Other editions of book The Firing Line

Young Hamil, resting on his oars, gazed absently into the creeping mist. Under it the ocean sparkled with subdued brilliancy; through it, shoreward, green palms and palmettos turned silvery; and, as the fog spread, the sea-pier, the vast white hotel, bathing-house, cottage, pavilion, faded to phantoms tinted with rose and pearl. Leaning there on his oars, he could still make out the distant sands flecked with the colours of sunshades and bathing-skirts; the breeze dried his hair and limbs, but his swimming-shirt and trunks still dripped salt water. Inshore a dory of the beach guard drifted along the outer line of breakers beyond which the more adventurous bathers were diving from an anchored raft. Still farther out moving dots indicated the progress of hardier swimmers; one in particular, a girl capped with a brilliant red kerchief, seemed to be already nearer to Hamil than to the shore........ Robert William Chambers (May 26, 1865 – December 16, 1933) was an American artist and fiction writer, best known for his book of short stories entitled The King in Yellow, published in 1895.He was born in Brooklyn, New York, to William P. Chambers (1827–1911), a corporate and bankruptcy lawyer, and Caroline Smith Boughton (1842-1913). His parents met when Caroline was twelve years old and William P. was interning with her father, Joseph Boughton, a prominent corporate lawyer. Eventually the two formed the law firm of Chambers and Boughton which continued to prosper even after Joseph's death in 1861. Robert's great-grandfather, William Chambers (birth unknown), a lieutenant in the British Royal Navy, was married to Amelia Saunders,(1765-1822), the great grand daughter of Tobias Saunders, of Westerly, Rhode Island. The couple moved from Westerly, to Greenfield, Massachusetts and then to Galway, New York, where their son, also William Chambers, (1798-1874) was born. The second William graduated from Union College at the age of 18, and then went to a college in Boston, where he studied to be a doctor. Upon graduating, he and his wife, Eliza P. Allen (1793-1880), a direct descendant of Roger Williams, the founder of Providence, Rhode Island were among the first settlers of Broadalbin, New York. His brother was architect Walter Boughton Chambers. Robert was first educated at the Brooklyn Polytechnic Institute, and then entered the Art Students' League at around the age of twenty, where the artist Charles Dana Gibson was his fellow student. Chambers studied at the École des Beaux-Arts, and at Académie Julian, in Paris from 1886 to 1893, and his work was displayed at the Salon as early as 1889. On his return to New York, he succeeded in selling his illustrations to Life, Truth, and Vogue magazines. Then, for reasons unclear, he devoted his time to writing, producing his first novel, In the Quarter (written in 1887 in Munich). His most famous, and perhaps most meritorious, effort is The King in Yellow, a collection of Art Nouveau short stories published in 1895. This included several famous weird short stories which are connected by the theme of a fictitious drama of the same title, which drives those who read it insane.E. F. Bleiler described The King in Yellow as one of the most important works of American supernatural fiction.It was also strongly admired by H. P. Lovecraft and his circle. Chambers returned to the weird genre in his later short story collections The Maker of Moons, The Mystery of Choice and The Tree of Heaven, but none earned him as much success as The King in Yellow. Some of Chambers's work contains elements of science fiction, such as In Search of the Unknown and Police!!!, about a zoologist who encounters monsters....

Excerpt from The Firing LineA few minutes later the wind, which had become fit ful, suddm grew warm. All around him now the mist wasand orange groves, and a soft fragrance stole out over the sea.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from The Firing LineIt was all very new and interesting to him - the shore with its spectral palms and giant caravansary.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

"It's really very classical," he said, "like the voyage of Ulysses; I, Ulysses, you the water nymph Calypso, drifting in that golden ship of Romance-" "Calypso was a land nymph," she observed, absently, "if accuracy interests you as much as your monologue." Checked and surprised, he began to laugh at his own discomfiture; and she, elbow on the gunwale, small hand cupping her chin, watched him with an expressionless directness that very soon extinguished his amusement and left him awkward in the silence. "I've tried my very best to be civil and agreeable," he said after a moment. "Is it really such an effort for you to talk to a man?" "Not if I am interested," she said quietly.

Robert was first educated at the Brooklyn Polytechnic Institute,and then entered the Art Students' League at around the age of twenty, where the artist Charles Dana Gibson was his fellow student. Chambers studied at the École des Beaux-Arts, and at Académie Julian, in Paris from 1886 to 1893, and his work was displayed at the Salon as early as 1889.

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