Other editions of book The Lancashire Witches

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Lancashire Witches is the only one of William Harrison Ainsworth's 40 novels that has remained continuously in print since its first publication. It was serialised in the Sunday Times newspaper in 1848; a book edition appeared the following year, published by Henry Colburn. The novel is based on the true story of the Pendle witches, who were executed in 1612 for causing harm by witchcraft. Modern critics such as David Punter consider the book to be Ainsworth's best work.

There were eight watchers by the beacon on Pendle Hill in Lancashire. Two were stationed on either side of the north-eastern extremity of the mountain. One looked over the castled heights of Clithero; the woody eminences of Bowland; the bleak ridges of Thornley; the broad moors of Bleasdale; the Trough of Bolland, and Wolf Crag; and even brought within his ken the black fells overhanging Lancaster. The other tracked the stream called Pendle Water, almost from its source amid the neighbouring hills, and followed its windings through the leafless forest, until it united its waters to those of the Calder, and swept on in swifter and clearer current, to wash the base of Whalley Abbey. But the watcher's survey did not stop here. Noting the sharp spire of Burnley Church, relieved against the rounded masses of timber constituting Townley Park; as well as the entrance of the gloomy mountain gorge, known as the Grange of Cliviger; his far-reaching gaze passed over Todmorden, and settled upon the distant summits of Blackstone Edge.

Two PORTRAITS IK THE BANQUETING-HALL 158 CHAPTER X, THE NOCTURNAL MEETING 189 BOOK THE SECOND. CHAPTER LFLINT 208 CHAPTER IL HEAD HALL 218 CHAPTER IIL THE BOGGARTS GLEN 224 CHAPTER IV. THE REEVE or THE FOREST 230 CHAPTER V. BESS So TH BOOTH 238 CHAPTER VI. THE TEMPTATION 248 CHAPTER VIL THE PERAMBULATION OF THE BOUNDARIES 258 CHAPTER VIII. HOUGH LEE ,...(Typographical errors above are due to OCR software and don't occur in the book.)About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology.Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

William Harrison Ainsworth (4 February 1805 – 3 January 1882) was an English historical novelist born in Manchester. He trained as a lawyer, but the legal profession held no attraction for him. While completing his legal studies in London he met the publisher John Ebers, at that time manager of the King's Theatre, Haymarket. Ebers introduced Ainsworth to literary and dramatic circles, and to his daughter, who became Ainsworth's wife.Ainsworth briefly tried the publishing business, but soon gave it up and devoted himself to journalism and literature. His first success as a writer came with Rookwood in 1834, which features Dick Turpin as its leading character. A stream of 39 novels followed, the last of which appeared in 1881. Ainsworth died in Reigate on 3 January 1882.Ainsworth based his story largely on the official account of the Lancashire witch trials written by the clerk to the court, Thomas Potts, first published in 1613 under the title The Wonderfull Discoverie of Witches in the Countie of Lancaster. Potts himself makes an appearance in the novel, as a "scheming and self-serving lawyer".Book one is set against the backdrop of the 1536 Pilgrimage of Grace, an uprising by northern Catholics against the English Reformation instituted by King Henry VIII.

Ainsworth's last masterpiece, The Lancashire Witches proved a best-seller in its day and influenced many contemporary authors. The Lancashire Witches begins in the 16th century, in Lancashire, England. When a Cistercian monk, Borlace Alvetham, is falsely accused of witchcraft and condemned to death by his rival, Brother Paslew, he sells his soul to Satan and escapes. Years later, granted the powers of a warlock, he returns in the guise of Nicholas Demdike to witness Paslew's execution for treason. Dying, Paslew curses Demdike's offspring -- who become the titular 'Lancashire Witches.' The rest of the book set in the 17th century. Mother Demdike, a powerful witch, and her clan face rival witches, raise innocent young Alizon Devi as their own, and try to corrupt Alizon despite her innocent ways. Ultimately, the book becomes a struggle between Heaven and Hell, with Alizon's fate hanging in the balance. Ainsworth's last masterpiece, The Lancashire Witches proved a best-seller in its day and influenced many contemporary authors.

When a Cistercian monk, Borlace Alvetham, is falsely accused of witchcraft and condemned to death by his rival, Brother Paslew, he sells his soul to Satan and escapes. Granted the powers of a warlock, he returns in the guise of Nicholas Demdike to witness Paslew's execution for treason. Dying, Paslew curses Demdike's offspring -- who become the titular ""Lancashire Witches."" Years later, Mother Demdike, a powerful witch, and her clan face rival witches, raise Alizon Devi as their own, and try to corrupt Alizon despite her innocent ways. Ultimately, the story becomes a struggle between Heaven and Hell, with Alizon's fate hanging in the balance. Read by Andy Winter, music by Kevin MacLeod.

The Lancashire Witches is the only one of William Harrison Ainsworth's forty novels that has remained continuously in print since its first publication. It was serialised in the Sunday Times newspaper in 1848; a book edition appeared the following year, published by Henry Colburn. The novel is based on the true story of the Pendle witches, who were executed in 1612 for causing harm by witchcraft. Modern critics such as David Punter consider the book to be Ainsworth's best work. E. F. Bleiler rated the novel "one of the major English novels about witchcraft