Books with author Nina George

True stories are not often good art. The relations and experiences of real men and women rarely fall in such symmetrical order as to make an artistic whole. Until they have had such treatment as we give stone in the quarry or gems in the rough they seldom group themselves with that harmony of values and brilliant unity of interest that result when art comes in-not so much to transcend nature as to make nature transcend herself. Yet I have learned to believe that good stories happen oftener than once I thought they did. Within the last few years there have dropped into my hands by one accident or another a number of these natural crystals, whose charms, never the same in any two, are in each and all enough at least to warn off all tampering of the fictionist. Happily, moreover, without being necessary one to another, they yet have a coherent sequence, and follow one another like the days of a week. They are mine only by right of discovery. From various necessities of the case I am sometimes the story-teller, and sometimes, in the reader's interest, have to abridge; but I add no fact and trim naught of value away. Here are no unconfessed "restorations," not one. In time, place, circumstance, in every essential feature, I give them as I got them-strange stories that truly happened, all partly, some wholly, in Louisiana.

With a single drop of ink for a mirror, the Egyptian sorcerer undertakes to reveal to any chance comer far-reaching visions of the past. This is what I undertake to do for you, reader. With this drop of ink at the end of my pen, I will show you the roomy workshop of Mr. Jonathan Burge, carpenter and builder, in the village of Hayslope, as it appeared on the eighteenth of June, in the year of our Lord 1799.

Once upon a time, so long ago that I have quite forgotten the date, there lived a king and queen who had no children. And the king said to himself, "All the queens of my acquaintance have children, some three, some seven, and some as many as twelve; and my queen has not one. I feel ill-used." So he made up his mind to be cross with his wife about it. But she bore it all like a good patient queen as she was. Then the king grew very cross indeed. But the queen pretended to take it all as a joke, and a very good one too. "Why don't you have any daughters, at least?" said he. "I don't say sons; that might be too much to expect." "I am sure, dear king, I am very sorry," said the queen. "So you ought to be," retorted the king; "you are not going to make a virtue of that, surely." But he was not an ill-tempered king, and in any matter of less moment would have let the queen have her own way with all his heart. This, however, was an affair of state. The queen smiled. "You must have patience with a lady, you know, dear king," said she. She was, indeed, a very nice queen, and heartily sorry that she could not oblige the king immediately.

The gratifying success of a previous volume of “Amateur Dramas,” and the increasing demand for pieces of a light character suitable for representation without the usual costly theatrical accessories, has induced the writer to prepare a second volume for publication. Like the first, it contains pieces which have been specially prepared for occasional exhibitions, society benefits, and parlor theatricals, and which have only been admitted to “the mimic stage” after having stood the test of public approval. For their production, no scenery is required. A moderate-sized room, having folding-doors or hanging curtains to separate the audience from the actors; costumes such as the modern wardrobe will easily supply, with now and then a foray on some good old grandmother's trunks; a wig or two; a few pieces of chalk; red paint; and India-ink,-is all the “extraordinary preparations” and “great expense” necessary.

Vincent Lacour rose at eleven these dark mornings; by half-past twelve he had breakfasted and was at leisure. To begin the day with an elastic interval of leisure seemed to him a primary condition of tolerable existence. From his bedroom windows he had a glimpse of a very busy street, along which, as he hummed at his toilet, he could see heavily-laden omnibuses hastening Citywards; he thought with contemptuous pity of the poor wretches who had to present themselves at bank, or office, or shop by a certain hour. “Under no circumstances whatever,” he often said to himself with conviction, “would I support life in that way. If it comes to the worst, there are always the backwoods. Hard enough, no doubt, but that would be in the order of things. If I stick in the midst of civilisation, I live the life of a civilised man.” A mode of looking at things wherein Vincent was probably rational enough.