Other editions of book Fighting for the Right

"FIGHTING FOR THE RIGHT" is the fifth and last but one of "The Blue and the Gray Series." The character of the operations in connection with the war of the Rebellion, and the incidents in which the interest of the young reader will be concentrated, are somewhat different from most of those detailed in the preceding volumes of the series, though they all have the same patriotic tendency, and are carried out with the same devotion to the welfare of the nation as those which deal almost solely in deeds of arms.

The hero of our tale is a young lieutenant in the United States Navy during the Civil War. William Taylor Adams (July 30, 1822 – March 27, 1897), pseudonym Oliver Optic, was a noted academic, author, and a member of the Massachusetts House of Representatives. Adams first began to write at the age of 28, and his first book, Hatchie, the Guardian Slave (1853), was published under the pseudonym of Warren T. Ashton. It was only a modest success, but Adams was undaunted. In 1855 Adams produced his first real hit, the initial volume in the Boat Club series. Adams continued to write until he died in Dorchester, March 27, 1897. Among his best-known works were the two "Blue & Gray" series, which were set during the Civil War. Adams wrote well over 100 books in total, most of them for a boy audience, and the majority of these in series of four to six volumes. He never wrote under his own name. Though "Oliver Optic" was the pseudonym he used most, his work also appeared under the bylines "Irving Brown," "Clingham Hunter, M.D.," and "Old Stager." Like many children's authors of his day, he was additionally an editor, and many of his works first appeared in Oliver Optic's Magazine. Adams' writing was criticized by Louisa May Alcott, among others. Alcott used her story Eight Cousins to deplore Adams' use of slang, his cast of bootblacks and newsboys, and his stories of police courts and saloons. Adams responded in kind, pointing out Alcott's own use of slang and improbable plot twists. - Wikipedia. Haaswurth Books.

"FIGHTING FOR THE RIGHT" is the fifth and last but one of "The Blue and the Gray Series." The character of the operations in connection with the war of the Rebellion, and the incidents in which the interest of the young reader will be concentrated, are somewhat different from most of those detailed in the preceding volumes of the series, though they all have the same patriotic tendency, and are carried out with the same devotion to the welfare of the nation as those which deal almost solely in deeds of arms. Although the soldiers and sailors of the army and navy of the Union won all the honors gained in the field of battle or on the decks of the national ships, and deserved all the laurels they gathered by their skill and bravery in the trying days when the republic was in peril, they were not the only actors in the greatest strife of the nineteenth century. Not all the labor of "saving the Union" was done in the trenches, on the march, on the gun deck of a man-of-war, or in other military and naval operations, though without these the efforts of all others would have been in vain. Thousands of men and women who never "smelled gunpowder," who never heard the booming cannon, or the rattling musketry, who never witnessed a battle on sea or land, but who kept their minds and hearts in touch with the holy cause, labored diligently and faithfully to support and sustain the soldiers and sailors at the front. If all those who fought no battles are not honored like the leaders and commanders in the loyal cause, if they wear no laurels on their brows, if no monuments are erected to transmit their memory to posterity, if their names and deeds are not recorded in the Valhalla of the redeemed nation, they ought not to be disregarded and ignored. It was not on the field of strife alone in the South that the battle was fought and won. The army and the navy needed a moral, as well as a material support, which was cheerfully rendered by the great army of the people who never buckled on a sword, or shouldered a musket. Their work can not be summed up in deeds, for there was little or nothing that was brilliant and dazzling in their career. They need no monuments; but their work was necessary to the final and glorious result of the most terrible war of modern times. They were working for the salvation of the Union as effectively as they could have done in the din of the strife. They were "Fighting for the Right," as they understood it, though it is not treason to say, thirty years later, that the people of the South were as sincere as those of the North; and they could hardly have fought and suffered to the extent they did if it had been otherwise. The incidents of the volume are more various than in the preceding stories, which were so largely a repetition of battle scenes; but the hero is still as earnest as ever in the cause he loves. He attains a high position without any ambition to win it; for, like millions of others who gave the best years of their lives to sustain the Union, who suffered the most terrible hardships and privations, so many hundreds of thousands giving their lives to their country, Christy fought and labored for the cause, and not from any personal ambition. It is the young man's high character, his devotion to duty, rather than the incidents and adventures in which he is engaged, that render him worthy of respect, and deserving of the honors that were bestowed upon him. The younger participants in the war of the Rebellion, Christy Passford among the number, are beginning to be grizzled with the snows of fifty winters; but they are still rejoicing in "A Victorious Union." ..............From the archives comes the Civil War Classic Library. Dozens of books out of print for years is now back in print for the casual reader and the collector. Now is the time to collect and build a classic library and get them all before they fall out of print forever replaced by digital files.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.