Other editions of book The Colossus

Prominent journalist, poet and literary critic for The Observer newspaper, Al Alvarez, called the posthumous re-release of the book, after the success of Ariel, a "major literary event" and wrote of Plath's work: "She steers clear of feminine charm, deliciousness, gentility, supersensitivity and the act of being a poetess. She simply writes good poetry. And she does so with a seriousness that demands only that she be judged equally seriously... There is an admirable no-nonsense air about this; the language is bare but vivid and precise, with a concentration that implies a good deal of disturbance with proportionately little fuss." Seamus Heaney said of The Colossus: "On every page, a poet is serving notice that she has earned her credentials and knows her trade."

With this startling, exhilarating book of poems, which was first published in 1960, Sylvia Plath burst into literature with spectacular force. In such classics as "The Beekeeper's Daughter," "The Disquieting Muses," "I Want, I Want," and "Full Fathom Five," she writes about sows and skeletons, fathers and suicides, about the noisy imperatives of life and the chilly hunger for death. Graceful in their craftsmanship, wonderfully original in their imagery, and presenting layer after layer of meaning, the forty poems in The Colossus are early artifacts of genius that still possess the power to move, delight, and shock.

Prominent journalist, poet and literary critic for The Observer newspaper, Al Alvarez, called the posthumous re-release of the book, after the success of Ariel, a "major literary event" and wrote of Plath's work:"She steers clear of feminine charm, deliciousness, gentility, supersensitivity and the act of being a poetess. She simply writes good poetry. And she does so with a seriousness that demands only that she be judged equally seriously... There is an admirable no-nonsense air about this; the language is bare but vivid and precise, with a concentration that implies a good deal of disturbance with proportionately little fuss."Seamus Heaney said of The Colossus: "On every page, a poet is serving notice that she has earned her credentials and knows her trade."

Prominent journalist, poet and literary critic for The Observer newspaper, Al Alvarez, called the posthumous re-release of the book, after the success of Ariel, a "major literary event" and wrote of Plath's work:"She steers clear of feminine charm, deliciousness, gentility, supersensitivity and the act of being a poetess. She simply writes good poetry. And she does so with a seriousness that demands only that she be judged equally seriously... There is an admirable no-nonsense air about this; the language is bare but vivid and precise, with a concentration that implies a good deal of disturbance with proportionately little fuss."Seamus Heaney said of The Colossus: "On every page, a poet is serving notice that she has earned her credentials and knows her trade."

Prominent journalist, poet and literary critic for The Observer newspaper, Al Alvarez, called the posthumous re-release of the book, after the success of Ariel, a "major literary event" and wrote of Plath's work:"She steers clear of feminine charm, deliciousness, gentility, supersensitivity and the act of being a poetess. She simply writes good poetry. And she does so with a seriousness that demands only that she be judged equally seriously... There is an admirable no-nonsense air about this; the language is bare but vivid and precise, with a concentration that implies a good deal of disturbance with proportionately little fuss."Seamus Heaney said of The Colossus: "On every page, a poet is serving notice that she has earned her credentials and knows her trade."

Prominent journalist, poet and literary critic for The Observer newspaper, Al Alvarez, called the posthumous re-release of the book, after the success of Ariel, a "major literary event" and wrote of Plath's work:"She steers clear of feminine charm, deliciousness, gentility, supersensitivity and the act of being a poetess. She simply writes good poetry. And she does so with a seriousness that demands only that she be judged equally seriously... There is an admirable no-nonsense air about this; the language is bare but vivid and precise, with a concentration that implies a good deal of disturbance with proportionately little fuss."Seamus Heaney said of The Colossus: "On every page, a poet is serving notice that she has earned her credentials and knows her trade.

Prominent journalist, poet and literary critic for The Observer newspaper, Al Alvarez, called the posthumous re-release of the book, after the success of Ariel, a "major literary event" and wrote of Plath's work:"She steers clear of feminine charm, deliciousness, gentility, supersensitivity and the act of being a poetess. She simply writes good poetry. And she does so with a seriousness that demands only that she be judged equally seriously... There is an admirable no-nonsense air about this; the language is bare but vivid and precise, with a concentration that implies a good deal of disturbance with proportionately little fuss."Seamus Heaney said of The Colossus: "On every page, a poet is serving notice that she has earned her credentials and knows her trade.

Prominent journalist, poet and literary critic for The Observer newspaper, Al Alvarez, called the posthumous re-release of the book, after the success of Ariel, a "major literary event" and wrote of Plath's work:"She steers clear of feminine charm, deliciousness, gentility, supersensitivity and the act of being a poetess. She simply writes good poetry. And she does so with a seriousness that demands only that she be judged equally seriously... There is an admirable no-nonsense air about this; the language is bare but vivid and precise, with a concentration that implies a good deal of disturbance with proportionately little fuss."Seamus Heaney said of The Colossus: "On every page, a poet is serving notice that she has earned her credentials and knows her trade.

Prominent journalist, poet and literary critic for The Observer newspaper, Al Alvarez, called the posthumous re-release of the book, after the success of Ariel, a "major literary event" and wrote of Plath's work:"She steers clear of feminine charm, deliciousness, gentility, supersensitivity and the act of being a poetess. She simply writes good poetry. And she does so with a seriousness that demands only that she be judged equally seriously... There is an admirable no-nonsense air about this; the language is bare but vivid and precise, with a concentration that implies a good deal of disturbance with proportionately little fuss."Seamus Heaney said of The Colossus: "On every page, a poet is serving notice that she has earned her credentials and knows her trade.

Prominent journalist, poet and literary critic for The Observer newspaper, Al Alvarez, called the posthumous re-release of the book, after the success of Ariel, a "major literary event" and wrote of Plath's work:"She steers clear of feminine charm, deliciousness, gentility, supersensitivity and the act of being a poetess. She simply writes good poetry. And she does so with a seriousness that demands only that she be judged equally seriously... There is an admirable no-nonsense air about this; the language is bare but vivid and precise, with a concentration that implies a good deal of disturbance with proportionately little fuss."Seamus Heaney said of The Colossus: "On every page, a poet is serving notice that she has earned her credentials and knows her trade.

Prominent journalist, poet and literary critic for The Observer newspaper, Al Alvarez, called the posthumous re-release of the book, after the success of Ariel, a "major literary event" and wrote of Plath's work:"She steers clear of feminine charm, deliciousness, gentility, supersensitivity and the act of being a poetess. She simply writes good poetry. And she does so with a seriousness that demands only that she be judged equally seriously... There is an admirable no-nonsense air about this; the language is bare but vivid and precise, with a concentration that implies a good deal of disturbance with proportionately little fuss."Seamus Heaney said of The Colossus: "On every page, a poet is serving notice that she has earned her credentials and knows her trade.

Prominent journalist, poet and literary critic for The Observer newspaper, Al Alvarez, called the posthumous re-release of the book, after the success of Ariel, a "major literary event" and wrote of Plath's work:"She steers clear of feminine charm, deliciousness, gentility, supersensitivity and the act of being a poetess. She simply writes good poetry. And she does so with a seriousness that demands only that she be judged equally seriously... There is an admirable no-nonsense air about this; the language is bare but vivid and precise, with a concentration that implies a good deal of disturbance with proportionately little fuss."Seamus Heaney said of The Colossus: "On every page, a poet is serving notice that she has earned her credentials and knows her trade.