Other editions of book A Patriotic Schoolgirl

"Dona, are you awake? Donakins! I say, old sport, do stir yourself and blink an eye! What a dormouse you are! D'you want shaking? Rouse up, you old bluebottle, can't you?" "I've been awake since five o'clock, and it's no use thumping me in the back," grunted an injured voice from the next bed. "It's too early yet to get up, and I wish you'd leave me alone."

A Patriotic Schoolgirl' is a work of juvenile fiction by Angela Brazil. The story is set during the First World War and tells of the intricacies of living in a girls' school in the early part of the 20th century. There are also German prisoners of war, spies, and misunderstandings, all thrown in for good measure. Originally published in 1918, this is not only an entertaining read, but also gives a valuable insight into how the Great War was depicted in contemporary literature. This book is part of the World War One Centenary series; creating, collating and reprinting new and old works of poetry, fiction, autobiography and analysis. The series forms a commemorative tribute to mark the passing of one of the world's bloodiest wars, offering new perspectives on this tragic yet fascinating period of human history. Each publication also includes brand new introductory essays and a timeline to help the reader place the work in its historical context.

About the Author- Angela Brazil (pronounced "brazzle") (30 November 1868 – 13 March 1947) was one of the first British writers of "modern schoolgirls' stories", written from the characters' point of view and intended primarily as entertainment rather than moral instruction. In the first half of the twentieth century she published nearly 50 books of girls' fiction, the vast majority being boarding school stories. She also published numerous short stories in magazines. Her books were commercially successful, were widely read by tween girls, and influential upon their readers[citation needed]. While interest in girls' school stories waned after World War II, her books remained popular until the 1960s. They were seen as disruptive and a negative influence on moral standards by some figures in authority during the height of their popularity, and in some cases were banned by headmistresses in British girls' schools. For more eBooks visit www.kartindo.com.

"Dona, are you awake? Donakins! I say, old sport, do stir yourself and blink an eye! What a dormouse you are! D'you want shaking? Rouse up, you old bluebottle, can't you?" "I've been awake since five o'clock, and it's no use thumping me in the back," grunted an injured voice from the next bed. "It's too early yet to get up, and I wish you'd leave me alone." The huskiness and general chokiness of the tone were unmistakable. Marjorie leaned over and took a keen survey of that portion of her sister's face which was not buried in the pillow. "Oh! the atmosphere's damp, is it?" she remarked. "Dona, you're ostriching! For goodness' sake brace up, child, and turn off the water-works! I thought you'd more pluck. If you're going to arrive at Brackenfield with a red nose and your eyes all bunged up, I'll disown you, or lose you on the way. Crystal clear, I will! I'll not let you start in a new school nicknamed 'Niobe', so there! Have a caramel?" Dona sat up in bed, and arrested her tears sufficiently to accept the creature comfort offered her. As its consistency was decidedly of a stick-jaw nature, the mingled sucking and sobbing which followed produced a queer combination.