Books with author ouida

AUGUST lived in a little town called Hall. Hall is a favorite name for several towns in Austria and in Germany; but this one especial little Hall, in the Upper Innthal, is one of the most charming Old-World places that I know, and August for his part did not know any other. It has the green meadows and the great mountains all about it, and the gray-green glacier-fed water rushes by it. It has paved streets and enchanting little shops that have all latticed panes and iron gratings to them; it has a very grand old Gothic church, that has the noblest blendings of light and shadow, and marble tombs of dead knights, and a look of infinite strength and repose as a church should have. Then there is the Muntze Tower, black and white, rising out of greenery and looking down on a long wooden bridge and the broad rapid river; and there is an old schloss which has been made into a guard-house, with battlements and frescos and heraldic devices in gold and colors, and a man-at-arms carved in stone standing life-size in his niche and bearing his date 1530. A little farther on, but[8] close at hand, is a cloister with beautiful marble columns and tombs, and a colossal wood-carved Calvary, and beside that a small and very rich chapel: indeed, so full is the little town of the undisturbed past, that to walk in it is like opening a missal of the Middle Ages, all emblazoned and illuminated with saints and warriors, and it is so clean, and so still, and so noble, by reason of its monuments and its historic color, that I marvel much no one has ever cared to sing its praises. The old pious heroic life of an age at once more restful and more brave than ours still leaves its spirit there, and then there is the girdle of the mountains all around, and that alone means strength, peace, majesty.

Nello and Patrasche were left all alone in the world. They were friends in a friendship closer than brotherhood. Nello was a little Ardennois—Patrasche was a big Fleming. They were both of the same age by length of years, yet one was still young, and the other was already old. They had dwelt together almost all their days: both were orphaned and destitute, and owed their lives to the same hand. It had been the beginning of the tie between them, their first bond of sympathy; and it had strengthened day by day, and had grown with their growth, firm and indissoluble, until they loved one another very greatly. Their home was a little hut on the edge of a little village—a Flemish village a league from Antwerp, set amidst flat breadths of pasture and corn-lands, with long lines of poplars and of alders bending in the breeze on the edge of the great canal which ran through it. It had about a score of houses and homesteads, with shutters of bright green or sky-blue, and roofs rose-red or black and white, and walls white-washed until they shone in the sun like snow. In the centre of the village stood a windmill, placed on a little moss-grown slope: it was a landmark to all the level country round. It had once been painted scarlet, sails and all, but that had been in its infancy, half a century or more earlier, when it had ground wheat for the soldiers of Napoleon; and it was now a ruddy brown, tanned by wind and weather.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

A classic sentimental story of a rustic boy, Patrasche, and his beloved dog. The boy desires to be an artist and the dog helps him reach his goal. Both of them face various hardships to fulfill the dream. The novel stresses the need for hard work in order to realize an ambition. Undoubtedly a wonderful piece of writing that will be engraved in the readers memory. Timeless!

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This book was digitized and reprinted from the collections of the University of California Libraries. It was produced from digital images created through the libraries’ mass digitization efforts. The digital images were cleaned and prepared for printing through automated processes. Despite the cleaning process, occasional flaws may still be present that were part of the original work itself, or introduced during digitization. This book and hundreds of thousands of others can be found online in the HathiTrust Digital Library at www.hathitrust.org.

The Five Cent Pocket Series (later known as The Little Blue Books) were published in Girard, Kansas by E. Haldeman-Julius between 1919 and 1951. The books covered a wide variety of topics, from Shakespeare and the ancient Greek plays, to essays on socialism and sex education, biographies, philosophy, humor, cooking and much more, making up a "University in Print". He was the first to publish works by Margaret Sanger and Will Durant. The books sold for five to ten cents at various times, making literature available to many who could not otherwise buy books. After the publisher's death in 1951, the books continued to be sold from the Girard Printing Plant until it was destroyed by an arson fire in 1978.

"I don't say but what he's difficult to please with his Tops," said Mr. Rake, factotum to the Hon. Bertie Cecil, of the 1st Life Guards, with that article of hunting toggery suspended in his right hand as he paused, before going upstairs, to deliver his opinions with characteristic weight and vivacity to the stud-groom, "he is uncommon particular about 'em; and if his leathers aint as white as snow he'll never touch 'em, tho' as soon as the pack come nigh him at Royallieu, the leathers might just as well never have been cleaned, them hounds jump about him so; old Champion's at his saddle before you can say Davy Jones. Tops are trials, I aint denying that, specially when you've jacks, and moccasins, and moor boots, and Russia-leather crickets, and turf backs, and Hythe boots, and waterproofs, and all manner of varnish things for dress, that none of the boys will do right unless you look after 'em yourself. But is it likely that he should know what a worry a Top's complexion is, and how hard it is to come right with all the Fast Brown polishing in the world? How should he guess what a piece of work it is to get 'em all of a color, and how like they are to come mottled, and how a'most sure they'll ten to one go off dark just as they're growing yellow, and put you to shame, let you do what you will to make 'em cut a shine over the country? How should he know? I don't complain of that; bless you, he never thinks. It's 'do this, Rake,' 'do that'; and he never remembers 'tisn't done by magic. But he's a true gentleman, Mr. Cecil; never grudge a guinea, or a fiver to you; never out of temper either, always have a kind word for you if you want, thoro'bred every inch of him; see him bring down a rocketer, or lift his horse over the Broad Water! He's a gentleman—not like your snobs that have nothing sound about 'em but their cash, and swept out their shops before they bought their fine feathers!—and I'll be d——d if I care what I do for him." With which peroration to his born enemy the stud-groom, with whom he waged a perpetual and most lively feud, Rake flourished the tops that had been under discussion, and triumphant, as he invariably was, ran up the back stairs of his master's lodgings in Piccadilly, opposite the Green Park, and with a rap on the panels entered his master's bedroom.