Other editions of book What is Art?

Tolstoy claims that all good art is related to the authentic life of the broader community and that the aesthetic value of a work of art is not independent of its moral content. The book is noteworthy not only for its famous iconoclasm and compelling attacks on the aestheticist notion of "art for art's sake" but even more for its wit, its lucid and beautiful prose, and its sincere expression of the deepest social conscience. Tolstoy is an author critics typically rank alongside Shakespeare and Homer. A sustained consideration of the cultural import of art by someone who himself was an artist of the highest stature will always remain relevant and fascinating to anyone interested in the place of art and literature in society.

This profound analysis of the nature of art is the culmination of a series of essays and polemics on issues of morality, social justice, and religion. Considering and rejecting the idea that art reveals and reinvents through beauty, Tolstoy perceives the question of the nature of art to be a religious one. Ultimately, he concludes, art must be a force for good, for the progress and improvement of mankind.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

While Tolstoy may be best remembered as the talented Russian author of such monumentally great works as "War and Peace" and "Anna Karenina", he also wrote prolifically in essay format on various subjects. In this volume Tolstoy turns his attention to the study of aesthetics and art in all its forms. Based on fifteen years of research "What is Art?" is Tolstoy's intellectual exposition into answering the titular question. Rich with criticism for his contemporaries as well as even his own writings, Tolstoy makes the central argument that art should be used as a force for good and betterment of mankind and that art that is borne out of vanity, sexual desire, or some other amoral ambition should be condemned. For Tolstoy, art has a religious significance, which is instrumental to the reader in explaining the philosophy for art that he crafts in this work. As a compelling and interesting examination of the place of art in our society, "What is Art?" is a must read for all artists, written masterfully by one of the greatest writers to ever have lived.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Maude's excellent translation of Tolstoy's treatise on the emotionalist theory of art was the first unexpurgated version of the work to appear in any languages. More than ninety years later this work remains, as Vincent Tomas observed, one of the most rigorous attacks on formalism and on the doctrine of art for art's sake ever written. Tomas's Introduction makes this the edition of choice for students of aesthetics and anyone with philosophical interests.

2014 paperback edition of Leo Tolstoy's controversial indictment of æsthetic theory. Tolstoy contends that much of European art since the Renaissance is not "true" art but "counterfeit" art, marked by being mannered, imitative, sensationalist, and overly intellectual. Few of the most highly regarded masters in the canon of art history are spared Tolstoy’s scathing criticisms — Michelangelo, Shakespeare, Bach, Beethoven, Wagner, Baudelaire, Zola, and many others, are derided as insincere, decadent, and obsessed with erotic mania. Even the concept of beauty is exposed as a manipulative, calculating, and perverse obsession of the upper class, largely produced at the expense of the laboring class. The cover is a portrait of Tolstoy painted by Ilya Repin.

This book of mine, "What is Art?" appears now for the first time in its true form. More than one edition has already been issued in Russia, but in each case it has been so mutilated by the "Censor," that I request all who are interested in my views on art only to judge of them by the work in its present shape. The causes which led to the publication of the book-with my name attached to it-in a mutilated form were the following: In accordance with a decision I arrived at long ago,-not to submit my writings to the "Censorship" (which I consider to be an immoral and irrational institution), but to print them only in the shape in which they were written,-I intended not to attempt to print this work in Russia. However, my good acquaintance, Professor Grote, editor of a Moscow psychological magazine, having heard of the contents of my work, asked me to print it in his magazine, and promised me that he would get the book through the "Censor's" office unmutilated if I would but agree to a few very unimportant alterations, merely toning down certain expressions. I was weak enough to agree to this, and it has resulted in a book appearing under my name, from which not only have some essential thoughts been excluded, but into which the thoughts of other men-even thoughts utterly opposed to my own convictions-have been introduced.

Leo Tolstoy is one of the most celebrated novelists of all time. As well as writing literary classics such as Anna Karenina and War and Peace he was also the author of some hugely influential critical and philosophical works. First published in 1898 his book length essay What is Art? has lost none of its power to challenge our perception of art and its function in society today. In this provocative work Tolstoy famously dismisses works by Shakespeare, Dante, Wagner and even many of his own works as 'bad art' based on various criteria including sincerity, ethics, morality and accessibility. Tolstoy took art seriously at a time when western civilization toyed with it as a mere pastime during the height of the Aestheticism movement. For him, art was natural and necessary to the advancement of humankind.In his introduction to this translation, W. Gareth Jones shows how vitally Tolstoy's personality and experiences in life were engaged in creating What is Art?. Jones shows how integral the essay was to his art and teaching, and why it continues to demand a response from us.

What is Art? What is value? What is good taste? What makes a cultured class? Tolstoy wrestled with these questions for fifteen years, and this book is the result of his fascination with the evolution of art, and its relationship with religion, commerce, and science. As the growing digitization of our world continues to provide new ways to create and consume art, and raises questions about its quality and its control, What is Art? challenges us to revert to the visceral, the authentic, and to think carefully about how art can shape our collective future.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.