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Other editions of book Bayou Folk

  • Bayou Folk - Classic Illustrated Edition

    Kate Chopin, A. White

    language (Heritage Illustrated Publishing, Oct. 14, 2014)
    * Beautifully illustrated with atmospheric images, Bayou Folk is a delightful collection of short stories by Kate Chopin.* Just as accessible and enjoyable for today's readers as they would have been when first published, the stories are some of the great works of American literature and continue to be widely read throughout the world.* This meticulous digital edition from Heritage Illustrated Publishing is a faithful reproduction of the original text and is enhanced with images carefully selected by our team of professional editors.
  • Bayou Folk

    Kate Chopin

    language (, Dec. 10, 2012)
    One agreeable afternoon in late autumn two young men stood together on Canal Street, closing a conversation that had evidently begun within the club-house which they had just quitted.“There’s big money in it, Offdean,” said the elder of the two. “I wouldn’t have you touch it if there wasn’t. Why, they tell me Patchly’s pulled a hundred thousand out of the concern a’ready.”“That may be,” replied Offdean, who had been politely attentive to the words addressed to him, but whose face bore a look indicating that he was closed to conviction. He leaned back upon the clumsy stick which he carried, and continued: “It’s all true, I dare say, Fitch; but a decision of that sort would mean more to me than you’d believe if I were to tell you. The beggarly twenty-five thousand’s all I have, and I want to sleep with it under pillow a couple of months at least before I drop it into a slot.”“You’ll drop it into Harding & Offdean’s mill to grind out the pitiful two and a half per cent commission racket; that’s what you’ll do in the end, old fellow – see if you don’t.”
  • Bayou folk

    Kate Chopin

    language (, Nov. 4, 2015)
    Bayou folk. 336 Pages.
  • Bayou Folk

    Kate Chopin

    (Cornerstone Book Publishers, May 27, 2019)
    This is a wonderfully written collection of Louisiana short stories by Kate Chopin. Chopin, considered by many as introducing the modern feminist literary movement in the United States. Photographic reproduction of the 1895 edition.
  • Bayou Folk

    Kate Chopin

    language (, Dec. 14, 2019)
    Kate Chopin's classic book of 23 masterful short stories shows rural life in Louisiana after the American Civil War and how former slaves, people of color, women, poor whites, and wealthy whites chafed against social restrictions. Lightly edited for modern readers, including translations from French and standardized spelling, the bones of the stories are just as she told them with no changes to plot or settings. Best of all the book includes the original unedited versions in appendices.
  • BAYOU FOLK

    Kate Chopin

    language (, May 14, 2019)
    Bayou Folk written by Kate Chopin who was an American author of short storiesand novels based in Louisiana. This book was published in 1894. And now republish in ebook format. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy reading this book.
  • Bayou Folk

    Kate Chopin

    (CreateSpace Independent Publishing Platform, Aug. 5, 2014)
    Kate Chopin did not begin writing until the late 1880s, driven by financial necessity and a desire for intellectual activity. Her first novel, At Fault, was printed privately in 1890. Her two collections of short stories, Bayou Folk (1894) and A Night in Acadie (1897), were published by Houghton Mifflin and Way & Williams, respectively. Chopin's early work was shaped by William Dean Howells's realism, though her later ironic pieces show the influence of Guy de Maupassant. Despite living in Louisiana for a brief fourteen years, Chopin infuses her texts with Creole, Cajun, and African American cultures. Her portrait of this uniquely Louisianan society, combined with her employment of dialect and regional mannerisms, contribute to her particular flourish as a local colorist. Many of the twenty-three stories included in Bayou Folk (1894) are set in the Cane River country of Louisiana where Chopin herself lived for several years. In these stories her characters challenge the limits of their socioeconomic station and rebel against the social mores of their times. While this collection earned Chopin praise, her acclaim diminished within her lifetime as she more frequently turned to subject matter that critics considered scandalous. All but four of the stories collected in this volume had been published previously.
  • Bayou Folk

