Other editions of book The Puppet-Booth; Twelve Plays

This volume was published in 1896. Contents: I. The Cure of Souls II. On the Whirlwind III. The Love of Love IV. Afterglow V. The Ship Comes In VI. At Saint Judas's VII. The Light that Always Is VIII. The Dead-and-Alive IX. Northern Lights X. The Story-Spinner XI. The Stranger Within the Gates XII. In Such a Night .............................................................................. Some Excerpts: The Cure of Souls: A pool in the heart of the primeval forest. Close beside it, a human habitation half lodge, half chapel. The pool is fed by a small stream which, rising high above, forms a waterfall over a ledge of rock ; and it is emptied by means of a wider stream which flows into a lake lying many feet below. Close to the edge of the pool a flock of lambs are grazing, and two or three swans, with their young, float upon its surface. The spot is closed in by a chain of mountain-peaks pink in the latest moment of the sunset glow, and upon the lightly ruffled bosom of the pool itself one sees the dancing double of the evening star. .............................................................................. On the Whirlwind: A workshop in the midst of a vast city and high above it. Wide windows command the roofs that shelter a mil- lion people and the harbor to which has come for genera- tions the tribute of a world. A high wind sweeps freely round ; it causes the defiant flaunting of a myriad flags but the same flag always, and it will bring at intervals great swirling clouds of dun and pungent smoke. Outside the harbor one sees an aggregation of enormous ironclads, whose flag is not the flag above the roofs all round about: the clouds of smoke, too, will come from that same quarter, for the smoke is to be the smoke of battle. The room is cumbered with the varied apparatus of science, and through every window the air is seen to be cut by the black lines of multitudes of wires that radiate to every point of the compass. The Master, a grave, self-absorbed man of thirty-five, stands looking out at one of the windows. No one can be sure of what he sees, or of his seeing anything at all ; it can only be certain that his hands, with corded veins and half-purpled nails, are strained in a motionless and vise- like grip behind his back. ............................................................................. The Love of Love: A hilltop. A white marble wall, before which is drawn up an inexorable array of Doric columns. In the middle of the wall is a single doorway, which leads to darkness save for the occasional reflection of red flames from with- in. On either side of the doorway there stands a burned- out brazen funeral torch, and under the colonnade, as well as on the steps which rise to it, are stationed several black- draped groups that look out toward the horizon-line of the sea. They are waiting. It is evening, and above the tops of the cypress-trees which lead, in a long avenue, up to the foot of the Monument the stars are shining shin- ing coldly, serenely, patiently, impersonally : they do not care they have seen too much. They give no heed to the Monument, nor to the convent-isle that whitens in their light a league from shore.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide. This text refers to the Bibliobazaar edition.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

This book, "The puppet-booth; twelve plays", by Fuller, Henry Blake, 1857-1929, is a replication of a book originally published before 1896. It has been restored by human beings, page by page, so that you may enjoy it in a form as close to the original as possible. This book was created using print-on-demand technology. Thank you for supporting classic literature.

This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Leather Binding on Spine and Corners with Golden Leaf Printing on round Spine (extra customization on request like complete leather, Golden Screen printing in Front, Color Leather, Colored book etc.) Reprinted in 2019 with the help of original edition published long back [1896]. This book is printed in black & white, sewing binding for longer life, Printed on high quality Paper, re-sized as per Current standards, professionally processed without changing its contents. As these are old books, we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set, then it is only single volume, if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Hope you will like it and give your comments and suggestions. Lang: - eng, Pages 228. EXTRA 10 DAYS APART FROM THE NORMAL SHIPPING PERIOD WILL BE REQUIRED FOR LEATHER BOUND BOOKS. COMPLETE LEATHER WILL COST YOU EXTRA US$ 25 APART FROM THE LEATHER BOUND BOOKS. {FOLIO EDITION IS ALSO AVAILABLE.}