Other editions of book The Real Thing

How is this book unique?Font adjustments & biography includedUnabridged (100% Original content)Formatted for e-readerIllustratedAbout The Real Thing by Henry JamesThe Real Thing is a story by Henry James. This story, often read as a parable, plays with the reality-illusion dichotomy that fascinated James, especially in the later stages of his career. Plot Summary: The narrator, an unnamed illustrator and aspiring painter, hires a faded genteel couple, the Monarchs, as models, after they have lost most of their money and must find some line of work. They are the "real thing" in that they perfectly represent the aristocratic type, but they prove inflexible for the painter's work. He comes to rely much more on two lower-class subjects who are nevertheless more capable, Oronte, an Italian, and Miss Churm, a lower-class Englishwoman. The illustrator finally has to get rid of the Monarchs, especially after his friend and fellow artist Jack Hawley criticizes the work in which the Monarchs are represented. Hawley says that the pair has hurt the narrator's art, perhaps permanently. In the final line of the story the narrator says he is "content to have paid the price—for the memory."

“The Real Thing” is a novella written by Henry James (1843-1916). First published in 1892, it tells the story of an aspiring painter, who hires a couple of faded aristocrats as models. At first, he considers them “the real thing” for is art, but in the end he comes to rely more on a lower-class couple…This edition also includes:- an extra-story by James, the well-known Brooksmith (1891);- a biographic note on James’ life and works;- a complete bibliography of James novels, novellas and short stories.

How is this book unique?Font adjustments & biography includedUnabridged (100% Original content)IllustratedAbout The Real Thing by Henry JamesThe Real Thing is a story by Henry James. This story, often read as a parable, plays with the reality-illusion dichotomy that fascinated James, especially in the later stages of his career. Plot Summary: The narrator, an unnamed illustrator and aspiring painter, hires a faded genteel couple, the Monarchs, as models, after they have lost most of their money and must find some line of work. They are the "real thing" in that they perfectly represent the aristocratic type, but they prove inflexible for the painter's work. He comes to rely much more on two lower-class subjects who are nevertheless more capable, Oronte, an Italian, and Miss Churm, a lower-class Englishwoman. The illustrator finally has to get rid of the Monarchs, especially after his friend and fellow artist Jack Hawley criticizes the work in which the Monarchs are represented. Hawley says that the pair has hurt the narrator's art, perhaps permanently. In the final line of the story the narrator says he is "content to have paid the price—for the memory."

Henry James, OM (15 April 1843 – 28 February 1916) was an American-born writer. He is regarded as one of the key figures of 19th-century literary realism. He was the son of Henry James, Sr. and the brother of philosopher and psychologist William James and diarist Alice James.He is best known for a number of novels showing Americans encountering Europe and Europeans. His method of writing from a character's point of view allowed him to explore issues related to consciousness and perception, and his style in later works has been compared to impressionist painting. His imaginative use of point of view, interior monologue and unreliable narrators brought a new depth to narrative fiction.

How is this book unique? Font adjustments & biography included Unabridged (100% Original content) Illustrated About The Real Thing by Henry James The Real Thing is a story by Henry James. This story, often read as a parable, plays with the reality-illusion dichotomy that fascinated James, especially in the later stages of his career. Plot Summary: The narrator, an unnamed illustrator and aspiring painter, hires a faded genteel couple, the Monarchs, as models, after they have lost most of their money and must find some line of work. They are the "real thing" in that they perfectly represent the aristocratic type, but they prove inflexible for the painter's work. He comes to rely much more on two lower-class subjects who are nevertheless more capable, Oronte, an Italian, and Miss Churm, a lower-class Englishwoman. The illustrator finally has to get rid of the Monarchs, especially after his friend and fellow artist Jack Hawley criticizes the work in which the Monarchs are represented. Hawley says that the pair has hurt the narrator's art, perhaps permanently. In the final line of the story the narrator says he is "content to have paid the price—for the memory."

