Books published by publisher @AnnieRoseBooks

THE author has long been of opinion that many of the classical myths were capable of being rendered into very capital reading for children. In the little volume here offered to the public, he has worked up half a dozen of them, with this end in view. A great freedom of treatment was necessary to his plan; but it will be observed by every one who attempts to render these legends malleable in his intellectual furnace, that they are marvellously independent of all temporary modes and circumstances. They remain essentially the same, after changes that would affect the identity of almost anything else.He does not, therefore, plead guilty to a sacrilege, in having sometimes shaped anew, as his fancy dictated, the forms that have been hallowed by an antiquity of two or three thousand years. No epoch of time can claim a copyright in these immortal fables. They seem never to have been made; and certainly, so long as man exists, they can never perish; but, by their indestructibility itself, they are legitimate subjects for every age to clothe with its own garniture of manners and sentiment, and to imbue with its own morality. In the present version they may have lost much of their classical aspect (or, at all events, the author has not been careful to preserve it), and have perhaps assumed a Gothic or romantic guise.In performing this pleasant task,—for it has been really a task fit for hot weather, and one of the most agreeable, of a literary kind, which he ever undertook,—the author has not always thought it necessary to write downward, in order to meet the comprehension of children. He has generally suffered the theme to soar, whenever such was its tendency, and when he himself was buoyant enough to follow without an effort. Children possess an unestimated sensibility to whatever is deep or high, in imagination or feeling, so long as it is simple likewise. It is only the artificial and the complex that bewilder them.

The Simon Necronomicon is a purported grimoire written by an unknown author, with an introduction by a man identified only as "Simon". Materials presented in the book are a blend of ancient Middle Eastern mythological elements, with allusions to the writings of H. P. Lovecraft and Aleister Crowley, woven together with a story about a man known as the "Mad Arab" (itself derived from several stories by Lovecraft).The introduction to the book (comprising about 80 pages of a total of 263) is the only part that Simon claims to have written. It relates how Simon and his associates were introduced to a Greek translation of the Necronomicon by a mysterious monk. Simon claims that after experimenting with the text, they verified that the work is a genuine collection of magical rituals that predates most known religions, and warns that anyone attempting to use the Necronomicon may "unleash dangerous forces". The introduction attempts to establish links between H. P. Lovecraft, Aleister Crowley and ancient mythology (including Sumerian, Babylonian, Assyrian, and Chaldean myths and rituals), and draw parallels to other religions (such as Christianity, Wicca, Satanism and Hebrew Mythology). Some of the discussion is based on a supposed connection between Crowley and Lovecraft first espoused by Kenneth Grant.

The Story of Little Black Sambo is a children's book written and illustrated by Scottish author Helen Bannerman and published by Grant Richards in October 1899. As one in a series of small-format books called The Dumpy Books for Children, the story was a children's favourite for more than half a century.Critics of the time observed that Bannerman presents one of the first black heroes in children's literature and regarded the book as positively portraying black characters in both the text and pictures, especially in comparison to the more negative books of that era that depicted blacks as simple and uncivilised.[1] However, it would become an object of allegations of racism in the mid-20th century, due to the names of the characters being racial slurs for dark-skinned people, and the fact the illustrations were, as Langston Hughes put it, in the pickaninny style.[2] Both text and illustrations have undergone considerable revisions since.

A classic by Neville Goddard, a mystic, lecturer, and author. He gives the readers the necessary tools to understand and manifest what they desire in their lives. The author does this without invoking the bondage of dogma found in so many religions and paths with masters. Instead of relying on religious doctrine or the "wisdom" of a master, he shows that we can be our own masters of destiny working with the God power within us.

The Story of Little Black Sambo is a children's book written and illustrated by Scottish author Helen Bannerman, and published by Grant Richards in October 1899 as one in a series of small-format books called The Dumpy Books for Children. The story was a children's favourite for more than half a century.Critics of the time observed that Bannerman presents one of the first black heroes in children's literature and regarded the book as positively portraying black characters in both the text and pictures, especially in comparison to the more negative books of that era that depicted blacks as simple and uncivilised.[1] However, it would become an object of allegations of racism in the mid-20th century. Both text and illustrations have undergone considerable revisions since.

The Story of Little Black Sambo is a children's book written and illustrated by Scottish author Helen Bannerman and published by Grant Richards in October 1899. As one in a series of small-format books called The Dumpy Books for Children, the story was a children's favourite for more than half a century.Critics of the time observed that Bannerman presents one of the first black heroes in children's literature and regarded the book as positively portraying black characters in both the text and pictures, especially in comparison to the more negative books of that era that depicted blacks as simple and uncivilised.[1] However, it would become an object of allegations of racism in the mid-20th century, due to the names of the characters being racial slurs for dark-skinned people, and the fact the illustrations were, as Langston Hughes put it, in the pickaninny style. Both text and illustrations have undergone considerable revisions since.

The Story of Little Black Sambo is a children's book written and illustrated by Scottish author Helen Bannerman and published by Grant Richards in October 1899. As one in a series of small-format books called The Dumpy Books for Children, the story was a children's favourite for more than half a century.Critics of the time observed that Bannerman presents one of the first black heroes in children's literature and regarded the book as positively portraying black characters in both the text and pictures, especially in comparison to the more negative books of that era that depicted blacks as simple and uncivilised.[1] However, it would become an object of allegations of racism in the mid-20th century, due to the names of the characters being racial slurs for dark-skinned people, and the fact the illustrations were, as Langston Hughes put it, in the pickaninny style. Both text and illustrations have undergone considerable revisions since.