Other editions of book Under the maples

The time of the falling of leaves has come again. Once more in our morning walk we tread upon carpets of gold and crimson, of brown and bronze, woven by the winds or the rains out of these delicate textures while we slept. How beautifully the leaves grow old! How full of light and color are their last days! There are exceptions, of course. The leaves of most of the fruit-trees fade and wither and fall ingloriously. They bequeath their heritage of color to their fruit. Upon it they lavish the hues which other trees lavish upon their leaves. The pear-tree is often an exception. I have seen pear orchards in October painting a hillside in hues of mingled bronze and gold. And well may the pear-tree do this, it is so chary of color upon its fruit. But in October what a feast to the eye our woods and groves present! The whole body of the air seems enriched by their calm, slow radiance. They are giving back the light they have been absorbing from the sun all summer. The carpet of the newly fallen leaves looks so clean and delicate when it first covers the paths and the highways that one almost hesitates to walk upon it. Was it the gallant Raleigh who threw down his cloak for Queen Elizabeth to walk upon? See what a robe the maples have thrown down for you and me to walk upon! How one hesitates to soil it! The summer robes of the groves and the forests—more than robes, a vital part of themselves, the myriad living nets with which they have captured, and through which they have absorbed, the energy of the solar rays. What a change when the leaves are gone, and what a change when they come again! A naked tree may be a dead tree. The dry, inert bark, the rough, wirelike twigs change but little from summer to winter. When the leaves come, what a transformation, what mobility, what sensitiveness, what expression! Ten thousand delicate veined hands reaching forth and waving a greeting to the air and light, making a union and compact with them, like a wedding ceremony. How young the old trees suddenly become! what suppleness and grace invest their branches! The leaves are a touch of immortal youth. As the cambium layer beneath the bark is the girdle of perennial youth, so the leaves are the facial expression of the same quality. The leaves have their day and die, but the last leaf that comes to the branch is as young as the first. The leaves and the blossom and the fruit of the tree come and go, yet they age not; under the magic touch of spring the miracle is repeated over and over.

It was while sitting in his hay-barn study in the Catskills and looking out upon the maple woods of the old home farm, and under the maples at Riverby, that the most of these essays were written, during the last two years of the author's life. And it was to the familiar haunts near his Hudson River home that his thoughts wistfully turned while wintering in Southern California in 1921. As pictured in his mind the ice breaking up on the river in the crystalline March days, the return of the birds, the first hepaticas, he longed to be back among them; he was there in spirit, gazing upon the river from the summer-house, or from the veranda of the Nest, or seated at this table in the chestnut-bark study, or busy with his sap-gathering and sugar-making. Casting about for a title for this book, the vision of maple-trees and dripping sap; and crisp March days playing constantly before his mind, one day while sorting and shifting the essays for this new book, he suddenly said, ''I have it! We'll call it Under the Maples!''.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide. This text refers to the Bibliobazaar edition.

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.