Other editions of book The Blue Bird;: A Fairy Play in Six Acts

The Blue Bird is a 1908 play by Belgian author Maurice Maeterlinck. It premiered on 30 September 1908 at Constantin Stanislavski's Moscow Art Theatre and has been turned into several films and a TV series. The French composer Albert Wolff wrote an opera (first performed at the N.Y. Metropolitan in 1919) based on Maeterlinck's original play, and Maeterlinck's innamorata Georgette Leblanc produced a novelization. The story is about a girl called Mytyl and her brother Tyltyl seeking happiness, represented by The Blue Bird of Happiness, aided by the good fairy Bérylune. Maurice Polydore Marie Bernard Maeterlinck (29 August 1862 – 6 May 1949) was a Belgian playwright, poet, and essayist who was a Fleming, but wrote in French. He was awarded the Nobel Prize in Literature in 1911 "in appreciation of his many-sided literary activities, and especially of his dramatic works, which are distinguished by a wealth of imagination and by a poetic fancy, which reveals, sometimes in the guise of a fairy tale, a deep inspiration, while in a mysterious way they appeal to the readers' own feelings and stimulate their imaginations". The main themes in his work are death and the meaning of life. His plays form an important part of the Symbolist movement.

The Blue Bird is a 1908 play by Belgian author Maurice Maeterlinck. It premiered on 30 September 1908 at Constantin Stanislavski's Moscow Art Theatre and has been turned into several films and a TV series. The French composer Albert Wolff wrote an opera (first performed at the N.Y. Metropolitan in 1919) based on Maeterlinck's original play, and Maeterlinck's innamorata Georgette Leblanc produced a novelization. The story is about a girl called Mytyl and her brother Tyltyl seeking happiness, represented by The Blue Bird of Happiness, aided by the good fairy Bérylune.

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Maurice Polydore Marie Bernard, Count Maeterlinck (1862-1949) was a Belgian poet, playwright, and essayist writing in French. He was awarded the Nobel Prize in Literature in 1911. The main themes in his work are death and the meaning of life. He had written poems and short novels during his studies. In 1889, he became famous overnight after his first play, La Princesse Maleine, had received enthusiastic praise from Octave Mirbeau, the literary critic of Le Figaro (1890). In the following years, he wrote a series of symbolist plays characterized by fatalism and mysticism, most importantly The Intruder (1890), The Blind (1890) and Pélléas and Mélisande (1892). With the play Aglavaine et Sélysette he began to create characters, especially female characters, more in control of their destinies. After that he published his Douze Chansons (1896), Treasure of the Humble (1896), The Life of the Bee (1901), and Ariadne and Bluebeard (1902). In 1903, Maeterlinck received the Triennial Prize for Dramatic Literature from the Belgian government. His other works include Wisdom and Destiny (1898), and The Wrack of the Storm (1916).

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

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