Other editions of book The Autobiography of an Ex-Coloured Man

One of the most prominent African-Americans of his time, James Weldon Johnson (1871–1938) was a successful lawyer, educator, social reformer, songwriter, and critic. But it was as a poet and novelist that he achieved lasting fame. Among his most famous works, The Autobiography of an Ex-Colored Man in many ways parallels Johnson's own remarkable life. First published in 1912, the novel relates, through an anonymous narrator, events in the life of an American of mixed ethnicity whose exceptional abilities and ambiguous appearance allow him unusual social mobility — from the rural South to the urban North and eventually to Europe. A radical departure from earlier books by black authors, this pioneering work not only probes the psychological aspects of "passing for white" but also examines the American caste and class system. The human drama is powerful and revealing — from the narrator's persistent battles with personal demons to his firsthand observations of a Southern lynching and the mingling of races in New York's bohemian atmosphere at the turn of the century. Revolutionary for its time, the Autobiography remains both an unrivaled example of black expression and a major contribution to American literature.

One of the most prominent African-Americans of his time, James Weldon Johnson (1871–1938) was a successful lawyer, educator, social reformer, songwriter, and critic. But it was as a poet and novelist that he achieved lasting fame. Among his most famous works, The Autobiography of an Ex-Colored Man in many ways parallels Johnson's own remarkable life. First published in 1912, the novel relates, through an anonymous narrator, events in the life of an American of mixed ethnicity whose exceptional abilities and ambiguous appearance allow him unusual social mobility — from the rural South to the urban North and eventually to Europe. A radical departure from earlier books by black authors, this pioneering work not only probes the psychological aspects of "passing for white" but also examines the American caste and class system. The human drama is powerful and revealing — from the narrator's persistent battles with personal demons to his firsthand observations of a Southern lynching and the mingling of races in New York's bohemian atmosphere at the turn of the century. Revolutionary for its time, the Autobiography remains both an unrivaled example of black expression and a major contribution to American literature.

James Weldon Johnson's emotionally gripping novel is a landmark in black literary history and, more than eighty years after its original anonymous publication, a classic of American fiction. The first fictional memoir ever written by a black, The Autobiography of an Ex-Colored Man influenced a generation of writers during the Harlem Renaissance and served as eloquent inspiration for Zora Neale Hurston, Ralph Ellison, and Richard Wright. In the 1920s and since, it has also given white readers a startling new perspective on their own culture, revealing to many the double standard of racial identity imposed on black Americans. Narrated by a mulatto man whose light skin allows him to "pass" for white, the novel describes a pilgrimage through America's color lines at the turn of the century - from a black college in Jacksonville to an elite New York nightclub, from the rural South to the white suburbs of the Northeast. This is a powerful, unsentimental examination of race in America, a hymn to the anguish of forging an identity in a nation obsessed with color.

Originally published in 1912, this novel was one of the first to present a frank picture of being black in AmericaMasked in the tradition of the literary confession practiced by such writers as St. Augustine and Rousseau, this "autobiography" purports to be a candid account of its narrator's private views and feelings as well as an acknowledgement of the central secret of his life: that though he lives as a white man, he is, by heritage and experience, an African-American. Written by the first black executive secretary of the NAACP, The Autobiography of an Ex-Colored Man, in its depiction of turn-of-the-century New York, anticipates the social realism of the Harlem Renaissance writers. In its unprecedented analysis of the social causes of a black man's denial of the best within himself, it is perhaps James Weldon Johnson's greatest service to his race.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

"The Autobiography of an Ex-Colored Man" is James Weldon's Johnson fictional account of a light-skinned mulatto who can pass for white. The anonymous narrator is the son of a black mother and a white father living in the early part of the 20th century in the rural south, the urban north and in Europe. The novel masterfully explores the complexity of race relations between whites and blacks in America and the search for racial identity by one of mixed ethnicity.

James Weldon Johnson's emotionally gripping novel is a landmark in black literary history and, more than eighty years after its original anonymous publication, a classic of American fiction. The first fictional memoir ever written by a black, The Autobiography of an Ex-Coloured Man influenced a generation of writers during the Harlem Renaissance and served as eloquent inspiration for Zora Neale Hurston, Ralph Ellison, and Richard Wright. In the 1920s and since, it has also given white readers a startling new perspective on their own culture, revealing to many the double standard of racial identity imposed on black Americans. Narrated by a mulatto man whose light skin allows him to "pass" for white, the novel describes a pilgrimage through America's color lines at the turn of the century--from a black college in Jacksonville to an elite New York nightclub, from the rural South to the white suburbs of the Northeast. This is a powerful, unsentimental examination of race in America, a hymn to the anguish of forging an identity in a nation obsessed with color. And, as Arna Bontemps pointed out decades ago, "the problems of the artist [as presented here] seem as contemporary as if the book had been written this year."