    Kate Chopin

    language (HOUGHTON, MIFFLIN AND COMPANY, Aug. 21, 2014)
    Example in this ebookA NO-ACCOUNT CREOLEI.One agreeable afternoon in late autumn two young men stood together on Canal Street, closing a conversation that had evidently begun within the club-house which they had just quitted."There's big money in it, Offdean," said the elder of the two. "I would n't have you touch it if there was n't. Why, they tell me Patchly 's pulled a hundred thousand out of the concern a'ready.""That may be," replied Offdean, who had been politely attentive to the words addressed to him, but whose face bore a look indicating that he was closed to conviction. He leaned back upon the clumsy stick which he carried, and continued: "It's all true, I dare say, Fitch; but a decision of that sort would mean more to me than you'd believe if I were to tell you. The beggarly twenty-five thousand's all I have, and I want to sleep with it under my pillow a couple of months at least before I drop it into a slot.""You 'll drop it into Harding & Offdean's mill to grind out the pitiful two and a half per cent commission racket; that 's what you 'll do in the end, old fellow—see if you don't.""Perhaps I shall; but it's more than likely I shan't. We 'll talk about it when I get back. You know I'm off to north Louisiana in the morning"—"No! What the deuce"—"Oh, business of the firm.""Write me from Shreveport, then; or wherever it is.""Not so far as that. But don't expect to hear from me till you see me. I can't say when that will be."Then they shook hands and parted. The rather portly Fitch boarded a Prytania Street car, and Mr. Wallace Offdean hurried to the bank in order to replenish his portemonnaie, which had been materially lightened at the club through the medium of unpropitious jack-pots and bobtail flushes.He was a sure-footed fellow, this young Offdean, despite an occasional fall in slippery places. What he wanted, now that he had reached his twenty-sixth year and his inheritance, was to get his feet well planted on solid ground, and to keep his head cool and clear.With his early youth he had had certain shadowy intentions of shaping his life on intellectual lines. That is, he wanted to; and he meant to use his faculties intelligently, which means more than is at once apparent. Above all, he would keep clear of the maelstroms of sordid work and senseless pleasure in which the average American business man may be said alternately to exist, and which reduce him, naturally, to a rather ragged condition of soul.Offdean had done, in a temperate way, the usual things which young men do who happen to belong to good society, and are possessed of moderate means and healthy instincts. He had gone to college, had traveled a little at home and abroad, had frequented society and the clubs, and had worked in his uncle's commission-house; in all of which employments he had expended much time and a modicum of energy.But he felt all through that he was simply in a preliminary stage of being, one that would develop later into something tangible and intelligent, as he liked to tell himself. With his patrimony of twenty-five thousand dollars came what he felt to be the turning-point in his life,—the time when it behooved him to choose a course, and to get himself into proper trim to follow it manfully and consistently.When Messrs. Harding & Offdean determined to have some one look after what they called "a troublesome piece of land on Red River," Wallace Offdean requested to be intrusted with that special commission of land-inspector.A shadowy, ill-defined piece of land in an unfamiliar part of his native State, might, he hoped, prove a sort of closet into which he could retire and take counsel with his inner and better self.To be continue in this ebook..................................................................................
  • Bayou Folk

    Kate Chopin

    Paperback (CreateSpace Independent Publishing Platform, Feb. 25, 2018)
    Bayou Folk by Kate Chopin
  • Bayou Folk

    Kate Chopin

    (CreateSpace Independent Publishing Platform, April 1, 2016)
    Kate Chopin, born Katherine O'Flaherty (February 8, 1850 – August 22, 1904), was a U.S. author of short stories and novels. She is now considered by some[who?] to have been a forerunner of the feminist authors of the 20th century of Southern or Catholic background, such as Zelda Fitzgerald. From 1892 to 1895, she wrote short stories for both children and adults that were published in such magazines as Atlantic Monthly, Vogue, The Century Magazine, and The Youth's Companion. Her major works were two short story collections, Bayou Folk (1894) and A Night in Acadie (1897). Her important short stories included "Désirée’s Baby," a tale of miscegenation in antebellum Louisiana (published in 1893), "The Story of an Hour" (1894), and "The Storm"(1898).[1] "The Storm" is a sequel to "The 'Cadian Ball," which appeared in her first collection of short stories, Bayou Folk.[1] Chopin also wrote two novels: At Fault (1890) and The Awakening (1899), which are set in New Orleans and Grand Isle, respectively. The characters in her stories are usually inhabitants of Louisiana. Many of her works are set in Natchitoches in north central Louisiana.
  • Bayou Folk

    Kate Chopin

    (Prometheus, Aug. 1, 2002)
    The author who today is probably best known for her novel The Awakening initially established her literary reputation with short stories about life in rural Louisiana during the late nineteenth century.The stories collected in Bayou Folk present remarkably vivid snapshots of daily life in a now vanished world. Many of them highlight the relations between blacks and whites in a society where the rules of engagement still reflected the entrenched patterns of slavery some two decades after the Civil War.As she was ahead of her time regarding women's rights, Chopin was also farsighted about race relations. Perhaps the story "Desiree's Baby" about the birth of a mixed-race baby to two "white" parents best expresses the uneasy relationship between blacks and whites in the old South, and its strict codes against miscegenation.Chopin's gifts for capturing the dialects of the region and for telling a compelling story in memorable vignettes provide the reader with a richly rewarding experience.
  • Bayou Folk: Kate Chopin

    Kate Chopin

    (CreateSpace Independent Publishing Platform, Nov. 28, 2017)
    Bayou Folk by Kate Chopin. CLASSIC AMERICAN LITERATURE. Kate Chopin, born Katherine O'Flaherty (February 8, 1850 – August 22, 1904), was a U.S. author of short stories and novels based in Louisiana. She is now considered by some scholars to have been a forerunner of American 20th-century feminist authors of Southern or Catholic background, such as Zelda Fitzgerald. Of maternal French and paternal Irish descent, Katherine O' Flaherty was born in St. Louis, Missouri. She married and moved with her husband to New Orleans. They later lived in the country in Cloutierville, Louisiana. From 1892 to 1895, Chopin wrote short stories for both children and adults that were published in such national magazines as Atlantic Monthly, Vogue, The Century Magazine, and The Youth's Companion. Her stories aroused controversy because of her subjects and her approach; they were condemned as immoral by some critics.