Other editions of book Number Stories Of Long Ago

Come sit around the camp fire as The Storyteller teaches the Tease and the rest of the crowd stories of long ago, of a time before numbers, and how the people of yester-year learned to count. Over several nights the Crowd looks throught the flames and is transported back to the world of An-am who could count to three, of Ching who wrote on palm leaves, and Lugal on his bricks. We see how Caius added with pebbles, how Robert wrote numbers with counters, how Cuthbert learned to multiply and Adriaen learned to divide. Number Stories of Long Ago is a wonderful living book that brings the story of how mathematics developed come to life for even the most math resistant student. This edition is fully transcribed for easy ready, complete and unabridged with all the original images. Each chapter features a 'question box' to extend the student's thinking, and the final few chapters feature a plethora of fun math questions that have puzzled students over the ages.

Excerpt from Number Stories of Long AgoThese are the stories that were really told in the crisp autumn evenings, the story-teller sitting by the fire that burned in the great fireplace in the cottage by the sea. These are the stories as he told them to the Tease and the rest of the circle of friends known as the Crowd. Sitting by the fire and listening to the stories, in the lights and shadows of the dancing flames they could see the forms of Ching and Lugal and all the rest with their curious dress of long ago.Night after night he told these tales of the ages past, stories unlike the make-believes they had often heard, stories of what might really have happened when the world was young, stories that the Crowd said were different because they told of much that was new, much that was curious, and much that was interesting.So the Crowd learned many strange things that have happened in Number Land, but they learned much more than this for the story-teller told them much that was interesting about the way in which boys and girls used to write in centuries long past how Ching wrote on palm leaves, and Lugal on bricks.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.