Other editions of book The flowers of evil

In the annals of literature, few single volumes of poetry have achieved the influence and notoriety of The Flowers of Evil (Les Fleurs du Mal) by Charles Baudelaire. Banned and slighted in his lifetime, the book that contains all of Baudelaire's verses has opened up vistas to the imagination and quickened sensibilities of poets everywhere. Yet it is questionable whether a single translator can give adequate voice to Baudelaire's full poetic range. In compiling their classic, bilingual edition of The Flowers of Evil, the late Marthiel and Jackson Mathews chose from the work of forty-one translators to create a collection that is "a commentary on the present state of the art of translation." The Mathews' volume is a poets' homage to Baudelaire as well. Among the contributors are: Robert Fitzgerald, Anthony Hecht, Aldous Huxley, Stanley Kunitz, Robert Lowell, Edna St. Vincent Millay, Karl Shapiro, Allen Tate, Richard Wilbur, Yvon Winters.

Les Flers du Mal, translated as The Flowers of Evil (first published in 1857), originally condemned as obscene, is recognized as a masterpiece, especially remarkable for the brilliant phrasing, rhythm, and expressiveness of its lyrics. Charles Baudelaire (1821-1867) was one of the greatest French poets of the 19th century. His work has been a major influence on Western poetry and modern poetry in general as, thematically, he was one of the first poets whose subject was often urban life and its dark side, with all of its evils and the degradation of its temptations. His poems, classical in form, introduced Symbolism, he is also known as a writer of the Decadent group. Baudelaire was moody and rebellious, imbued with an intense religious mysticism, and his work reflects an unremitting inner despair. His main theme is the inseparable nature of beauty and corruption.

The Flowers of Evil is a volume of French poetry by Charles Baudelaire. It was important in the symbolist and modernist movements. The subject matter of these poems deals with themes relating to decadence and eroticism. The author and the publisher were prosecuted under the regime of the Second Empire as an an insult to public decency. As a consequence of this prosecution, Baudelaire was fined 300 francs. Six poems from the work were suppressed and the ban on their publication was not lifted in France until 1949. Upon reading "The Swan" Victor Hugo announced that Baudelaire had created a new shudder, a new thrill in literature.