Other editions of book Crash

The Definitive Cult, Postmodern Novel―a Shocking Blend of Violence, Transgression, and EroticismReissued with a New Introduction from Zadie SmithWhen J. G. Ballard, our narrator, smashes his car into another and watches a man die in front of him, he finds himself drawn with increasing intensity to the mangled impacts of car crashes. Robert Vaughan, a former TV scientist turned nightmare angel of the expressway, has gathered around him a collection of alienated crash victims and experiments with a series of autoerotic atrocities, each more sinister than the last. But Vaughan craves the ultimate crash―a head-on collision of blood, semen, engine coolant, and iconic celebrity.First published in 1973, Crash remains one of the most shocking novels of the twentieth century and was made into an equally controversial film by David Cronenberg.

The Definitive Cult, Postmodern Novel—a Shocking Blend of Violence, Transgression, and Eroticism—Reissued with a New Introduction from Zadie SmithWhen J. G. Ballard, our narrator, smashes his car into another and watches a man die in front of him, he finds himself drawn with increasing intensity to the mangled impacts of car crashes. Robert Vaughan, a former TV scientist turned nightmare angel of the expressway, has gathered around him a collection of alienated crash victims and experiments with a series of autoerotic atrocities, each more sinister than the last. But Vaughan craves the ultimate crash—a head-on collision of blood, semen, engine coolant, and iconic celebrity.First published in 1973, Crash remains one of the most shocking novels of the twentieth century and was made into an equally controversial film by David Cronenberg.

Featuring an introduction by Zadie Smith; "Jim's Desk" and introductory notes by Chris BeckettThe short stories "Crash," "Tolerances of the Human Face," and "Mae West's Reduction Mammoplasty" by J. G. BallardTreatments and letters about the BBC2 Review short film about J. G. Ballard titled "Crash!" that aired in February 1971Introduction to the French edition of CrashAn excerpt of an interview with Will Self and J. G. Ballard from 1994When J. G. Ballard, our narrator, smashes his car into another and watches a man die in front of him, he finds himself drawn with increasing intensity to the mangled impacts of car crashes. Robert Vaughan, a former TV scientist turned nightmare angel of the expressway, has gathered around him a collection of alienated crash victims and experiments with a series of autoerotic atrocities, each more sinister than the last. But Vaughan craves the ultimate crash―a head-on collision of blood, semen, engine coolant, and iconic celebrity.First published in 1973, Crash remains one of the most shocking novels of the twentieth century and was made into an equally controversial film by David Cronenberg.

In this hallucinatory novel, an automobile provides the hellish tableau in which Vaughan, a "TV scientist" turned "nightmare angel of the highways," experiments with erotic atrocities among auto crash victims, each more sinister than the last. James Ballard, his friend and fellow obsessive, tells the story of this twisted visionary as he careens rapidly toward his own demise in an internationally orchestrated car crash with Elizabeth Taylor.A classic work of cutting-edge fiction, Crash explores both the disturbing implications and horrific possibilities of contemporary society's increasing dependence on technology as intermediary in human relations.

In this hallucinatory novel, an automobile provides the hellish tableau in which Vaughan, a "TV scientist" turned "nightmare angel of the highways," experiments with erotic atrocities among auto crash victims, each more sinister than the last. James Ballard, his friend and fellow obsessive, tells the story of this twisted visionary as he careens rapidly toward his own demise in an internationally orchestrated car crash with Elizabeth Taylor.A classic work of cutting-edge fiction, Crash explores both the disturbing implications and horrific possibilities of contemporary society's increasing dependence on technology as intermediary in human relations.

The definitive cult, post-modern novel-a shocking blend of violence, transgression and eroticism.When Ballard, our narrator, smashes his car into another and watches a man die in front of him, his sense of sexual possibilities in the world around him becomes detached. As he begins an affair with the dead man's wife, he finds himself drawn with increasing intensity to the mangled impacts of car crashes. Then he encounters Robert Vaughan, a former TV scientist turned nightmare angel of the expressway, who has gathered around him a collection of alienated crash victims and experiments with a series of auto-erotic atrocities, each more sinister than the last. But Vaughan craves the ultimate crash-a head-on collision of blood, semen, engine coolant and iconic celebrity.First published in 1973Crashremains one of the most shocking novels of the second half of the twentieth century and was made into an equally controversial film by David Cronenberg.Ballard's autobiographyMiracles of Lifewas published in 2008 andExtreme Metaphors, a collection of interviews with the author, is due out in 2012.