Other editions of book Medieval People

Medieval People is an account of the lives of six individuals who lived during the Middle Ages: a Frankish peasant; Marco Polo, the Venetian traveler; Madame Eglentyne, prioress of Chaucer's Cantervury Tales; a middle-class Parisian housewife; two English merchants, one engaged in the wool trade and the other in Essex clothier. The author has illustrated various aspects of social life of the era by drawing on such sources as account books, diaries, letters, records, and wills. A previously unpublished essay by Eileen Power has been added to the present edition. Entitled "The Precursors," it describes the barbarian conquest of Rome.

Medieval People is a series of historical sketches in which the author has tried to illustrate at the same time various aspects of social life in the Middle Ages and various classes of historical material. Thus Bodo illustrates peasant life, and an early phase of a typical medieval estate; Marco Polo, Venetian trade with the East; Madame Eglentyne, monastic life; the Ménagier's wife, domestic life in a middle-class home, and medieval ideas about women; Thomas Betson, the wool trade, and the activities of the great English trading company of Merchants of the Staple; and Thomas Paycocke, the cloth industry in East Anglia.

In this classic of social history, noted medieval scholar Eileen Power recreates the lives of six ordinary people who lived during the Middle Ages. Drawing upon account books, diaries, letters, records, wills, and other authentic historical documents, she brings to vivid life Bodo, a Frankish peasant in the time of Charlemagne; Marco Polo, the well-known Venetian traveler of the 13th century; Madame Eglentyne, Chaucer's prioress in real life; a Parisian housewife of the 14th century; Thomas Betson, a 15th-century English merchant; and Thomas Paycocke of Coggeshall, an Essex clothier in the days of Henry VII.Largely untouched by fame (with the exception of Marco Polo), the lives and activities of these common people offer a unique glimpse of various aspects of the medieval world — peasant life, monastic life, the wool trade, Venetian trade with the East, domestic life in a middleclass home, and more. Enlivened with charming illustrations and touches of humor, this scholarly, yet highly readable work "possesses a color, a dramatic touch that humanizes the dry bones of charters and documents." — New York Tribune.Students, teachers of history, and anyone interested in medieval life will be delighted with this spirited account that is sure to capture the imaginations of general readers as well.

In this classic of social history, noted medieval scholar Eileen Power recreates the lives of six ordinary people who lived during the Middle Ages. Drawing upon account books, diaries, letters, records, wills, and other authentic historical documents, she brings to vivid life Bodo, a Frankish peasant in the time of Charlemagne; Marco Polo, the well-known Venetian traveler of the 13th century; Madame Eglentyne, Chaucer's prioress in real life; a Parisian housewife of the 14th century; Thomas Betson, a 15th-century English merchant; and Thomas Paycocke of Coggeshall, an Essex clothier in the days of Henry VII.Largely untouched by fame (with the exception of Marco Polo), the lives and activities of these common people offer a unique glimpse of various aspects of the medieval world — peasant life, monastic life, the wool trade, Venetian trade with the East, domestic life in a middleclass home, and more. Enlivened with charming illustrations and touches of humor, this scholarly, yet highly readable work "possesses a color, a dramatic touch that humanizes the dry bones of charters and documents." — New York Tribune.Students, teachers of history, and anyone interested in medieval life will be delighted with this spirited account that is sure to capture the imaginations of general readers as well.

Every schoolboy knows that the Middle Ages arose on the ruins of the Roman Empire. The decline of Rome preceded and in some ways prepared the rise of the kingdoms and cultures which composed the medieval system. Yet in spite of the self-evident truth of this historical preposition we know little about life and thought in the watershed years when Europe was ceasing to be Roman but was not yet medieval. We do not know how it felt to watch the decline of Rome; we do not even know whether the men who watched it knew what they saw, though we can be quite certain that none of them foretold, indeed could have foreseen, the shape which the world was to take in later centuries.Yet the tragic story, its main themes and protagonists were for all to see. No observer should have failed to notice that the Roman Empire of the fourth and fifth centuries was no longer the Roman Empire of the great Antonine and Augustan age; that it had lost its hold over its territories and its economic cohesion and was menaced by the barbarians who were in the end to overwhelm it. The territory of the Roman Empire had at its height stretched from the lands bordering the North Sea to the lands on the northern fringes of the Sahara, and from the Atlantic coast of Europe to the central Asiatic Steppes; it comprised most of the regions of the former Hellenic, Iranian, and Phoenician empires, and it either ruled or kept in check great clusters of peoples and principalities beyond its Gallic and north African frontiers. From these farthest frontiers Rome of the fourth century had retreated and was still retreating...