The Autobiography of an Ex-Colored Man was written by James Weldon Johnson who was an important 20th century author, journalist and poet. As one of the early American civil rights leaders he became a major figure in the Harlem Renaissance. This classic publication is James Weldon Johnson's autobiography, and is an excellent resource for those learning about the earliest days of the civil rights movement and a classic tale of how an individual can overcome and achieve what they set their mind to.

Why buy our paperbacks? Expedited shipping High Quality Paper Made in USA Standard Font size of 10 for all books 30 Days Money Back Guarantee BEWARE of Low-quality sellers Don't buy cheap paperbacks just to save a few dollars. Most of them use low-quality papers & binding. Their pages fall off easily. Some of them even use very small font size of 6 or less to increase their profit margin. It makes their books completely unreadable. How is this book unique? Unabridged (100% Original content) Font adjustments & biography included Illustrated The Autobiography of an Ex-Colored Man by James Weldon Johnson One of the most prominent African-Americans of his time, James Weldon Johnson (1871–1938) was a successful lawyer, educator, social reformer, songwriter, and critic. But it was as a poet and novelist that he achieved lasting fame. Among his most famous works, The Autobiography of an Ex-Colored Man in many ways parallels Johnson's own remarkable life. First published in 1912, the novel relates, through an anonymous narrator, events in the life of an American of mixed ethnicity whose exceptional abilities and ambiguous appearance allow him unusual social mobility — from the rural South to the urban North and eventually to Europe. A radical departure from earlier books by black authors, this pioneering work not only probes the psychological aspects of "passing for white" but also examines the American caste and class system. The human drama is powerful and revealing — from the narrator's persistent battles with personal demons to his firsthand observations of a Southern lynching and the mingling of races in New York's bohemian atmosphere at the turn of the century. Revolutionary for its time, the Autobiography remains both an unrivaled example of black expression and a major contribution to American literature.

First published anonymously in 1912, this resolutely unsentimental novel gave many white readers their first glimpse of the double standard -- and double consciousness -- that ruled the lives of black people in modern America. Republished in 1927, at the height of the Harlem Renaissance, with an introduction by Carl Van Vechten, The Autobiography of an Ex-Coloured Man became a groundbreaking document of Afro-American culture; the first first-person novel ever written by a black, it became an eloquent model for later novelists ranging from Zora Neale Hurston to Richard Wright and Ralph Ellison.Narrated by a man whose light skin enables him to "pass" for white, the novel describes a journey through the strata of black society at the turn of the century -- from a cigar factory in Jacksonville to an elite gambling club in New York, from genteel aristocrats to the musicians who hammered out the rhythms of ragtime. The Autobiography of an Ex-Coloured Man is a complex and moving examination of the question of race and an unsparing look at what it meant to forge an identity as a man in a culture that recognized nothing but color.

Here is, to quote the eminent historian Nathan Irvin Huggins, “one of the finest American autobiographies written in this century.” Born in 1871 in Jacksonville, Florida, James Weldon Johnson began his career as a high-school principal. He went on to attain success as a songwriter on Broadway and as the compiler of the definitive Book of American Negro Spirituals. But he achieved one of his greatest triumphs in 1912, when, under a pseudonym, he published The Autobiography of an Ex-Colored Man—a classic novel about a musician who rejects his black roots, a novel that is still in print today in multiple paperback editions. Johnson went on to be, from 1920 to 1930, the first African-American head of the NAACP, fighting tirelessly for the passage of a federal anti-lynching law. His life story is that of a truly remarkable man who triumphed over a system of institutionalized racism to become one of black America's leading educators, men of letters, and reformers.

The autobiography of the celebrated African American writer and civil rights activist Published just four years before his death in 1938, James Weldon Johnson's autobiography is a fascinating portrait of an African American who broke the racial divide at a time when the Harlem Renaissance had not yet begun to usher in the civil rights movement. Not only an educator, lawyer, and diplomat, Johnson was also one of the most revered leaders of his time, going on to serve as the first black president of the NAACP (which had previously been run only by whites), as well as write the groundbreaking novel The Autobiography of an Ex-Colored Man. Beginning with his birth in Jacksonville, Florida, and detailing his education, his role in the Harlem Renaissance, and his later years as a professor and civil rights reformer, Along This Way is an inspiring classic of African American literature.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.