Other editions of book The Song of Hiawatha

"The Song of Hiawatha" (1855) is an epic poem by Henry Wadsworth Longfellow that features Native American characters. The epic relates the adventures of an Ojibwe warrior named Hiawatha and the tragedy of his love for Minnehaha. Events in the story are set in the Pictured Rocks area on the south shore of Lake Superior. Longfellow's poem, though based on native oral traditions surrounding the figure of Manabozho, represents not a work of transmission but an original work of American Romantic literature.

The Song of Hiawatha is an 1855 epic poem, in trochaic tetrameter, by Henry Wadsworth Longfellow, featuring an Indian hero and loosely based on legends and ethnography of the Ojibwe (Chippewa, Anishinaabeg) and other Native American people contained in Algic Researches (1839) and additional writings of Henry Rowe Schoolcraft. In sentiment, scope, overall conception, and many particulars, Longfellow's poem is very much a work of American Romantic literature, not a representation of Native American oral tradition, despite Longfellow's insistence that "I can give chapter and verse for these legends. Their chief value is that they are Indian legends."Longfellow had originally planned on following Schoolcraft in calling his hero Manabozho, the name in use at the time among the Ojibwe of the south shore of Lake Superior for a figure of their folklore, a trickster-transformer. But in his journal entry for June 28, 1854, he wrote, "Work at 'Manabozho;' or, as I think I shall call it, 'Hiawatha'—that being another name for the same personage." Hiawatha was not, in fact, "another name for the same personage" (the mistaken identification was actually made by Schoolcraft then compounded by Longfellow), but a probable historical figure associated with the founding of the League of the Iroquois. Because of the poem, however, "Hiawatha" came into use as a name for everything from towns to a telephone company in the western Great Lakes region where no Iroquois resideBiography

This colourful edition of Henry Wadsworth Longfellow's epic poem 'The Song of Hiawatha' is specially selected with children in mind, tracing Hiawatha's life from his early years and his friendship with animals and nature spirits through his marriage to Minnehaha and his mission to teach agriculture and bring peace among the warring Ojibway, Dakota and other tribes along the US-Canadian border. The poem was first published in 1855 but is set in the age just prior to the first European settlers to North America. Profusely illustrated, the forty-eight colour and thirty-eight black and white images blend seamlessly with the hypnotic rhythm of Longfellow's famous poem, bringing the magical world of the American Indian - where dream and waking life were considered equally real - fully to life. The moon is a grandmother, a rainbow the place flowers go to when they die, dwarves (Puk-Wudjies) haunt the dark woods, and Hiawatha himself is the son of Mudjekeewis, the West Wind. Brief explanatory links between excerpted verses maintain the integrity of the story, giving even the youngest reader an understanding of the wondrous scope of this magnificent epic.

The Song of Hiawatha is an 1855 epic poem, in trochaic tetrameter, by Henry Wadsworth Longfellow, featuring an Indian hero. Longfellow's sources for the legends and ethnography found in his poem were the Ojibwe Chief Kahge-ga-gah-bowh during their visits at Longfellow's home; Black Hawk and other Sac and Fox Indians Longfellow encountered on Boston Commons; Algic Researches and additional writings by Henry Rowe Schoolcraft, an ethnographer and United States Indian agent; and Heckewelder's Narratives. In sentiment, scope, overall conception, and many particulars, Longfellow's poem is very much a work of American Romantic literature, not a representation of Native American oral tradition. Longfellow insisted, "I can give chapter and verse for these legends. Their chief value is that they are Indian legends."

