Books published by publisher J. Paul Getty Museum

Paris in the 1400s. A young girl named Marguerite delights in assisting her father, Jacques, in his craft: illuminating manuscripts for the nobility of France. His current commission is a splendid book of hours for his patron, Lady Isabelle, but will he be able to finish it in time for Lady Isabelle's name day? In this richly illustrated tale, Marguerite comes to her father's aid. She journeys all over Paris buying goose feathers for quills, eggs for mixing paints, dried plants and ground minerals for pigments. Then she expertly finishes the illumination of Lady Isabelle's book, to the delight of her father and his patron. This delightful book, brought to life by the finely detailed, evocative art of a renowned children's artists, was inspired by an illuminated manuscript in the collection of the Getty Museum.

Song of the Swallows, which won the Caldecott Medal when it was first published in 1948, was written and illustrated by Leo Politi, one of Los Angeles’ most beloved artists.It tells the famous story of the yearly return of the swallows to the Mission San Juan Capistrano through the eyes of a small child. Julian, the bell ringer of the Mission, tells Juan, a young boy who also lives at the Mission, the story of the swallows and how—without anyone really knowing why or how—they return each year from their winter home in South America to San Juan Capistrano in California. Thrilled by the story, Juan makes his own small garden in the hope that at least one family of swallows will nest there when they return.This delightful book also includes the music and lyrics for “La Golondrina,” a song about the swallows that Politi composed himself, and Spanish phrases are sprinkled throughout the story. This book provides a delightful introduction for young children California’s centuries-old Latino heritage and Mission culture.

In her first book, artist Sarah Perry has created twenty magical watercolors that are an open invitation to the imaginations of children. Beautifully produced in full color, these fantastic images conjure up a world of limitless possibilities where anything can happen: leaves turn into green fish...cats fly about on wings...and butterflies become a little girl's coat of many colors. Children of all ages will enjoy this book, the Getty Museum's first co-publication with the Children's Library Press of Venice, California.

Everybody's heard of a centaur, but not everyone has seen a blue centaur dressed to head out to a disco! He's one of the updated mythological creatures who populate Greece! Rome! Monsters!. This book presents twenty creepy creatures--from harpies to Medusa herself to the fire-breathing Chimera--in jazzy retellings by John Harris, with eye-popping illustrations by Southern California illustrator Calef Brown. Together, the words and pictures provide children (and grownups!) with close encounters of the mythological kind. Includes a bonus pronunciation guide and a pop quiz that will test to see if young readers have really been paying attention.

Step back in time to seventeenth-century Paris with Thérèse, a talented young girl who lives and works at the Gobelins Manufactory, where Europe’s greatest artisans make tapestries and luxury objects for King Louis XIV. Even though girls are not trained on the great looms there, Thérèse practices on a small one at home and dreams of becoming a royal weaver someday. This charming story follows Thérèse as she carries out an ambitious plan with the help of family, friends, and the artisans of the Gobelins. The intricate craft of tapestry weaving is illuminated, and surprises await Thérèse, her parents and brothers, and even the king himself. Children’s book author Alexandra S. D. Hinrichs here breathes vivid life into a delightful tale full of fun twists and an appealing cast of characters. Original paintings by award-winning artist Renée Graef playfully illustrate the book, as well as the many steps involved in the creation of the famous Gobelins tapestries, from dyeing wool and making silver thread, to painting and copying the elaborate designs, to the delicate art of weaving. Thérèse’s fictional adventures are inspired by real people, the actual Gobelins Manufactory, and a beautiful tapestry that hangs today in the J. Paul Getty Museum.

This volume accompanies a major international loan exhibition featuring more than three hundred works of art, many rarely or never before seen in the United States. It traces the development of gold working and other luxury arts in the Americas from antiquity until the arrival of Europeans in the early sixteenth century. Presenting spectacular works from recent excavations in Peru, Colombia, Panama, Costa Rica, Guatemala, and Mexico, this exhibition focuses on specific places and times—crucibles of innovation—where artistic exchange, rivalry, and creativity led to the production of some of the greatest works of art known from the ancient Americas. The book and exhibition explore not only artistic practices but also the historical, cultural, social, and political conditions in which luxury arts were produced and circulated, alongside their religious meanings and ritual functions. Golden Kingdoms creates new understandings of ancient American art through a thematic exploration of indigenous ideas of value and luxury. Central to the book is the idea of the exchange of materials and ideas across regions and across time: works of great value would often be transported over long distances, or passed down over generations, in both cases attracting new audiences and inspiring new artists. The idea of exchange is at the intellectual heart of this volume, researched and written by twenty scholars based in the United States and Latin America.

