Other editions of book A Single Shard A SINGLE SHARD by Park, Linda Sue

Foraging in fields and on rubbish heaps, and sharing food with his friend Crane-man, used to be enough to fill Tree-ear's days. But now all Tree-ear wants to do is watch master potter Min at work. Ch'ulp'o is a potters' village, famous for delicate celadon ware, and Min is the most brilliant of all potters in Ch'ulp'o. He is also known to be short-tempered. Even so, Tree-ear is drawn irresistibly to Min's workplace. He is fascinated by the miracle of the potter's craft and dream of making a pot of his own someday. His quest leads him down unexpected paths, with hazards and rewards beyond imagining. This account of a creative spirit on its journey toward fulfillment is set in twelfth-century Korea, where the course of human destiny could be determined by a single celadon shard. A Single Shard won the 2002 Newbery Medal for most distinguished American children's book.

Winner of the 2002 Newbery Medal In this Newbery Medal-winning book set in 12th century Korea, Tree-ear, a 13-year-old orphan, lives under a bridge in Ch’ulp’o, a potters' village famed for delicate celadon ware. He has become fascinated with the potter’s craft; he wants nothing more than to watch master potter Min at work, and he dreams of making a pot of his own someday. When Min takes Tree-ear on as his helper, Tree-ear is elated — until he finds obstacles in his path: the backbreaking labor of digging and hauling clay, Min’s irascible temper, and his own ignorance. But Tree-ear is determined to prove himself — even if it means taking a long, solitary journey on foot to present Min’s work in the hope of a royal commission . . . even if it means arriving at the royal court with nothing to show but a single celadon shard.

Winner of the 2002 Newbery Medal In this Newbery Medal-winning book set in 12th century Korea, Tree-ear, a 13-year-old orphan, lives under a bridge in Ch’ulp’o, a potters' village famed for delicate celadon ware. He has become fascinated with the potter’s craft; he wants nothing more than to watch master potter Min at work, and he dreams of making a pot of his own someday. When Min takes Tree-ear on as his helper, Tree-ear is elated — until he finds obstacles in his path: the backbreaking labor of digging and hauling clay, Min’s irascible temper, and his own ignorance. But Tree-ear is determined to prove himself — even if it means taking a long, solitary journey on foot to present Min’s work in the hope of a royal commission . . . even if it means arriving at the royal court with nothing to show but a single celadon shard.

The story of Celadon pottery. From the Newbery Project: "2002 Newbery Medal Winner Tree-Ear is a young orphan boy who lives under a bridge with his companion, Crane-man, in 12th century Korea. The two friends never know where their next meal is coming from, but what is lacking in food and money is made up for in heart and friendship. When Tree-Ear is not scrounging for scraps of food, he watches master potter Min make his beautiful Korean Celadon pottery. One day he can't resist picking up a beautiful piece of pottery and ends up damaging the work. Because he can't repay Min in money, he agrees to work for Min to repay him in hopes of learning from this master potter. But Min has other things in store, and Tree-Ear finds himself doing excruciating manual labor. When the king sends his emissary to find potters for a lifelong commission, Tree-Ear finds himself going on a journey that forever changes his life. A Single Shard is a beautifully written and emotional novel about friendship, hope, love, and acceptance. Here's a passage near the beginning of the novel that particularly spoke to me: The gentle curves of the vase, its mysterious green color. The sharp angle of the plum twigs, their blackness stark amid the airy white blossoms. The work of a human, the work of nature; clay from the earth, a branch from the sky. A kind of peace spread through Tree-Ear, body and mind, as if while he looked at the vase and its branch, nothing could ever go wrong in the world. (p. 52) But things do go wrong in the world as we witness Tree-Ear on both his physical journey and his emotional journey in the book. Through Tree-Ear's story, the reader also learns a lot about pottery making during the 12th century and the hard work involved in creating one single piece of celadon pottery. The Author's Note at the end of the book along with an essay about celadon pottery teach us more about the time period and the art of creating this rare and beautiful pottery..."

FOR USE IN SCHOOLS AND LIBRARIES ONLY. In this Newbery Medal-winning book set in 12th century Korea, Tree-ear, a 13-year-old orphan, lives under a bridge in Ch'ulp'o, a potters' village famed for delicate celadon ware. He has become fascinated with the potter's craft; he wants nothing more than to watch master potter Min at work, and he dreams of making a pot of his own someday. When Min takes Tree-ear on as his helper, Tree-ear is elated - until he finds obstacles in his path: the backbreaking labor of digging and hauling clay, Min's irascible temper, and his own ignorance. But Tree-ear is determined to prove himself - even if it means taking a long, solitary journey on foot to present Min's work in the hope of a royal commission . . . even if it means arriving at the royal court with nothing to show but a single celadon shard.

Tree-ear is an orphan in twelfth-century Korea. He lives under a bridge with Crane-man, a homeless widower who has taken him under his wing. Tree-ear hasn't got many prospects, but he is fascinated by master potter, Min, who lives in the nearby village. Secretly watching Min work, Tree-ear longs to be a potter himself. He persuades Min to let him do little jobs, until one day he has the chance to provide a service for him - one that could bring glory to Min and the village and fulfil his own dreams. But there are others seeking glory and many obstacles for a young boy to overcome.