Other editions of book Henry VI: Part 2: Large Print

This is the first fully annotated modern-spelling edition of King Henry VIII to appear for over a decade and includes up-to-date scholarship on all aspects of the play, including dating authorship, printing, sources and stage history. The editor accepts the view that the play is a collaboration between Shakespeare and Fletcher. Unique to this edition is the frequent reference to Cavendish's biography of Wolsey, neglected in earlier editions. This edition includes a fully detailed commentary and a selective collation of major variant readings appear immediately beneath the text. Special attention has been paid to the frequent allusion to scripture and proverb law. An index to all words glossed and authorities cited appears at the end of the volume.About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

Based on Chaucer's Knight's Tale, The Two Noble Kinsmen was written at the end of Shakespeare's career, as a collaboration with the rising young dramatist John Fletcher. Neglected until recently by directors and teachers, the play deserves to be better known for its moving dramatization of the conflict of love and friendship. This new edition, compiled by distinguished scholar Eugene M. Waith, offers helpful new material on the play's authenticity as a work of Shakespeare, his collaboration with Fletcher, the relevance to the play of the contemporary ideals of chivalry and friendship, and its limited but increasing stage history. Based on the Quarto of 1634, Waith's edition also sets out to clarify the stage directions, address problems of mislineation, and provide useful guides to unfamiliar words, stage business, allusions, and textual problems.

The second play in Shakespeare's 'First Tetralogy,' this work continues the fictionalized account of King Henry VI's reign. It commences with the marriage of Henry VI with the French noblewoman Margaret of Anjou, whose influence in court is challenged by Duke Humphrey, the King's Protector. There is a large amount of aristocratic subversion in this play, in which the good Duke Humphrey is fatally ensnared. Richard, the Duke of York, emerges with a claim to the throne, which he uses to gain allies and organize a rebellion by Jack Cade. All of this contributes to the War of the Roses, which has already deeply factionalized the English nobility, and ultimately leads to the Battle of St. Albans. Full of characters who challenge basic concepts of conscience and the fragile relationship of law and fairness, "Henry VI, Part II" is a substantial Shakespearian work in the midst of an epic cycle of the Bard's plays.

Shakespeare's Henry VI plays dramatize contemporary as much as Elizabethan issues: the struggle for power, the manoeuvres of politicians, social unrest, civil war. This edition draws on experience of the play in rehearsal and performance to focus on both its theatricality and contemporary relevance in a wide-ranging introduction and detailed commentary.About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

The second play in Shakespeare's 'First Tetralogy,' this work continues the fictionalized account of King Henry VI's reign. It commences with the marriage of Henry VI with the French noblewoman Margaret of Anjou, whose influence in court is challenged by Duke Humphrey, the King's Protector. There is a large amount of aristocratic subversion in this play, in which the good Duke Humphrey is fatally ensnared. Richard, the Duke of York, emerges with a claim to the throne, which he uses to gain allies and organize a rebellion by Jack Cade. All of this contributes to the War of the Roses, which has already deeply factionalized the English nobility, and ultimately leads to the Battle of St. Albans. Full of characters who challenge basic concepts of conscience and the fragile relationship of law and fairness, "Henry VI, Part II" is a substantial Shakespearian work in the midst of an epic cycle of the Bard's plays.

The second play in Shakespeare's 'First Tetralogy,' this work continues the fictionalized account of King Henry VI's reign. It commences with the marriage of Henry VI with the French noblewoman Margaret of Anjou, whose influence in court is challenged by Duke Humphrey, the King's Protector. There is a large amount of aristocratic subversion in this play, in which the good Duke Humphrey is fatally ensnared. Richard, the Duke of York, emerges with a claim to the throne, which he uses to gain allies and organize a rebellion by Jack Cade. All of this contributes to the War of the Roses, which has already deeply factionalized the English nobility, and ultimately leads to the Battle of St. Albans. Full of characters who challenge basic concepts of conscience and the fragile relationship of law and fairness, "Henry VI, Part II" is a substantial Shakespearian work in the midst of an epic cycle of the Bard's plays.

