Other editions of book Poets' Wit and Humour. Selected by W. H. W. Illustrated, Etc.

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

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About the Book Poetry as an art form predates written text, with the earliest poetry having been recited or sung, and employed as a way of remembering oral history. The oldest examples of epic poetry include the Epic of Gilgamesh from Bablylon and the Greek epics The Iliad and The Odyssey, and the Indian Sanskrit epics of Ramayana and Mahabharata. The longest epic poems in history were the Mahabharata and the Tibetan Epic of King Gesar. Aristotle's Poetics considered that there were three genres of poetry—the epic, the comic, and the tragic. Later aestheticians identified: epic poetry, lyric poetry, and dramatic poetry. One of the most popular form since the Late Middle Ages, is the sonnet, which by the 13th century had become standardized as fourteen lines following a set rhyme scheme. The form had crystallized further by the 14th century and the Italian Renaissance, under the guidance of Petrarch.Also in this Book American poetry arose first as efforts by colonists to add their voices to English poetry in the 17th century, well before the unification of the 13 colonies as a result of thye American War of Independence. Most of the colonists' early poetry relied on British models. During the 19th century, a distinctive American voice began to emerge when, in the later part of that century Walt Whitman began to be recognized internationally.And in this Book English poetry begins with Anglo-Saxon poetry such as the hymn on the creation, which Bede attributes to Cædmon (658–680AD). William Shakespeare was the stand out poet of the Elizabethan period, while Milton was considered the greatest poet of Jacobean and Caroline pe5riod (1603-1670). The Romantic movement was very big, proiducing such greats as William Blake, William Wordsworth, Samuel Taylor Coleridge, Percy Bysshe Shelley, Lord Byron, and John Keats. The major Victorian poets were John Clare, Alfred, Lord Tennyson, Robert Browning, Elizabeth Barrett Browning, Matthew Arnold and Gerard Manley Hopkins. James Macpherson was the first Scottish poet to gain an international reputation, while Robert Burns is regarded as the national poet of Scotland. The most important figure of Scottish Romanticism, Walter Scott, began as a poet. In Wales the works of the great hymn writers of the 18th and 19th centuries were the poets William Williams Pantycelyn and Ann Griffiths. In the early 20th century there was a Welsh renaissance, with poets like T. H. Parry-Williams and D. Gwenallt Jones and T. Gwynn Jones.About us Leopold Classic Library has the goal of making available to readers the classic books that have been out of print for decades. While these books may have occasional imperfections, we consider that only hand checking of every page ensures readable content without poor picture quality, blurred or missing text etc. That's why we: republish only hand checked books; that are high quality; enabling readers to see classic books in original formats; that are unlikely to have missing or blurred pages. You can search "Leopold Classic Library" in categories of your interest to find other books in our extensive collection. Happy reading!

About the Book Poetry as an art form predates written text, with the earliest poetry having been recited or sung, and employed as a way of remembering oral history. The oldest examples of epic poetry include the Epic of Gilgamesh from Bablylon and the Greek epics The Iliad and The Odyssey, and the Indian Sanskrit epics of Ramayana and Mahabharata. The longest epic poems in history were the Mahabharata and the Tibetan Epic of King Gesar. Aristotle's Poetics considered that there were three genres of poetry—the epic, the comic, and the tragic. Later aestheticians identified: epic poetry, lyric poetry, and dramatic poetry. One of the most popular form since the Late Middle Ages, is the sonnet, which by the 13th century had become standardized as fourteen lines following a set rhyme scheme. The form had crystallized further by the 14th century and the Italian Renaissance, under the guidance of Petrarch.Also in this Book American poetry arose first as efforts by colonists to add their voices to English poetry in the 17th century, well before the unification of the 13 colonies as a result of thye American War of Independence. Most of the colonists' early poetry relied on British models. During the 19th century, a distinctive American voice began to emerge when, in the later part of that century Walt Whitman began to be recognized internationally.And in this Book English poetry begins with Anglo-Saxon poetry such as the hymn on the creation, which Bede attributes to Cædmon (658–680AD). William Shakespeare was the stand out poet of the Elizabethan period, while Milton was considered the greatest poet of Jacobean and Caroline pe5riod (1603-1670). The Romantic movement was very big, proiducing such greats as William Blake, William Wordsworth, Samuel Taylor Coleridge, Percy Bysshe Shelley, Lord Byron, and John Keats. The major Victorian poets were John Clare, Alfred, Lord Tennyson, Robert Browning, Elizabeth Barrett Browning, Matthew Arnold and Gerard Manley Hopkins. James Macpherson was the first Scottish poet to gain an international reputation, while Robert Burns is regarded as the national poet of Scotland. The most important figure of Scottish Romanticism, Walter Scott, began as a poet. In Wales the works of the great hymn writers of the 18th and 19th centuries were the poets William Williams Pantycelyn and Ann Griffiths. In the early 20th century there was a Welsh renaissance, with poets like T. H. Parry-Williams and D. Gwenallt Jones and T. Gwynn Jones.About us Leopold Classic Library has the goal of making available to readers the classic books that have been out of print for decades. While these books may have occasional imperfections, we consider that only hand checking of every page ensures readable content without poor picture quality, blurred or missing text etc. That's why we: republish only hand checked books; that are high quality; enabling readers to see classic books in original formats; that are unlikely to have missing or blurred pages. You can search "Leopold Classic Library" in categories of your interest to find other books in our extensive collection. Happy reading!

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Excerpt from Poets' Wit and HumourUpon the whiche brook ther stont a. Melle 3 And this is veray sothe, that I you telle. A miller was then dwelling many a day.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Names on FFEP. Browning & spotting throughout, tight copy. 288pp, 100 engravings.Attractively decorated boards, green black and gilt are worn, chipping at edges and top & bottom of spine, frontboard & spine have full gilt & black motif & lettering. Rear board is blind stamped with same. Overall, used but nice. No date but late 19th century.