Other editions of book A Doll's House and Two Other Plays

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Excerpt from A Doll's House: And Two Other PlaysAs a youth, Ibsen displayed some talent for painting, and, when he left school at fifteen, was anxious to be an artist. But poverty forbade, and for five years he was apprenticed to an apothecary. By the end of that time his literary gifts had begun to assert themselves, and his soul, stirred by the revolutionary wave that was Spreading over Europe, unburdened itself in poetry. It was not long before the irksomeness of life in a small country town became insupportable by one who had ambitions, and in 1850 Ibsen managed to get to Christiania, where he eked out an existence by humble journalistic work. He had taken with him to Christiania a three-act blank verse tragedy, Cali/ind, which was published (under a pseudonym) in 1850 and fell still-born from the press.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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March 1828, at Skien, a small Norwegian town which concerned itself solely with the timber trade. A bout eight years later his fathers means, which had originally been easy, were suddenly and disastrously reduced. The family had to remove to humbler quarters and live in a very small way, and thus the boy had an early initiation into the privation that was to be his lot in life for many years. One of his few pleasures in these early days was the possession, which was allowed to him undisturbed, of an attic in his fathers house. Here he could rummage at will, we are told by Mr. Gosse, amongst some dreary old books, amongst others Harrison sfolio History of the City of London, as well as a paint-box, an hour-glass, and an extinct eight-day clock, properties which were faithfully introduced, half a century later, into The Wild Duck As a youth, Ibsen displayed some talent for painting, and, when he left school at fifteen, was anxious to be an artist. But poverty forbade, and for five years he was apprenticed to an apothecary. By the end of that time his literary gifts had begun to assert themselves, and his soul, stirred by the revolutionary wave that was spreading over Europe, unburdened itself in poetry. It was not long before the irksomeness of life in a small country town became insupportable by one who had ambitions, and in 1850 Ibsen managed to get to Christiania, where he eked out an existence by humble journalistic work. He had taken with him to Christiania a three-act blank verse tragedy, Catilina, which was published (under a pseudonym) in 1850 and fell still-born from the press.(Typographical errors above are due to OCR software and don't occur in the book.)About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology.Forgotten Books' Classic Reprint Series utilizes the latest te

This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.