Other editions of book Ibid: A Novel

“A life by inference is better than no life at all.”Dunn pushes his propensity for quirky to the limit, creating a full-length novel entirely upon the margins of a fictitious biography of Jonathan Blashette, a three-legged circus performer–cum entrepreneur and humanitarian. When his editor loses the manuscript of this biography, he offers to publish the only text left: his footnotes.Dunn holds up a funhouse mirror to the pedestaled residents of the twentieth century and has a laugh at the expense of the events and luminaries of an era that perhaps took itself just a little too seriously.

Only Mark Dunn, author of the acclaimed Ella Minnow Pea, would attempt to write a novel entirely in footnotes-and succeed so triumphantly. Ibid is the off-the-wall fictional biography of Jonathan Blashette, a three-legged circus performer and deodorant entrepreneur. Dunn, a character in his own novel, is Blashette's esteemed biographer. But when Dunn's editor destroys the manuscript in an unfortunate bathtub accident, all that remains are the footnotes, which they arrange to publish in a consummate portrait of Blashette's strangely hilarious life story, one that offers some infinitely interesting morsels of American cultural history. Of course, as endnotes go, these are the tidbits, the marginalia: snippets of commentary, correspondence, court transcripts, song lyrics, and even a recipe for Boston baked beans. But in the topsy-turvy world of Ibid, the footnotes tell the truest story of all.

Only Mark Dunn, author of the acclaimed Ella Minnow Pea, would attempt to write a novel entirely in footnotes-and succeed so triumphantly. Ibid is the off-the-wall fictional biography of Jonathan Blashette, a three-legged circus performer and deodorant entrepreneur. Dunn, a character in his own novel, is Blashette's esteemed biographer. But when Dunn's editor destroys the manuscript in an unfortunate bathtub accident, all that remains are the footnotes, which they arrange to publish in a consummate portrait of Blashette's strangely hilarious life story, one that offers some infinitely interesting morsels of American cultural history. Of course, as endnotes go, these are the tidbits, the marginalia: snippets of commentary, correspondence, court transcripts, song lyrics, and even a recipe for Boston baked beans. But in the topsy-turvy world of Ibid, the footnotes tell the truest story of all.