Other editions of book The Boy Crusaders: A Story of the Days of Louis Ix

IT was the age of chain armour and tournaments—of iron barons and barons' wars—of pilgrims and armed pilgrimages—of forests and forest outlaws—when Henry III. reigned as King of England, and the feudal system, though no longer rampant, was still full of life and energy; when Louis King of France, afterwards canonised as St. Louis, undertook one of the last and most celebrated of those expeditions known as the Crusades, and described as 'feudalism’s great adventure, and popular glory.' At the time when Henry was King of England and when Louis of France was about to embark for the East, with the object of rescuing the Holy Sepulchre from the Saracens, there stood on the very verge of Northumberland a strong baronial edifice, known as the Castle of Wark, occupying a circulareminence, visible from a great distance, and commanding such an extensive view to the north as seemed to ensure the garrison against any sudden inroad on the part of the restless and refractory Scots. On the north the foundations were washed by the waters of the Tweed, here broad and deep; and on the south were a little town, which had risen under the protection of the castle, and,—stretching away towards the hills of Cheviot,—an extensive park or chase, abounding with wild cattle and deer and beasts of game. At an earlier period this castle had been a possession of the famous house of Espec; and, when in after days it came into the hands of the Montacute Earls of Salisbury, Edward III. was inspired within its walls with that romantic admiration of the Countess of Salisbury which resulted in the institution of the Order of the Garter. During the fifth decade of the thirteenth century, however, it was the chief seat of Robert, Lord de Roos, a powerful Anglo-Norman noble, whose father had been one of the barons of Runnymede and one of the conservators of the Great Charter. Like most of the fortresses built by the Norman conquerors of England, Wark consisted of a base-court, a keep, and a barbican in front of the base-court. The sides of the walls were fortified with innumerable angles, towers, and buttresses, and surmounted with strong battlements and hornworks. For greater security the castle was encompassed, save towards the Tweed, with a moat or deep ditch, filled with water, and fortified with strong palisades, and sharp stakes set thick all around the walls. Over the moat, at the principal gate, was the drawbridge, which was almost always raised, and the gate-house, a square building, having strong towers at each corner. Over the entrance and within the square of the gate-house was an arched vault, and over it was a chamber with apertures, through which, on occasion of an assault, the garrison, unseen the whilst, could watch the operations of the foe, and pour boiling water or melted lead on the foremost assailants. On the west side were the outworks, consisting of a platform with a trench half a mile in length, and breastworks, and covered ways, and mounds. The roofs of the building were bordered with parapets, guard walks, and sentry boxes.

John George Edgar (1834-1864) was a British author and biographer. He was the first editor of Every Boy's Magazine. His works include: The Boyhood of Great Men (1853), Footprints of Famous Men (1854), History for Boys; or, Annals of the Nations of Modern Europe (1855), Boy-Princes; or, Scions of Royalty Cut Off in Youth (1857), The Heroes of England (1858), The Wars of the Roses; or, Stories of the Struggle of York and Lancaster (1859), The Crusades and the Crusaders (1860), Memorable Events of Modern History (1862), Cavaliers and Roundheads; or, Stories of the Great Civil War (1862), How I Won My Spurs; or, A Boy's Adventures in the Barons' Wars (1863), Sea Kings and Naval Heroes (1863), Danes, Saxons, and Normans; or, Stories of our Ancestors (1863), Runnymede and Lincoln Fair: A Story of the Great Charter (1864), Noble Dames of Ancient Story (1864), The Boy Crusaders: A Story of the Days of Louis IX (1865), Cressy and Poictiers: The Story of the Black Prince's Page (1865) and Anecdotes of Animals (1865).

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