Every schoolboy knows that the Middle Ages arose on the ruins of the Roman Empire. The decline of Rome preceded and in some ways prepared the rise of the kingdoms and cultures which composed the medieval system. Yet in spite of the self-evident truth of this historical preposition we know little about life and thought in the watershed years when Europe was ceasing to be Roman but was not yet medieval. We do not know how it felt to watch the decline of Rome; we do not even know whether the men who watched it knew what they saw, though we can be quite certain that none of them foretold, indeed could have foreseen, the shape which the world was to take in later centuries.

Social history sometimes suffers from the reproach that it is vague and general, unable to compete with the attractions of political history either for the student or for the general reader, because of its lack of outstanding personalities. In point of fact there is often as much material for reconstructing the life of some quite ordinary person as there is for writing a history of Robert of Normandy or of Philippa of Hainault; and the lives of ordinary people so reconstructed are, if less spectacular, certainly not less interesting. I believe that social history lends itself particularly to what may be called a personal treatment, and that the past may be made to live again for the general reader more effectively by personifying it than by presenting it in the form of learned treatises on the development of the manor or on medieval trade, essential as these are to the specialist. For history, after all, is valuable only in so far as it lives, and Maeterlinck's cry, 'There are no dead', should always be the historian's motto. It is the idea that history is about dead people, or, worse still, about movements and conditions which seem but vaguely related to the labours and passions of flesh and blood, which has driven history from bookshelves where the historical novel still finds a welcome place.In the following series of sketches I have tried to illustrate at the same time various aspects of social life in the Middle Ages and various classes of historical material. Thus Bodo illustrates peasant life, and an early phase of a typical medieval estate; Marco Polo, Venetian trade with the East; Madame Eglentyne, monastic life; the Ménagier's wife, domestic life in a middle-class home, and medieval ideas about women; Thomas Betson, the wool trade, and the activities of the great English trading company of Merchants of the Staple; and Thomas Paycocke, the cloth industry in East Anglia. They are all quite ordinary people and unknown to fame, with the exception of Marco Polo. The types of historical evidence illustrated are the estate book of a manorial lord, the chronicle and traveller's tale, the bishop's register, the didactic treatise in household management, the collection of family letters, and houses, brasses, and wills...

Medieval People is an account of the lives of six individuals who lived during the Middle Ages: a Frankish peasant; Marco Polo, the Venetian traveler; Madame Eglentyne, prioress of Chaucer's Cantervury Tales; a middle-class Parisian housewife; two English merchants, one engaged in the wool trade and the other in Essex clothier. The author has illustrated various aspects of social life of the era by drawing on such sources as account books, diaries, letters, records, and wills. A previously unpublished essay by Eileen Power has been added to the present edition. Entitled "The Precursors," it describes the barbarian conquest of Rome.

This vintage book contains a series of sketches that aim to illustrate various aspects of social life in the Middle Ages. This volume is highly recommended for those with an interest in European history and would make for a worthy addition to any collection. Contents include: "The Precursors", "Bodo, A Frankish Peasant In The Time Of Charlemagne", "Marco Polo, A Venetian Traveller Of The Thirteenth Century", "Madame Eglentyne, Chaucer's Prioress In Real Life", "The Ménagier's Wife, A Paris Housewife In The Fourteenth Century", "Thomas Betson, A Merchant Of The Staple In The Fifteenth Century", "Thomas Paycocke Of Coggeshall, An Essex Clothier In The Days Of Henry VII", "Notes And Sources", and "Notes On Illustrations". Many vintage books such as this are becoming increasingly rare and expensive. We are republishing this volume now in an affordable, modern, high-quality edition complete with a specially commissioned new introduction.

Social history sometimes suffers from the reproach that it is vague and general, unable to compete with the attractions of political history either for the student or for the general reader, because of its lack of outstanding personalities. In point of fact there is often as much material for reconstructing the life of some quite ordinary person as there is for writing a history of Robert of Normandy or of Philippa of Hainault; and the lives of ordinary people so reconstructed are, if less spectacular, certainly not less interesting...