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Henry James (1843 - 1916) was one of the leaders in the school of realism in fiction. He is known for his series of novels in which he portrayed the encounter of America with Europe. James is considered to be the master of the novel and novella. James wrote about personal relationships and the power within these relationships. James explored consciousness and perception from the point of view of a character within a tale. An excerpt from The Real Thing begins, "It was only then that I understood the service Claude Rivet had rendered me; he had told them that I worked in black and white, for magazines, for story-books, for sketches of contemporary life, and consequently had frequent employment for models. These things were true, but it was not less true (I may confess it now--whether because the aspiration was to lead to everything or to nothing I leave the reader to guess), that I couldn't get the honours, to say nothing of the emoluments, of a great painter of portraits out of my head. My "illustrations" were my pot-boilers; I looked to a different branch of art (far and away the most interesting it had always seemed to me), to perpetuate my fame. There was no shame in looking to it also to make my fortune; but that fortune was by so much further from being made from the moment my visitors wished to be "done" for nothing. I was disappointed; for in the pictorial sense I had immediately SEEN them. I had seized their type--I had already settled what I would do with it. Something that wouldn't absolutely have pleased them, I afterwards reflected."

Why buy our paperbacks? Expedited shipping High Quality Paper Made in USA Standard Font size of 10 for all books 30 Days Money Back Guarantee BEWARE of Low-quality sellers Don't buy cheap paperbacks just to save a few dollars. Most of them use low-quality papers & binding. Their pages fall off easily. Some of them even use very small font size of 6 or less to increase their profit margin. It makes their books completely unreadable. How is this book unique? Unabridged (100% Original content) Font adjustments & biography included Illustrated The Real Thing by Henry James The Real Thing is a story by Henry James. This story, often read as a parable, plays with the reality-illusion dichotomy that fascinated James, especially in the later stages of his career. Plot Summary: The narrator, an unnamed illustrator and aspiring painter, hires a faded genteel couple, the Monarchs, as models, after they have lost most of their money and must find some line of work. They are the "real thing" in that they perfectly represent the aristocratic type, but they prove inflexible for the painter's work. He comes to rely much more on two lower-class subjects who are nevertheless more capable, Oronte, an Italian, and Miss Churm, a lower-class Englishwoman. The illustrator finally has to get rid of the Monarchs, especially after his friend and fellow artist Jack Hawley criticizes the work in which the Monarchs are represented. Hawley says that the pair has hurt the narrator's art, perhaps permanently. In the final line of the story the narrator says he is "content to have paid the price—for the memory."

Why buy our paperbacks? Expedited shipping High Quality Paper Made in USA Standard Font size of 10 for all books 30 Days Money Back Guarantee BEWARE of Low-quality sellers Don't buy cheap paperbacks just to save a few dollars. Most of them use low-quality papers & binding. Their pages fall off easily. Some of them even use very small font size of 6 or less to increase their profit margin. It makes their books completely unreadable. How is this book unique? Unabridged (100% Original content) Font adjustments & biography included Illustrated The Real Thing by Henry James The Real Thing is a story by Henry James. This story, often read as a parable, plays with the reality-illusion dichotomy that fascinated James, especially in the later stages of his career. Plot Summary: The narrator, an unnamed illustrator and aspiring painter, hires a faded genteel couple, the Monarchs, as models, after they have lost most of their money and must find some line of work. They are the "real thing" in that they perfectly represent the aristocratic type, but they prove inflexible for the painter's work. He comes to rely much more on two lower-class subjects who are nevertheless more capable, Oronte, an Italian, and Miss Churm, a lower-class Englishwoman. The illustrator finally has to get rid of the Monarchs, especially after his friend and fellow artist Jack Hawley criticizes the work in which the Monarchs are represented. Hawley says that the pair has hurt the narrator's art, perhaps permanently. In the final line of the story the narrator says he is "content to have paid the price—for the memory."