Other editions of book Aperture Masters: Berenice Abbott

Originally published by The New Press in 1997 to stellar reviews and great acclaim, Berenice Abbott: Changing New York sold more than 20,000 copies in its combined editions and was featured in Vanity Fair, Newsweek, and the New York Daily News and called “the definitive visual record of the city as it was during the Depression” by the Washington Post.A Midwesterner who first came to New York in 1918, Abbott (1898–1991) was one of the twentieth century’s most important photographers, and her images have come to define 1930s New York. In 1921, she moved to Paris and worked as Man Ray’s darkroom assistant. Inspired by the great French photographer Eugène Atget, she returned to America in 1929 to photograph New York City. With the financial support of the WPA’s Federal Art Project from 1935 to 1939, she was able to realize her ambition to document a “changing New York.”This deluxe hardcover edition features more than 300 duotones—the complete WPA project—and 113 variant images, drawings, and period maps, as well as an explanatory text on Abbott’s life and work.

Now in paperback, the highly acclaimed, definitive collection of Abbott's popular New York photographs. Berenice Abbott (1898-1991) was one of this century's greatest photographers, and her New York City images have come to define 1930's New York. The response to The New Press's landmark hardcover publication of Berenice Abbott: Changing New York was extraordinary. In addition to receiving rave reviews, it was chosen a best book of the year by the Wall Street Journal, Business Week, and New York Newsday, and was featured in Vanity Fair, Newsweek, and the New York Daily News. A midwesterner who came to New York in 1918, Abbott moved to Paris in 1921 and worked as Man Ray's photographic assistant. Inspired by French photographer Atget, Abbott returned to America in 1929 to photograph New York City. With the financial support of the Works Progress Administration's Federal Art Project from 1935 to 1939, she was able to realize her ambition to document a "changing New York," a project that remains the centerpiece of her career. Now available for the first time in an affordable paperback edition, Berenice Abbott features more than 300 duotones, arranged geographically in eight sections tracing the photographer's New York City odyssey. It also includes 113 variant images, line drawings, and period maps, as well as an explanatory text, which explores Abbott's compositional choices, her artistic and historical preoccupations, and the history of New York. Features: - 307 duotones--the complete WPA project--more than 200 published here for the first time - 113 halftones and line drawings, including period maps, technical drawings, and alternate prints - An introductory essay on the life and work of Berenice Abbott - Extended annotations distilled from the never-before-accessed WPA field notes

In 1929, after eight years in Europe, photographer Berenice Abbott (1898-1991) returned to New York City for what was planned as a short visit. During her absence, hundreds of 19th-century buildings had been razed to make way for dozens of skyscrapers. The unprecedented building boom inspired Abbott to give up her thriving Parisian portrait practice to photograph the new face of New York. Soon after her return, the Stock Market crashed and the Depression began. For five years, Abbott struggled to pursue her project, reserving Wednesdays to photograph New York City. In 1935, the Federal Art Project offered her support: it gave her a 145 monthly salary, a field assistant, research assistants, a secretary, and a car. By 1940, Abbott had completed "Changing New York," one of the monumental achievements of 20th-century photography.