Books with title Jerusalem

This anthology is a thorough introduction to classic literature for those who have not yet experienced these literary masterworks. For those who have known and loved these works in the past, this is an invitation to reunite with old friends in a fresh new format. From Shakespeare s finesse to Oscar Wilde s wit, this unique collection brings together works as diverse and influential as The Pilgrim s Progress and Othello. As an anthology that invites readers to immerse themselves in the masterpieces of the literary giants, it is must-have addition to any library.

Within the walls of Jerusalem are traces of 4,000 years of turbulent history, linking three major religions to this one holy land. Dramatic events have shaped Jerusalem into a city where ancient and modern are intertwined. More than just a travelogue, this educational and enlightening multimedia CDROM allows you to travel through time as you retrace 3000 years of the Holy City's glorious history, from the New Testament to today. Packed with hundreds of photographs, video and audio clips, animations, maps and biographical notes, Jerusalem invites you on fascinating narrated tours that explore the city's spiritual heritage while revealing its incomparable beauty -- the shrines, relics, landmarks and people of this crossroads of Western religions. Meet the personalities who shaped and changed the city's destiny -- from the Roman Era, through the Crusades and Islamic periods, to contemporary times. Witness the pilgrimages made by people of all faiths. Listen to period music from across the centuries. And play "Quest," an interactive game for children in which they search for a holy relic.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

An Unabridged Edition With Updated Typeface, To Include: The Way of the Cities - The Way of the Desert - The Gates of the City - The Philosophy of Sight-Seeing - The Streets of the City - The Groups of the City - The Shadow of the Problem - The Other Side of the Desert - The Battle With the Dragon - The Endless Empire - The Meaning of the Crusade - The Fall of Chivalry - The Problem of Zionism

This is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the original versions are generally quite old, there may occasionally be certain imperfections within these reproductions. We're happy to make these classics available again for future generations to enjoy!

The New Jerusalem is a 1920 book written by British writer G. K. Chesterton. Dale Ahlquist calls it a "philosophical travelogue" of Chesterton's journey across Europe to Palestine.The Zionists have often spoken about the hoped-for Jewish homeland in Palestine becoming a center whence would emanate, as of old, great ideas and ideas. Such a radiation has already begun, but it is interesting, indeed curious, that among the firstlings of eh New Jerusalem is a product from the very un-Hebraic pen of Mr. G. K. Chesterton.Gilbert Keith Chesterton, (29 May 1874 – 14 June 1936), was an English writer, poet, philosopher, dramatist, journalist, orator, lay theologian, biographer, and literary and art critic. Chesterton is often referred to as the "prince of paradox".Time magazine has observed of his writing style: "Whenever possible Chesterton made his points with popular sayings, proverbs, allegories—first carefully turning them inside out. Chesterton is well known for his fictional priest-detective Father Brown,[5] and for his reasoned apologetics. Even some of those who disagree with him have recognised the wide appeal of such works as Orthodoxy and The Everlasting Man.[4][6] Chesterton routinely referred to himself as an "orthodox" Christian, and came to identify this position more and more with Catholicism, eventually converting to Catholicism from High Church Anglicanism. George Bernard Shaw, his "friendly enemy", said of him, "He was a man of colossal genius."[4] Biographers have identified him as a successor to such Victorian authors as Matthew Arnold, Thomas Carlyle, Cardinal John Henry Newman, and John Ruskin. Chesterton was born in Campden Hill in Kensington, London, the son of Marie Louise, née Grosjean, and Edward Chesterton.[8][9] He was baptised at the age of one month into the Church of England,[10] though his family themselves were irregularly practising Unitarians.[11]According to his autobiography, as a young man Chesterton became fascinated with the occultand, along with his brother Cecil, experimented with Ouija boards. Chesterton was educated at St Paul's School, then attended the Slade School of Art to become an illustrator. The Slade is a department of University College London, where Chesterton also took classes in literature, but did not complete a degree in either subject.In September 1895 Chesterton began working for the London publisher Redway, where he remained for just over a year.[14] In October 1896 he moved to the publishing house T. Fisher Unwin,[14] where he remained until 1902. During this period he also undertook his first journalistic work, as a freelance art and literary critic. In 1902 the Daily News gave him a weekly opinion column, followed in 1905 by a weekly column in The Illustrated London News, for which he continued to write for the next thirty years.Early on Chesterton showed a great interest in and talent for art. He had planned to become an artist, and his writing shows a vision that clothed abstract ideas in concrete and memorable images. Even his fiction contained carefully concealed parables. Father Brown is perpetually correcting the incorrect vision of the bewildered folks at the scene of the crime and wandering off at the end with the criminal to exercise his priestly role of recognition and repentance. For example, in the story "The Flying Stars", Father Brown entreats the character Flambeau to give up his life of crime: "There is still youth and honour and humour in you; don't fancy they will last in that trade. Men may keep a sort of level of good, but no man has ever been able to keep on one level of evil. That road goes down and down. The kind man drinks and turns cruel; the frank man kills and lies about it. Many a man I've known started like you to be an honest outlaw, a merry robber of the rich, and ended stamped into slime.

This book is only an uncomfortably large note-book; and it has the disadvantages, whether or no it has the advantages, of notes that were taken on the spot. Owing to the unexpected distraction of other duties, the notes were published in a newspaper as they were made on the spot; and are now reproduced in a book as they were published in the newspaper. The only exception refers to the last chapter on Zionism; and even there the book only reverts to the original note-book. A difference of opinion, which divided the writer of the book from the politics of the newspaper, prevented the complete publication of that chapter in that place. I recognise that any expurgated form of it would have falsified the proportions of my attempt to do justice in a very difficult problem; but on re-reading even my own attempt in extenso, I am far from satisfied that the proper proportions are kept. I wrote these first impressions in Palestine, where everybody recognises the Jew as something quite distinct from the Englishman or the European; and where his unpopularity even moved me in the direction of his defence G. K. Chesterton