The Fairy Ring
Kate Douglas Wiggin, Nora Archibald Smith, Elizabeth MacKinstry
Paperback
(CreateSpace Independent Publishing Platform, Jan. 20, 2018)
"THERE was once upon a time a king who had a garden; in that garden was an apple tree, and on that apple tree grew a golden apple every year." These stories are the golden apples that grew on the tree in the king's garden; grew and grew and grew as the golden years went by; and being apples of gold they could never wither nor shrink nor change, so that they are as beautiful and precious for you to pluck today as when first they ripened long, long ago. Perhaps you do not care for the sort of golden apples that grew in the king's garden; perhaps you prefer plain russets or green pippins? Well, these are not to be despised, for they also are wholesome food for growing boys and girls; but unless you can taste the flavor and feel the magic that lies in the golden apples of the king's garden you will lose one of the joys of youth. No one can help respecting apples (or stories) that gleam as brightly today as they did hundreds and thousands of years ago, when first the tiny blossoms ripened into precious fruit. "Should you ask me whence these stories, Whence these legends and traditions With the odors of the forest, With the dew and damp of meadows?"— I can say only that the people were telling fairy tales in Egypt, in Joseph's time, more than three thousand years ago; and that grand old Homer told them in the famous "Odyssey," with its witches and giants, its cap of darkness, and shoes of swiftness. Old nurses and village crones have repeated them by the fireside and in the chimney corner; shep-herds and cowherds have recounted them by the brookside, until the children of the world have all learned them by heart, bequeathing them, generation after generation, as a priceless legacy to their own children. Nor must you fancy that they have been told in your own tongue only. Long, long before the art of printing was known, men and women of all nations recited these and similar tales to one another, never thinking that the day would come when they would be regarded as the peculiar property of youth and childhood. There is not a country in Europe, Asia, Africa, Australia, or the islands of the sea where fairy stories of one sort or another have not been current since the dawn of speech; and to make this Fairy Ring of sixty-odd tales the editors have read and sifted as many hundreds. You will miss Cinderella, Red Riding Hood, Jack and the Beanstalk, Toads and Diamonds, Puss in Boots, Bluebeard, Beauty and the Beast, and other favorites, but these have been omitted because they can be easily found in half a dozen volumes already on your shelves, and we preferred to give you in their stead stories less well known and hackneyed. The so-called Household Tales, such as Drakesbill, The Little Good Mouse, and The Grateful Cobra go back to the times when men thought of animals as their friends and brothers, and in the fireside stories of that period the central figures were often wise and powerful beasts, beasts that had language, assumed human form, and protected as well as served mankind. Frogs, fishes, birds, wolves, cobras, cats, one and all win our sympathy, admiration, and respect as we read of their deeds of prowess, their sagacious counsel, their superhuman power of overcoming obstacles and rescuing from danger or death the golden-haired princess, the unhappy queen mother, or the intrepid but unfortunate prince. The giants and ogres and witches in the fairy stories need not greatly affright even the youngest readers. For the most part they overreach themselves in illdoing and are quite at the mercy (as they properly should be) of the brave and virtuous knight or the clever little princess.