‘The Song of Hiawatha’ is an 1855 epic poem in trochaic tetrameter by Henry Wadsworth Long-fellow that features Native American characters. The epic relates the adventures of an Ojibwe warrior named Hiawatha and the tragedy of his love for Minnehaha. Events in the sto-ry are set in the Pictured Rocks area on the south shore of Lake Superior. Longfellow's poem, though based on native oral traditions surrounding the figure of Manabozho, represents not a work of transmission but an original work of American Romantic literature. Longfellow's sources for the legends and ethnography found in his poem were the Ojibwe Chief Kahge-ga-gah-bowh during his visits at Longfellow's home; Black Hawk and other Sac and Fox Indians Longfellow encountered on Boston Common; ‘Algic Researches’ (1839) and additional writings by Henry Rowe Schoolcraft, an ethnographer and United States Indian agent; and Heckewelder's ‘Narratives’. In sentiment, scope, overall conception, and many particulars, Longfellow insisted, "I can give chapter and verse for these legends. Their chief value is that they are Indian legends."

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Song of Hiawatha - Complete Edition – Complete 304 page New Edition by Henry W. Longfellow. The Song of Hiawatha is an 1855 epic poem, in trochaic tetrameter, by Henry Wadsworth Longfellow, featuring an Indian hero. Longfellow's sources for the legends and ethnography found in his poem were the Ojibwe Chief Kahge-ga-gah-bowh during their visits at Longfellow's home; Black Hawk and other Sac and Fox Indians Longfellow encountered on Boston Commons; Algic Researches (1839) and additional writings by Henry Rowe Schoolcraft, an ethnographer and United States Indian agent; and Heckewelder's Narratives. In sentiment, scope, overall conception, and many particulars, Longfellow's poem is very much a work of American Romantic literature, not a representation of Native American oral tradition. Longfellow insisted, "I can give chapter and verse for these legends. Their chief value is that they are Indian legends." Longfellow had originally planned on following Schoolcraft in calling his hero Manabozho, the name in use at the time among the Ojibwe of the south shore of Lake Superior for a figure of their folklore, a trickster-transformer. But in his journal entry for June 28, 1854, he wrote, "Work at 'Manabozho;' or, as I think I shall call it, 'Hiawatha'—that being another name for the same personage." Hiawatha was not "another name for the same personage" (the mistaken identification of the trickster figure was made first by Schoolcraft and compounded by Longfellow), but a probable historical figure associated with the founding of the League of the Iroquois, the Five Nations then located in present-day New York and Pennsylvania. Because of the poem, however, "Hiawatha" became the namesake for towns, schools, trains and a telephone company in the western Great Lakes region, where no Iroquois nations historically resided.

This is the completely illustrated and annotated edition including an extensive primer on the author's life and works and many splendid drawings by Harrsion Fisher. 'This Indian Edda, if I may so call it,' says the author, 'is founded on a tradition, prevalent among the North American Indians, of a personage of miraculous birth, who was sent among them to clear their rivers, forests, and fishing-grounds, and to teach them the arts of peace. He was known among different tribes by the several names of Michabou, Chiabo, Manabozho, Tarcuyawagon, and Hiawatha. ' We are further informed, that 'the scene of the poem is among the Ojibways on the southern shore of Lake Superior, in the region between the Pictured Rocks and the Grand Sable.' Here then, at last, is a genuine American poem, by a native of America; a poem redolent of pine-forests and the smoke of wigwams. ' In reading American poetry, we never get beyond the shores of Kent,' said a surly critic some years ago. It is obvious enough, that if this complaint was justifiable then, it is utterly without foundation now. Longfellow's poem created an immense and instant sensation, not only in this country, but in England. It was read, it was quoted, it was praised, it was ridiculed, it was dramatized, it was parodied, it was attacked as a plagiarism. It remains to this day the most parodied poem in the English language.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The publisher is proud to present this new edition of an old American favorite, authentically and unforgettably illustrated by a distinguished American artist.Artist-illustrator Herbert Meyer's illustrations give new life to Longfellow's epic poem. Besides being warmly evocative, they are historically authentic, for the artist did extensive research on the American Indians. Meyer's artistic vision does full justice to Longfellow's immortal epic, which is not only an American favorite, but is known and admired throughout the world for its hauntingly beautiful poetry.The Song of Hiawatha's particular blend of myth and history, native tradition and foreign influence has survived the years, and its artistic authenticity is undisputed. The same, we hope, can be said for the illustrations of Herbert Meyer, brought to light in this new, digital edition.