This illustrated guide to the key gods and goddesses in the Aztec and Mayan pantheons tells the fantastic stories of their long, drawn-out contests and bitter battles and explains their roles in Aztec and Mayan mythology as well as their relationships to each other. The Aztec and Mayan peoples worshiped, among others, gods and goddesses of creation and war, of death and the underworld, and of life and fertility. Included in the book are beguiling figures such as the Aztec gods Tezcatlipoca, the Smoking Mirror; Tlaloc, the God of Rain and Lightning who was the patron of agriculture; and Quetzalcoatl, the Feathered Serpent and one of the most important gods in the Aztec pantheon. Each entry is illustrated with color photographs of Aztec and Mayan artifacts. With its compact format, this book is a fun and friendly companion to volumes on Aztec and Mayan culture for both adults and children. Ages twelve and up.

This delightful book is a colorful reminder of the many things that visual art can be, become, and do. Whether it's weaving or making pottery or working on your computer or turning junk into something unexpected and wonderful, An ABC of What Art Can Be is an invitation to look around and think creatively-outside the boring box. After all, A is for artist, creator of art, Making all sorts of things with the hands and the heart. The playful rhymes and dazzling collages are reminders that each of us is unique and can produce a work of art that's equally unique. In this lively book readers will find an ABC that's unlike any other. It includes four pages of "fun stuff"--easy-to-do activities inspired by the text and illustrations. Ages four and up.

This Caldecott Honor book from beloved children's book author Leo Politi, originally published in 1946, is set on Olvera Street, the site of Los Angeles' original Latino settlement, which is still preserved very much as it once was--a busy and colorful me'lange of small artisan shops, restaurants, and strolling musicians. Pedro tells of the community's Christmas tradition of the "posada," a procession that reenacts Mary and Joseph's pilgrimage to Bethlehem, and of the "piñata," a papier-mâché vessel filled with toys that children break open at the Posada's end. Pedro hopes to find a music box among the toys that will spill out of the piñata. But first, he is asked to don the red wings of an angel and lead the procession. Because he not only is costumed like an angel but also sings like one, he is asked to lead the chorus in the traditional Posada song. Music and lyrics for the song are included, and with them children may create their own Posada pageant.

Renoir's Colors helps children identify and explore colors through eight kid-friendly paintings by the great Impressionist master. Its engaging interactive format invites the reader to open a flap and see a beautiful color detail of one of Renoir's works and then to turn the page to see the full painting from which the detail is drawn. Young readers will learn that each color exists in a variety of shades. Yellow can be the color of a man's straw hat or the light of summer shining through the trees. Blue can be bright like the stripes in a woman's dress or rich and deep like a man's suit or dark like the shadows that dance on the ground. This charming book will offer children a wonderful first experience with art, encouraging them to look closely at visual images as well as to see the variety of colors in the world around them. Ages three and up.

Hop on the tram with Milli Ennium, Quincy, and their cohorts as they set out to explore the Getty Center. This children's book--from the creators of the popular Mr. Lunch character--takes a delightful tour through the Getty Museum, adjancent gardens, conservation laboratories and other sites at the Getty Center. Featuring the wonderful illustrations of J.otto Seibold and the beloved characters created by Seibold and coauthor Vivian Walsh, Going to the Getty is a colorful, humorous visit to the new center and sure to be enjoyed by children as well as the adult fans of Seibold and Walsh.

The general outlines of Vincent van Gogh’s life—the early difficulties in Holland and Paris, the revelatory impact of the move to Provence, the attacks of madness and despair that led to his suicide—are almost as familiar as his paintings. Yet neither the paintings nor Van Gogh’s story might have survived at all had it not been for his sister-in-law, the teacher, translator, and socialist Jo van Gogh-Bonger. Jo married the painter’s brother, Theo, in 1889, and over the next two years lived through the deaths of both Vincent and her new husband. Left with an infant son, she inherited little save a cache of several hundred paintings and an enormous archive of letters. Advised to consign these materials to an attic, she instead dedicated her life to making them known. Over the next three decades she tirelessly promoted Vincent’s art, organizing major exhibitions and compiling and editing the correspondence, the first edition of which included, as a preface, her account of Van Gogh’s life. This short biography, written from a vantage point of familial intimacy, affords a revealing and, at times, heartbreaking testimony to the painter’s perilous life. An introduction by the art critic and scholar Martin Gayford provides an insightful discussion of the author’s relationship with the Van Goghs, while abundant color illustrations throughout the book trace the development of the painter’s signature style.