Thirty Years a Slave: From Bondage to Freedom; The Institution of Slavery as Seen on the Plantation and in the Home of the Planter; Autobiography of Louis Hughes
Louis Hughes
Hardcover
(Forgotten Books, Oct. 11, 2017)
Excerpt from Thirty Years a Slave: From Bondage to Freedom; The Institution of Slavery as Seen on the Plantation and in the Home of the Planter; Autobiography of Louis HughesThe institution of human slavery, as it existed in this country, has long been dead; and, happily for all the sacred interests which it assailed, there is for it no resurrection. It may, therefore, be asked to what purpose is the story which follows, of the experiences of one person under that dead and accursed institution? To such question, if it be asked, it may be answered that the narrator presents his story in compliance with the suggestion of friends, and in the hope that it may add something of accurate information regard ing the character and influence of an institution which for two hundred years dominated the country exercising a potent but baneful influence in the formation of its social, civil and industrial structures, and which finally plunged it into the most stupendous civil war which the world has ever known. As the enlightenment of each generation depends upon the thoughtful study of the history of those that have gone before, everything which tends to fullness and accuracy in that history is of value, even though it be not presented with the adjuncts of literary adornment.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.