Other editions of book Stories from the Arabian Nights

Scheherazadè, the heroine of the Thousand and one Nights, ranks among the great story-tellers of the world much as does Penelope among the weavers. Procrastination was the basis of her art; for though the task she accomplished was splendid and memorable, it is rather in the quantity than the quality of her invention—in the long spun-out performance of what could have been done far more shortly—that she becomes a figure of dramatic interest. The idea which binds the stories together is greater and more romantic than the stories themselves; and though, both in the original and in translation, the diurnal interruption of their flow is more and more taken for granted, we are never quite robbed of the sense that it is Scheherazadè who is speaking—Scheherazadè, loquacious and self-possessed, sitting up in bed at the renewed call of dawn to save her neck for the round of another day. Here is a figure of romance worth a dozen of the prolix stories to which it has been made sponsor; and often we may have followed the fortunes of some shoddy hero and heroine chiefly to determine at what possible point of interest the narrator could have left hanging that frail thread on which for another twenty-four hours her life was to depend.

First published in 1911, this fantastic volume contains English-language retellings of stories from "One Thousand and One Nights", a collection of South Asian and Middle Eastern folk tales compiled during the Islamic Golden Age. With beautiful illustrations by Edmund Dulac, this timeless collection makes for perfect bedtime reading and is worthy of a place on any bookshelf. Edmund Dulac (1882 - 1953) was a French-born British illustrator and stamp designer. He was born in Toulouse and studied law there, but later, realising that his true passion was illustration, studied art the École des Beaux-Arts. Having moved to London in the early 20th century, Dulac received his first commission to illustrate the novels of the Brontë Sisters in 1905. During the First World War, he illustrated relief books; and after the war, when children's books were in low demand, he began illustrating magazines. Other notable works containing Dulac's illustrations include: "The Sleeping Beauty and Other Fairy Tales" (1910), "Stories from Hans Christian Andersen" (1911), and "The Bells and Other Poems by Edgar Allan Poe" (1912). Pook Press celebrates the great 'Golden Age of Illustration' in children's literature - a period of unparalleled excellence in book illustration. We publish rare and vintage classic illustrated books, in high-quality colour editions, so that the masterful artwork and story-telling can continue to delight both young and old.

First published in 1911, this fantastic volume contains English-language retellings of stories from “One Thousand and One Nights”, a collection of South Asian and Middle Eastern folk tales compiled during the Islamic Golden Age. With beautiful illustrations by Edmund Dulac, this timeless collection makes for perfect bedtime reading and is worthy of a place on any bookshelf. Edmund Dulac (1882 – 1953) was a French-born British illustrator and stamp designer. He was born in Toulouse and studied law there, but later, realising that his true passion was illustration, studied art the École des Beaux-Arts. Having moved to London in the early 20th century, Dulac received his first commission to illustrate the novels of the Brontë Sisters in 1905. During the First World War, he illustrated relief books; and after the war, when children's books were in low demand, he began illustrating magazines. Other notable works containing Dulac's illustrations include: “The Sleeping Beauty and Other Fairy Tales” (1910), “Stories from Hans Christian Andersen” (1911), and “The Bells and Other Poems by Edgar Allan Poe” (1912). Pook Press celebrates the great 'Golden Age of Illustration' in children's literature - a period of unparalleled excellence in book illustration. We publish rare and vintage classic illustrated books, in high-quality colour editions, so that the masterful artwork and story-telling can continue to delight both young and old.

This collection includes the following stories as retold by Laurence Housman: Ali Baba and the Forty Thieves; The Story of the Wicked Half-Brothers; The Story of the Princess of Deryabar; The Story of the Magic Horse; The Fisherman and the Genie; The Story of the King of the Ebony Isles; The History of Badoura, Princes of China, and of Camaralzaman, the Island Prince; Sinbad the Sailor; The first voyage of Sinbad the Sailor; The second voyage of Sinbad the Sailor; The third voyage of Sinbad the Sailor; The fourth voyage of Sinbad the Sailor; The fifth voyage of Sinbad the Sailor; The sixth voyage of Sinbad the Sailor; The seventh voyage of Sinbad the Sailor; and Aladdin and the Wonderful Lamp.

Excerpt from Stories From the Arabian NightsRobbed of the sense that it is Scheherazade who is speaking - Scheherazade, loquacious and self possessed, sitting up in bed at the renewed call of dawn to save her neck for the round of another day. Here is a figure of romance worth a dozen of the prolix stories to which it has been made sponsor; and often we may have followed the fortunes of some shoddy hero and heroine chiefly to determine at what possible point of interest the narrator could have left hanging that frail thread on which for another twenty-four hours her life was to depend.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.