The second play in Shakespeare's 'First Tetralogy,' this work continues the fictionalized account of King Henry VI's reign. It commences with the marriage of Henry VI with the French noblewoman Margaret of Anjou, whose influence in court is challenged by Duke Humphrey, the King's Protector. There is a large amount of aristocratic subversion in this play, in which the good Duke Humphrey is fatally ensnared. Richard, the Duke of York, emerges with a claim to the throne, which he uses to gain allies and organize a rebellion by Jack Cade. All of this contributes to the War of the Roses, which has already deeply factionalized the English nobility, and ultimately leads to the Battle of St. Albans. Full of characters who challenge basic concepts of conscience and the fragile relationship of law and fairness, "Henry VI, Part II" is a substantial Shakespearian work in the midst of an epic cycle of the Bard's plays.

The second play in Shakespeare's 'First Tetralogy,' this work continues the fictionalized account of King Henry VI's reign. It commences with the marriage of Henry VI with the French noblewoman Margaret of Anjou, whose influence in court is challenged by Duke Humphrey, the King's Protector. There is a large amount of aristocratic subversion in this play, in which the good Duke Humphrey is fatally ensnared. Richard, the Duke of York, emerges with a claim to the throne, which he uses to gain allies and organize a rebellion by Jack Cade. All of this contributes to the War of the Roses, which has already deeply factionalized the English nobility, and ultimately leads to the Battle of St. Albans. Full of characters who challenge basic concepts of conscience and the fragile relationship of law and fairness, "Henry VI, Part II" is a substantial Shakespearian work in the midst of an epic cycle of the Bard's plays.

The second play in Shakespeare's 'First Tetralogy,' this work continues the fictionalized account of King Henry VI's reign. It commences with the marriage of Henry VI with the French noblewoman Margaret of Anjou, whose influence in court is challenged by Duke Humphrey, the King's Protector. There is a large amount of aristocratic subversion in this play, in which the good Duke Humphrey is fatally ensnared. Richard, the Duke of York, emerges with a claim to the throne, which he uses to gain allies and organize a rebellion by Jack Cade. All of this contributes to the War of the Roses, which has already deeply factionalized the English nobility, and ultimately leads to the Battle of St. Albans. Full of characters who challenge basic concepts of conscience and the fragile relationship of law and fairness, "Henry VI, Part II" is a substantial Shakespearian work in the midst of an epic cycle of the Bard's plays.

The second play in Shakespeare's 'First Tetralogy,' this work continues the fictionalized account of King Henry VI's reign. It commences with the marriage of Henry VI with the French noblewoman Margaret of Anjou, whose influence in court is challenged by Duke Humphrey, the King's Protector. There is a large amount of aristocratic subversion in this play, in which the good Duke Humphrey is fatally ensnared. Richard, the Duke of York, emerges with a claim to the throne, which he uses to gain allies and organize a rebellion by Jack Cade. All of this contributes to the War of the Roses, which has already deeply factionalized the English nobility, and ultimately leads to the Battle of St. Albans. Full of characters who challenge basic concepts of conscience and the fragile relationship of law and fairness, "Henry VI, Part II" is a substantial Shakespearian work in the midst of an epic cycle of the Bard's plays.

The second play in Shakespeare's 'First Tetralogy,' this work continues the fictionalized account of King Henry VI's reign. It commences with the marriage of Henry VI with the French noblewoman Margaret of Anjou, whose influence in court is challenged by Duke Humphrey, the King's Protector. There is a large amount of aristocratic subversion in this play, in which the good Duke Humphrey is fatally ensnared. Richard, the Duke of York, emerges with a claim to the throne, which he uses to gain allies and organize a rebellion by Jack Cade. All of this contributes to the War of the Roses, which has already deeply factionalized the English nobility, and ultimately leads to the Battle of St. Albans. Full of characters who challenge basic concepts of conscience and the fragile relationship of law and fairness, "Henry VI, Part II" is a substantial Shakespearian work in the midst of an epic cycle of the Bard's plays.

The second play in Shakespeare's 'First Tetralogy,' this work continues the fictionalized account of King Henry VI's reign. It commences with the marriage of Henry VI with the French noblewoman Margaret of Anjou, whose influence in court is challenged by Duke Humphrey, the King's Protector. There is a large amount of aristocratic subversion in this play, in which the good Duke Humphrey is fatally ensnared. Richard, the Duke of York, emerges with a claim to the throne, which he uses to gain allies and organize a rebellion by Jack Cade. All of this contributes to the War of the Roses, which has already deeply factionalized the English nobility, and ultimately leads to the Battle of St. Albans. Full of characters who challenge basic concepts of conscience and the fragile relationship of law and fairness, "Henry VI, Part II" is a substantial Shakespearian work in the midst of an epic cycle of the Bard's plays.