Other editions of book The Burning of Rome

A beautiful and dramatic retelling of the events leading up to the horrendous fire that consumed Rome during the Emperor Nero's reign. Known as Piso's Conspiracy, this period is one of the seminal in Roman history and essential for a deep understanding of the ancient Roman Empire. A classic retelling.Richly illustrated throughout to enhance the reading experience. Formatted for Kindle devices and the Kindle for iOS apps.

Vivid story of Rome in the days of Nero, beginning with the burning of the city, seemingly ordered by Nero himself. The narrative revolves around a set of characters who suffer acutely in the cruel persecutions of the Christians, set in motion by Nero after the fire to deflect blame for the conflagration from himself and fasten it on the Christians. Suitable for ages 12 and up.

“A disaster followed, whether accidental or treacherously contrived by the emperor, is uncertain, as authors have given both accounts, worse, however, and more dreadful than any which have ever happened to this city by the violence of fire. It had its beginning in that part of the circus which adjoins the Palatine and Caelian hills, where, amid the shops containing inflammable wares, the conflagration both broke out and instantly became so fierce and so rapid from the wind that it seized in its grasp the entire length of the circus.” Among all the natural disasters that struck Rome, one of the most well-known is the Great Fire of Rome, in part due to the popular myth that Emperor Nero fiddled while the Eternal City burned, even though no fiddle existed in 1st century Rome. Suetonius and Cassius Dio, two of Nero’s ancient biographers, are adamant that it was he himself who set the fire (or ordered it set), and they are the originators of the myth that Nero played the lyre, danced around his palace and sang “The Sack of Troy” while Rome burned outside his windows. Even though those accounts are likely apocryphal, it is true that on the night of July 18th, 64 A.D., the most significant event of Nero’s time in power – and the one which, for better or for worse, would seal his name in infamy throughout the ages – took place. What became known as the Great Fire of Rome started sometime between the night of the 18th and the earliest hours of the 19th, and it consumed almost a quarter of the city as it burned out of control for five days. Interestingly, though there is archaeological evidence for the fact that the fire actually took place, and its extent was as significant as the sources seem to indicate, Tacitus is the only one who gives a comprehensive account of the fire, with other biographers not even mentioning it (aside from Pliny, who mentions it in connection to another incident). It is most likely that the fire was an accident, likely caused by flammable materials near the Circus Maximus. Indeed, blazes of such kind were common until the 19th century in overcrowded cities with wooden houses closely packed together, lit and heated by open flames, and with no organized official fire brigades. In fact, Rome would suffer two more major fires in the next 15 years. Regardless of its origins, the fire was a disaster for Rome. Though casualties are unknown, it destroyed scores, if not hundreds, of private residences, commercial premises, and public buildings. According to Tacitus, Nero quickly hurried back from Antium when news reached him of the fire and opened the doors of his palace to common people dispossessed by the flames. Tacitus claim Nero also spent days, sometimes without his bodyguards, combing the smoking ruins for victims and partially funding the relief effort out of his own private fortune. Though this is partially at odds with Nero’s perceived character, his populist generosity to the lower classes, which was a hallmark of his reign, was in keeping with his previous legislation and sounds like it could have a kernel of truth. Either way, the Great Fire of Rome permanently tarnished Nero’s reign, and it ultimately helped bring about the downfall that ended with the Roman emperor committing suicide just a few years later in 68 A.D.

Vivid story of Rome in the days of Nero, beginning with the burning of the city, seemingly ordered by Nero himself. The narrative revolves around a set of characters who suffer acutely in the cruel persecutions of the Christians, set in motion by Nero after the fire to deflect blame for the conflagration from himself and fasten it on the Christians. Suitable for ages 12 and up.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

Alfred John Church (1829-1912) was an English classical scholar. He was born in London and was educated at King's College London, and Lincoln College, Oxford, he took holy orders and was an assistant-master at Merchant Taylors' School for many years. From 1880 until 1888 he was professor of Latin at University College, London. While at University College in partnership with William Jackson Brodribb, he translated Tacitus and edited Pliny's Letters (Epistulae). Church also wrote a number of stories in English re-telling of classical tales and legends for young people (Stories from Virgil, Stories from Homer, etc. ). He also wrote much Latin and English verse, and in 1908 published his Memories of Men and Books. Other works include: Stories of the Magicians (1887), The Count of the Saxon Shore; or, The Villa in Vectis (with Ruth Putnam) (1888), Heroes of Chivalry and Romance (1898), Stories of Charlemagne (1902), The Crown of Pine (1906) and With the King at Oxford (1909).

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide. This text refers to the Bibliobazaar edition.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.