Other editions of book Franny & Zooey

"Perhaps the best book by the foremost stylist of his generation" (New York Times), J. D. Salinger's Franny and Zooey collects two works of fiction about the Glass family originally published in The New Yorker."Everything everybody does is so--I don't know--not wrong, or even mean, or even stupid necessarily. But just so tiny and meaningless and--sad-making. And the worst part is, if you go bohemian or something crazy like that, you're conforming just as much only in a different way."A novel in two halves, Franny and Zooey brilliantly captures the emotional strains and traumas of entering adulthood. It is a gleaming example of the wit, precision, and poignancy that have made J. D. Salinger one of America's most beloved writers.

"Perhaps the best book by the foremost stylist of his generation" (New York Times), J. D. Salinger's Franny and Zooey collects two works of fiction about the Glass family originally published in The New Yorker."Everything everybody does is so--I don't know--not wrong, or even mean, or even stupid necessarily. But just so tiny and meaningless and--sad-making. And the worst part is, if you go bohemian or something crazy like that, you're conforming just as much only in a different way." A novel in two halves, Franny and Zooey brilliantly captures the emotional strains and traumas of entering adulthood. It is a gleaming example of the wit, precision, and poignancy that have made J. D. Salinger one of America's most beloved writers.

In honour of the centennial of the birth of J. D. Salinger in 1919, Penguin reissues all four of his books in beautiful commemorative hardback editions - with artwork and text based on the very first Salinger editions published in the 1950s and 1960s.‘Franny came out in the New Yorker in 1955, and was swiftly followed, in 1957, by Zooey. Both stories are early, critical entries in a narrative series I’m doing about a family of settlers in twentieth-century New York, the Glasses. I love working on these Glass stories, I’ve been waiting for them most of my life.’ – J. D. SalingerA novel in two halves, Franny and Zooey brilliantly captures the emotional strains and traumas of entering adulthood. It is a gleaming example of the wit, precision and poignancy that have made J.D. Salinger one of the most beloved American novelists of the twentieth century.

'Everything everybody does is so - I don't know - not wrong, or even mean, or even stupid necessarily. But just so tiny and meaningless and - sad-making. And the worst part is, if you go bohemian or something crazy like that, you're conforming just as much only in a different way.'First published in the New Yorker as two sequential stories, 'Franny' and 'Zooey' offer a dual portrait of the two youngest members of J. D. Salinger's fictional Glass family.'Salinger's masterpiece' Guardian

'Everything everybody does is so - I don't know - not wrong, or even mean, or even stupid necessarily. But just so tiny and meaningless and - sad-making. And the worst part is, if you go bohemian or something crazy like that, you're conforming just as much only in a different way.'First published in the New Yorker as two sequential stories, 'Franny' and 'Zooey' offer a dual portrait of the two youngest members of J. D. Salinger's fictional Glass family.'Salinger's masterpiece' Guardian

"Perhaps the best book by the foremost stylist of his generation" (New York Times), J. D. Salinger's Franny and Zooey collects two works of fiction about the Glass family originally published in The New Yorker."Everything everybody does is so--I don't know--not wrong, or even mean, or even stupid necessarily. But just so tiny and meaningless and--sad-making. And the worst part is, if you go bohemian or something crazy like that, you're conforming just as much only in a different way."A novel in two halves, Franny and Zooey brilliantly captures the emotional strains and traumas of entering adulthood. It is a gleaming example of the wit, precision, and poignancy that have made J. D. Salinger one of America's most beloved writers.

"Perhaps the best book by the foremost stylist of his generation" (New York Times), J. D. Salinger's Franny and Zooey collects two works of fiction about the Glass family originally published in The New Yorker."Everything everybody does is so--I don't know--not wrong, or even mean, or even stupid necessarily. But just so tiny and meaningless and--sad-making. And the worst part is, if you go bohemian or something crazy like that, you're conforming just as much only in a different way."A novel in two halves, Franny and Zooey brilliantly captures the emotional strains and traumas of entering adulthood. It is a gleaming example of the wit, precision, and poignancy that have made J. D. Salinger one of America's most beloved writers.

This book contains two wonderful stories about members of the Glass family by the author of "The Catcher in the Rye". The first story takes place in downtown New Haven during the weekend of 'the Yale game' and follows Franny Glass on a date with her collegiate boyfriend. The second focuses on Zooey Glass, a somewhat emotionally toughened genius. As his younger sister Franny hits an emotional crisis in her parents' Manhattan living room, Zooey comes to her aid, offering love, understanding, and words of sage advice.

Franny and Zooey is composed of two sections. "Franny", named for Franny Glass, takes place in an unnamed college town during the weekend of "the Yale game" and tells of an undergraduate who is becoming disenchanted with the selfishness and inauthenticity she perceives all around her. Zooey, named for Zooey Glass, a somewhat emotionally toughened genius who at the age of twelve had "a vocabulary on an exact par with Mary Baker Eddy's." Whilst Franny, his younger sister, suffers a spiritual and existential breakdown in their parents' Manhattan living room – leaving Bessie, their mother, deeply concerned – Zooey comes to Franny's aid, offering what he thinks is brotherly love, understanding, and words of sage advice.

The author writes: FRANNY came out in The New Yorker in 1955, and was swiftly followed, in 1957 by ZOOEY. Both stories are early, critical entries in a narrative series I'm doing about a family of settlers in twentieth-century New York, the Glasses. It is a long-term project, patently an ambiguous one, and there is a real-enough danger, I suppose that sooner or later I'll bog down, perhaps disappear entirely, in my own methods, locutions, and mannerisms. On the whole, though, I'm very hopeful. I love working on these Glass stories, I've been waiting for them most of my life, and I think I have fairly decent, monomaniacal plans to finish them with due care and all-available skill.