Other editions of book Lucky Jim

A hilarious satire about college life and high class manners, this is a classic of postwar English literature.Regarded by many as the finest, and funniest, comic novel of the twentieth century, Lucky Jim remains as trenchant, withering, and eloquently misanthropic as when it first scandalized readers in 1954. This is the story of Jim Dixon, a hapless lecturer in medieval history at a provincial university who knows better than most that “there was no end to the ways in which nice things are nicer than nasty ones.” Kingsley Amis’s scabrous debut leads the reader through a gallery of emphatically English bores, cranks, frauds, and neurotics with whom Dixon must contend in one way or another in order to hold on to his cushy academic perch and win the girl of his fancy. More than just a merciless satire of cloistered college life and stuffy postwar manners, Lucky Jim is an attack on the forces of boredom, whatever form they may take, and a work of art that at once distills and extends an entire tradition of English comic writing, from Fielding and Dickens through Wodehouse and Waugh. As Christopher Hitchens has written, “If you can picture Bertie or Jeeves being capable of actual malice, and simultaneously imagine Evelyn Waugh forgetting about original sin, you have the combination of innocence and experience that makes this short romp so imperishable.”

A hilarious satire about college life and high class manners, this is a classic of postwar English literature.Regarded by many as the finest, and funniest, comic novel of the twentieth century, Lucky Jim remains as trenchant, withering, and eloquently misanthropic as when it first scandalized readers in 1954. This is the story of Jim Dixon, a hapless lecturer in medieval history at a provincial university who knows better than most that “there was no end to the ways in which nice things are nicer than nasty ones.” Amis’s scabrous debut leads the reader through a gallery of emphatically English bores, cranks, frauds, and neurotics, with each of whom Dixon must contend in one way or another in order to hold on to his cushy academic perch and win the girl of his fancy. More than just a merciless satire of cloistered college life and stuffy post-war manners, Lucky Jim is an attack on the forces of boredom, whatever form they may take, and a work of art that at once distills and extends an entire tradition of English comic writing, from Fielding and Dickens through Wodehouse and Waugh. As Christopher Hitchens has written, “if you can picture Bertie or Jeeves being capable of actual malice, and simultaneously imagine Evelyn Waugh forgetting about original sin, you have the combination of innocence and experience that makes this short romp so imperishable.”

Penguin Decades bring you the novels that helped shape modern Britain. When they were published, some were bestsellers, some were considered scandalous, and others were simply misunderstood. All represent their time and helped define their generation, while today each is considered a landmark work of storytelling.Kingsley Amis's Lucky Jim was published in 1954, and is a hilarious satire of British university life. Jim Dixon is bored by his job as a medieval history lecturer. His days are only improved by pulling faces behind the backs of his superiors as he tries desperately to survive provincial bourgeois society, an unbearable 'girlfriend' and petty humiliation at the hands of Professor Welch.Lucky Jim is one of the most famous and influential of all British post-War novels.

From the front flap of this 256-page book: "Jim Dixon is one of those hapless individuals who bumble through life tripping over their own good intentions. As he caromed from fiasco to triumph to cataclysm, he was sustained only by his rare talent for creating a Face to suit every occasion.....grimaces like his Mad-Peasant face or the Shot-in-the-Back face, smirks like the Evelyn Waugh or Sex-Life-in-Ancient-Rome. Jim held tenuously to a probationary instructorship at a small English university and his hopes for reappointment lay solely in his ability to butter up Prefessor Welch, the odious and vapid head of his department. Lurking like a neurotic thundercloud on Jim's already hazy horizon was Margaret Peel, a young woman of scant charm and suicidal tendencies, who was being harbored at the home of Professor Welch while convalescing from a surfeit of sleeping tablets taken in pique. As part of his hysterical campaign of apple polishing Jim accepted an invitation to one of Professor Welch's artistic weekends, After a French-play-reading, record playing, madrigal-singing evening with a group of local intellectuals that included the professor's painter son, Bertrand, poor Jim sought sanctuary at a nearby pub. Closing time found him launched on a monumental binge, the results of which were an inconclusive but spirited attack on Margaret's virtue, an incendiary episode with his bedclothes, and the formation of a new alliance with Christine Cunningham, Bertrand's current inamorata. From this point on the plot begins to congeal, with Jim caught like a shrimp in the aspic. Kingsley Amis, who wrote 'Lucky Jim', has a rare wit that teeters between the hilariously nonsensical and the deeply serious. This delightful - if often quite mad - novel is his first."

Kingsley Amis's witty campus novel, Lucky Jim is a comedy that skewers the hypocrisies and vanities of 1950s academic life. This Penguin Modern Classics edition contains an introduction by David Lodge. Jim Dixon has accidentally fallen into a job at one of Britain's new red brick universities. A moderately successful future in the History Department beckons - as long as Jim can stave off the unwelcome advances of fellow lecturer Margaret, survive a madrigal-singing weekend at Professor Welch's, deliver a lecture on 'Merrie England' and resist Christine, the hopelessly desirable girlfriend of Welch's awful son Bertrand. Inspired by Amis's friend, the poet Philip Larkin, Jim Dixon is a timeless comic character, adrift in a hopelessly gauche and pretentious world. Kingsley Amis (1922-1995), born in London, wrote poetry, criticism, and short stories, but is best remembered as the novelist whose works offered a comic deconstruction of post-war Britain. Amis explored his disillusionment with British society in novels such as Lucky Jim (1954) and That Uncertain Feeling (1955); his other works include The Green Man (1970) Stanley and the Women (1984), and The Old Devils (1986) which won the Booker Prize. If you enjoyed Lucky Jim, you might like Amis's The King's English, also available in Penguin Modern Classics. 'A flawless comic novel ... I loved it then, as I do now. It has always made me laugh out loud' Helen Dunmore, The Times 'A brilliantly and preposterously funny book' Guardian

Penguin Decades bring you the novels that helped shape modern Britain. When they were published, some were bestsellers, some were considered scandalous, and others were simply misunderstood. All represent their time and helped define their generation, while today each is considered a landmark work of storytelling. Kingsley Amis's Lucky Jim was published in 1954, and is a hilarious satire of British university life. Jim Dixon is bored by his job as a medieval history lecturer. His days are only improved by pulling faces behind the backs of his superiors as he tries desperately to survive provincial bourgeois society, an unbearable 'girlfriend' and petty humiliation at the hands of Professor Welch. Lucky Jim is one of the most famous and influential of all British post-War novels.

'His mouth had been used as a latrine by some small creature of the night, and then as a mausoleum. During the night, too, he'd somehow been on a cross-country run and then been expertly beaten up by secret police. He felt bad.' Jix Dixon has a terrible job at a second-rate university. His life is full of things he could happily do without: the tedious and ridiculous Professor Welch, a neurotic and unstable girlfriend, Margaret, burnt sheets, medieval recorder music and over-enthusiastic students. If he can just deliver a lecture on 'Merrie England', a moderately successful career surely awaits him. But without luck, life is never simple . . .