Other editions of book The ordeal of Richard Feverel : a history of a father and son

In the presence of that world, so different to him now, he preserved his wonted demeanour, and made his features a flexible mask. Mrs. Doria Forey, his widowed sister, said that Austin might have retired from his Parliamentary career for a time, and given up gaieties and that kind of thing; her opinion, founded on observation of him in public and private, was, that the light thing who had taken flight was but a feather on her brother’s Feverel-heart, and his ordinary course of life would be resumed. There are times when common men cannot bear the weight of just so much. HippiasFeverel, one of his brothers, thought him immensely improved by his misfortune, if the loss of such a person could be so designated; and seeing that Hippias received in consequence free quarters at Raynham, and possession of the wing of the Abbey she had inhabited, it is profitable to know his thoughts. If the baronet had given two or three blazing dinners in the great hall he would have deceived people generally, as he did his relatives and intimates. He was too sick for that: fit only for passive acting. The nurse-maid waking in the night beheld a solitary figure darkening a lamp above her little sleeping charge, and became so used to the sight as never to wake with a start. One night she was strangely aroused by a sound of sobbing. The baronet stood beside the cot in his long black cloak and travelling cap. His fingers shaded a lamp, and reddened against the fitful darkness that ever and anon went leaping up the wall. She could hardly believe her senses to see the austere gentleman, dead silent, dropping tear upon tear before her eyes. She lay stone-still in a trance of terror and mournfulness, mechanically counting the tears as they fell, one by one. The hidden face, the fall and flash of those heavy drops in the light of the lamp he held, the upright, awful figure, agitated at regular intervals like a piece of clockwork by the low murderous catch of his breath: it was so piteous to her poor human nature that her heart began wildly palpitating. Involuntarily the poor girl cried out to him, "Oh, sir!" and fell a-weeping. Sir Austin turned the lamp on her pillow, and harshly bade her go to sleep, striding from the room forthwith. He dismissed her with a purse the next day. Once, when he was seven years old, the little fellow woke up at night to see a lady bending over him. He talked of this the next day, but it was treated as a dream; until in the course of the day his uncle Algernon was driven home from Lobourne cricket-ground with a broken leg. Then it was recollected that there was a family ghost; and, though no member of the family believed in the ghost, none would have given up a circumstance that testified to its existence; for to possess a ghost is a distinction above titles.

The Ordeal of Richard Feverel: A History of Father and Son (1859) is the earliest full-length novel by George Meredith; its subject is the inability of systems of education to control human passions. It is one of a select group of standard texts that have been included in all four of Everyman's Library (1935), the New American Library of World Literature (1961), Oxford World's Classics (1984), and Penguin Classics (1998). With its rigorous psychological analysis and criticism of contemporary attitudes to sexuality, it has been seen by some critics as the first modern novel in English literature. Synopsis: Sir Austin Feverel's wife deserts him to run away with a poet, leaving her husband to bring up their boy Richard. Believing schools to be corrupt, Sir Austin, a scientific humanist, educates the boy at home with a plan of his own devising known as "the System". This involves strict authoritarian supervision of every aspect of the boy's life, and in particular the prevention of any meeting between Richard and girls of his own age. Richard nevertheless meets and falls in love with Lucy Desborough, the niece of a neighboring farmer. Sir Austin finds out and, disapproving of her humble birth, forbids them to meet again, but they secretly marry. Sir Austin now tries to retrieve the situation by sending Richard to London. Here, however, Sir Austin's friend Lord Mountfalcon successfully sets a courtesan to seduce Richard, hoping that this will leave Lucy open to seduction by himself. Ashamed of his own conduct, Richard flees abroad where he at length hears that Lucy has given birth to a baby and has been reconciled to Sir Austin. He returns to England and, hearing about Lord Mountfalcon's villainy, challenges him to a duel. But this goes badly: Richard is seriously wounded. Lucy is so overcome by this turn of events that she loses her mind and dies. In 1856 George Meredith's wife Mary began an affair with the artist Henry Wallis. In the following year, pregnant by Wallis, she ran away to join him, leaving her son Arthur behind. Meredith undertook to bring the child up. The parallels with the opening chapters of the novel are obvious, though Sir Austin is certainly not intended as a self-portrait.[2] Meredith was equivocal in his attitude to Sir Austin's favourite educational theories, which, it has been shown, derived largely from the medical writer William Acton's Prostitution, Considered in Its Moral, Social & Sanitary Aspects (1857) and The Functions and Disorders of the Reproductive Organs (1857), from Herbert Spencer's essay "Moral Education" (Quarterly Review, April 1858), and from Jean-Jacques Rousseau's novel Émile.... George Meredith, OM (12 February 1828 – 18 May 1909) was an English novelist and poet of the Victorian era. He was nominated for the Nobel Prize in Literature seven times. LIFE:Meredith was born in Portsmouth, England, a son and grandson of naval outfitters. His mother died when he was five. At the age of 14 he was sent to a Moravian School in Neuwied, Germany, where he remained for two years. He read law and was articled as a solicitor, but abandoned that profession for journalism and poetry. He collaborated with Edward Gryffydh Peacock, son of Thomas Love Peacock in publishing a privately circulated literary magazine, the Monthly Observer. He married Edward Peacock's widowed sister Mary Ellen Nicolls in 1849 when he was twenty-one years old and she was twenty-eight. Meredith collected his early writings, first published in periodicals, in an 1851 volume, Poems. In 1856 he posed as the model for The Death of Chatterton, a notable painting by the English Pre-Raphaelite painter Henry Wallis (1830–1916). His wife ran off with Wallis in 1858; she died three years later. The collection of "sonnets" entitled Modern Love (1862) emerged from this experience as did The Ordeal of Richard Feverel, his first "major novel"....

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

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This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.