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Other editions of book Rootabaga Stories

  • Rootabaga Stories

    Carl Sandburg

    Paperback (CreateSpace Independent Publishing Platform, )
    None
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  • Rootabaga Stories

    Carl Sandburg

    Paperback (Dover Publications, May 17, 2017)
    "Takes the home-bred American fantasy of The Wizard of Oz even further … An old favorite, which no American child should miss." ― School Library Journal."These stories out of the Rootabaga Country… have taken root in American soil — they are here to stay." — New York Herald Tribune."Glorious for reading aloud." ― The New York Times Book Review.In the village of Liver-and-Onions, there was a Potato Face Blind Man who used to play an accordion on the corner near the post office. The sometime narrator of these tales, he transports readers and listeners to Rootabaga Country, where the railroad tracks go from straight to zigzag, the pigs wear bibs, and the Village of Cream Puffs floats in the wind, looking like a little hat that you could wear on the end of your thumb. Carl Sandburg, the beloved folk chronicler and three-time Pulitzer Prize winner, invented these stories for his own daughters. Populated by corn fairies, circus performers, and such memorable characters as Poker Face the Baboon, Hot Dog the Tiger, and Gimme the Ax, Rootabaga Country is built with the homespun poetry of the American frontier. The stories' inspired nonsense — loaded with rhythm, humor, and tongue-twisting names — fires the imagination and pulls at the heartstrings. This edition features the charming original illustrations by Maud and Miska Petersham."The original illustrations by Maud and Miska Petersham, including a colored frontispiece and plentiful black-and white line drawings, form the perfect complement in this very affordable paperback." — The Emerald City Book Review
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  • Rootabaga Stories

    Carl Sandburg

    Paperback (CreateSpace Independent Publishing Platform, April 19, 2017)
    Welcome to Rootabaga Country--where the railroad tracks go from straight to zigzag, where the pigs wear bibs, and where the Village of Cream Puffs floats in the wind. You'll meet baby balloon pickers, flummywisters, corn fairies, and blue foxes--and if you're not careful, you may never find your way back home!
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  • Rootabaga Stories

    Carl Sandburg

    eBook (Dover Publications, May 4, 2017)
    "Takes the home-bred American fantasy of The Wizard of Oz even further … An old favorite, which no American child should miss." ― School Library Journal."These stories out of the Rootabaga Country… have taken root in American soil — they are here to stay." — New York Herald Tribune."Glorious for reading aloud." ― The New York Times Book Review.In the village of Liver-and-Onions, there was a Potato Face Blind Man who used to play an accordion on the corner near the post office. The sometime narrator of these tales, he transports readers and listeners to Rootabaga Country, where the railroad tracks go from straight to zigzag, the pigs wear bibs, and the Village of Cream Puffs floats in the wind, looking like a little hat that you could wear on the end of your thumb. Carl Sandburg, the beloved folk chronicler and three-time Pulitzer Prize winner, invented these stories for his own daughters. Populated by corn fairies, circus performers, and such memorable characters as Poker Face the Baboon, Hot Dog the Tiger, and Gimme the Ax, Rootabaga Country is built with the homespun poetry of the American frontier. The stories' inspired nonsense — loaded with rhythm, humor, and tongue-twisting names — fires the imagination and pulls at the heartstrings. This edition features the charming original illustrations by Maud and Miska Petersham.
    U
  • Rootabaga Stories

    Carl Sandburg

    eBook (Dover Publications, May 4, 2017)
    "Takes the home-bred American fantasy of The Wizard of Oz even further … An old favorite, which no American child should miss." ― School Library Journal."These stories out of the Rootabaga Country… have taken root in American soil — they are here to stay." — New York Herald Tribune."Glorious for reading aloud." ― The New York Times Book Review.In the village of Liver-and-Onions, there was a Potato Face Blind Man who used to play an accordion on the corner near the post office. The sometime narrator of these tales, he transports readers and listeners to Rootabaga Country, where the railroad tracks go from straight to zigzag, the pigs wear bibs, and the Village of Cream Puffs floats in the wind, looking like a little hat that you could wear on the end of your thumb. Carl Sandburg, the beloved folk chronicler and three-time Pulitzer Prize winner, invented these stories for his own daughters. Populated by corn fairies, circus performers, and such memorable characters as Poker Face the Baboon, Hot Dog the Tiger, and Gimme the Ax, Rootabaga Country is built with the homespun poetry of the American frontier. The stories' inspired nonsense — loaded with rhythm, humor, and tongue-twisting names — fires the imagination and pulls at the heartstrings. This edition features the charming original illustrations by Maud and Miska Petersham.
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  • Rootabaga Stories

    Carl Sandburg

    Paperback (CreateSpace Independent Publishing Platform, June 19, 2011)
    This anthology is a thorough introduction to classic literature for those who have not yet experienced these literary masterworks. For those who have known and loved these works in the past, this is an invitation to reunite with old friends in a fresh new format. From Shakespeare s finesse to Oscar Wilde s wit, this unique collection brings together works as diverse and influential as The Pilgrim s Progress and Othello. As an anthology that invites readers to immerse themselves in the masterpieces of the literary giants, it is must-have addition to any library
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  • Rootabaga Stories by Carl Sandburg

    Carl Sandburg

    Hardcover (Aegypan, March 15, 1648)
    None
  • ROOTABAGA STORIES

    CARL SANDBURG

    Hardcover (HARCOURT, BRACE AND COMPANY, NEW YORK, Aug. 16, 1922)
    None
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  • Rootabaga Stories

    Carl Sandburg

    MP3 CD (IDB Productions, Aug. 16, 2019)
    Rootabaga Stories How They Broke Away to Go to the Rootabaga Country Gimme the Ax lived in a house where everything is the same as it always was. "The chimney sits on top of the house and lets the smoke out," said Gimme the Ax. "The doorknobs open the doors. The windows are always either open or shut. We are always either upstairs or downstairs in this house. Everything is the same as it always was." So he decided to let his children name themselves. "The first words they speak as soon as they learn to make words shall be their names," he said. "They shall name themselves." When the first boy came to the house of Gimme the Ax, he was named Please Gimme. When the first girl came she was named Ax Me No Questions. And both of the children had the shadows of valleys by night in their eyes and the lights of early morning, when the sun is coming up, on their foreheads. And the hair on top of their heads was a dark wild grass. And they loved to turn the doorknobs, open the doors, and run out to have the wind comb their hair and touch their eyes and put its six soft fingers on their foreheads.
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  • Rootabaga Stories

    Carl Sandburg

    Paperback (Palala Press, Feb. 16, 2018)
    This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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