearance in a form he found satisfactory.This edition provides an illuminating and compelling new account of the genesis of Hogg’s masterpiece, and of the cultural, theological, geographical, and historical contexts of this re

"I was born an outcast in the world, in which I was destined to act so conspicuous a part. My mother was a burning and a shining light. But she was married to a man all over spotted with the leprosy of sin. She fled from his embraces the first night after their marriage. . . ." James Hogg wrote about the supernatural powerfully and convincingly, especially in his best-known novel, The Private Memoirs and Confessions of a Justified Sinner, published in 1824; it has been called "the greatest of all Scottish novels."

A psychological thriller before its time, James Hogg's The Private Memoirs and Confessions of a Justified Sinner, published in 1824, takes us back to the world of eighteenth-century Scotland into a mind driven to commit murder after being haunted by religious obsession. The events are told from several different viewpoints, acting to dissolve truth and reality. This twisted tale is a disturbing story of the dark legacy of Calvinist doctrine and the madness to which it led one man.Misunderstood and neglected for more than a century, The Private Memoirs and Confessions of a Justified Sinner is now regarded as a classic of the supernatural, comparable to Frankenstein, Dr Jekyll and Mr Hyde, or Dracula.

James Hogg was a Scottish poet and novelist from the early 19th century. Hogg was a poor shepherd as a boy. His employer lent him books and through hard work he became self-educated. Published in 1924 this work is considered a Gothic novel, a psychological study of an unreliable narrator and an examination of totalitarian thought. The novel is filled with angels, devils, and demonic possession. This is the story of a young man who encounters a shape shifting devil and the adventures that follow. Hogg explores the duality of good and evil which led critics to wonder if this work was the inspiration for Robert Louis Stevenson's The Strange Case of Dr Jekyll and Mr. Hyde.

The Private Memoirs and Confessions of a Justified Sinner, (Full title, The Private Memoirs and Confessions of a Justified Sinner: Written by Himself: With a detail of curious traditionary facts and other evidence by the editor) is a novel by the Scottish author James Hogg, published anonymously in 1824. Considered by turns part-gothic novel, part-psychological mystery, part-metafiction, part-satire, part-case study of totalitarian thought, it can also be thought of as an early example of modern crime fiction in which the story is told, for the most part, from the point of view of its criminal anti-hero. The action of the novel is located in a historically definable Scotland with accurately observed settings, and simultaneously infers a pseudo-Christian world of angels, devils, and demonic possession.

How is this book unique? Font adjustments & biography included Unabridged (100% Original content) Illustrated About The Private Memoirs and Confessions of a Justified Sinner by James Hogg The Private Memoirs and Confessions of a Justified Sinner, (Full title, The Private Memoirs and Confessions of a Justified Sinner: Written by Himself: With a detail of curious traditionary facts and other evidence by the editor) is a novel by the Scottish author James Hogg, published anonymously in 1824. Considered by turns part-gothic novel, part-psychological mystery, part-metafiction, part-satire, part-case study of totalitarian thought, it can also be thought of as an early example of modern crime fiction in which the story is told, for the most part, from the point of view of its criminal anti-hero. The action of the novel is located in a historically definable Scotland with accurately observed settings, and simultaneously implies a pseudo-Christian world of angels, devils, and demonic possession. The first edition sold very poorly and the novel suffered from a period of critical neglect, especially in the nineteenth century. However, since the latter part of the twentieth century it has won greater critical interest and attention. It was praised by André Gide in an introduction to the 1947 reissue and described by the critic Walter Allen as 'the most convincing representation of the power of evil in our literature'. It has also been seen as a study of religious fanaticism through its deeply critical portrait of the Calvinist concept of predestination. It is written in English, with some sections of Scots that appear in dialogue.