Books with author C.J. Daugherty

“I know Balor is evil and all, and I know his death would mean that so many other people would get to live, but I hate that I have to be the one to kill him. Taking his life will mean that I’m no better than he is.”Ian stopped walking and took one of my hands in his.“You want to know the biggest difference between what Balor is doing and what you’re planning to do? You question it. You ask yourself it it’s morally correct. You have a powerful internal struggle that I know keeps you up at night. Balor never asks those questions. Balor doesn’t struggle with what he does.”Eighteen-year-old Maggie O’Neill is a high school dropout. If her parents knew, they’d probably kill her, but that’s the least of her worries. Balor—the evil faery from hell—is still stalking her, someone is still betraying her, and the mean girl at school is still mean. The worst part of her life, however, is figuring out how to live it without Simon. Will Maggie discover a way to defeat Balor? Will she ever be able to out-snark the mean girl? Will she find Simon? Tune in next week—uh, read the book—to find out.

James Henry Daugherty (1889-1974), winner of a Newbery Medal for Children's Literature, was born in Asheville, North Carolina, but grew up in Indiana and Ohio. When he was 9, the family moved to Washington D.C., where he studied at the Corcoran School of Art, and the Philadelphia Art Academy. He then spent two years in London studying under Frank Brangwyn.According to the New York Times, Mr. Daugherty "won distinction as a writer and illustrator of children's books on American historical themes."Mr. Daugherty's books of biography and frontier tales include “Abraham Lincoln,” “The Landing of the Pilgrims,” “West of Boston” and “Their Weight in Wildcats.”Daugherty's first publication was an illustration for John Flemming Wilson's series, Tad Sheldon, Boy Scout (1913). He then worked camouflaging ships and creating four murals in Loew's State Theatre, Cleveland, while illustrating fiction, and signed and unsigned magazine work. In 1925 he was asked to illustrate R.H. Horne's King Penguin which he describes as the first book he ever illustrated. In 1926 S.E. White's Daniel Boone, Wilderness Scout appeared, with Daugherty illustrations. He won the Newbery in 1940 for his self-illustrated Daniel Boone and was runner-up for two Caldecott Medals with Andy and the Lion, 1939, and Gillespie and the Guards, 1957.

“I’ll take on Balor—I’ve resigned myself to that fate—but I can’t take these girls anymore.”“So, just to clarify: Most evil faery known to all of faery-dome—no problem. A bunch of snide and petty girls—that you’re not up to?”“Bingo.”“Seriously, cushla macree, we need to have a discussion about your ranking system.”Maggie O’Neill had a rough junior year…She fell in love with Simon.She found out Simon was a faery.She hung out with her dead ancestors.She was stalked by an evil faery.…but that was nothing compared to what’s in store for senior year. She’s the new girl at faery boarding school and is subjected to something she never thought she’d have to deal with in her entire life—mean girls. To make matters worse, she’s seeing less and less of Simon, her faery guard is smothering her in their efforts to protect her, and the evil faery is still stalking her, determined to kill her before she can kill him. She starts to wonder if she’ll make it to graduation. Then the unthinkable happens and she wonders if she’ll be able to survive even one more day.

Sixteen-year-old Maggie O’Neil is pathetically boring, and she’s okay with that. She goes to school, comes home, has dinner with her family, does her homework and goes to bed. On the weekend, she hangs out with her best friend or her boyfriend. Her idea of shaking up the status quo is to bypass her usual seat in one of her classes. But her comfortably mundane life is about to get a shot of adrenaline in the form of Simon Brady, a sexy transfer student from Ireland. Sure Simon is seriously adorable, but he also comes with some pretty terrifying baggage. In all of her sixteen years, faeries were something you read about in children’s books. They didn’t actually show up on your doorstep. They didn’t kiss you and make your knees go weak and whisper sweet nothings in your ear. Until Simon Brady, that is. Simon changed everything. He makes her heart race and her skin burn with excitement, but he has also changed her core beliefs about the world and made her see it as a dark and dangerous place filled with monsters that belong only in the lines of faery tales. There is no doubt in Maggie’s mind that she loves Simon, but can she see past who he is and find a place for him in her heart?

It is Lincoln as his contemporaries saw him, as we might see him now. He strolls through these pages with his gangling and humorous ways like a well-beloved friend. Originally published in 1943, Daugherty dedicated this beautiful work to his son, "Lieutenant Charles M. Daugherty, American soldier-artist and his comrades in arms throughout the world." In every case where tyranny raises its ugly head, Lincoln has and will continue to stand as America's shining symbol of freedom, justice, and equality. "James Daugherty has turned his pen to the greatest American of them all: Abraham Lincoln, sixteenth president of the United States. His book is the people's Lincoln, Lincoln the man--seen through the clear eyes of an artist and poet, American to the bone. It is a story to set the blood tingling and fill the heart with sorrow and glory, to set the footsteps of the mind on leaf-fallen Kentucky ground, on Springfield's pavements, and down the hurried streets of Washington in the spring rain. It is a picture of a tumbling, surging young nation with the pioneer states knocking at the door, the era of the coonskin cap and the French brocade. Across its broad canvas pass the lynx-eyed backwoodsmen, the crinolined belles of the plantation South, the slick politicians of wartime Washington in the 1860s, the desperate fighters in blue and gray. It is the sound of battle, and the bands playing 'Dixie,' and the march of tired feet and the trumpets calling." *Description from the original 1943 edition