Other editions of book A WONDER BOOK AND TANGLEWOOD TALES FOR GIRLS AND BOYS

The author has long been of opinion that many of the classical myths were capable of being rendered into very capital reading for children. In the little volume here offered to the public, he has worked up half a dozen of them, with this end in view. A great freedom of treatment was necessary to his plan; but it will be observed by every one who attempts to render these legends malleable in his intellectual furnace, that they are marvellously independent of all temporary modes and circumstances. They remain essentially the same, after changes that would affect the identity of almost anything else. He does not, therefore, plead guilty to a sacrilege, in having sometimes shaped anew, as his fancy dictated, the forms that have been hallowed by an antiquity of two or three thousand years. No epoch of time can claim a copyright in these immortal fables. They seem never to have been made; and certainly, so long as man exists, they can never perish; but, by their indestructibility itself, they are legitimate subjects for every age to clothe with its own garniture of manners and sentiment, and to imbue with its own morality. In the present version they may have lost much of their classical aspect (or, at all events, the author has not been careful to preserve it), and have, perhaps, assumed a Gothic or romantic guise. In performing this pleasant task,—for it has been really a task fit for hot weather, and one of the most agreeable, of a literary kind, which he ever undertook,—the author has not always thought it necessary to write downward, in order to meet the comprehension of children. He has generally suffered the theme to soar, whenever such was its tendency, and when he himself was buoyant enough to follow without an effort. Children possess an unestimated sensibility to whatever is deep or high, in imagination or feeling, so long as it is simple, likewise. It is only the artificial and the complex that bewilder them. Lenox, July 15, 1851.

A Wonder Book and Tanglewood Tales - Greek Myths for Children - For Girls and Boys by Nathaniel Hawthorne. Tanglewood Tales for Boys and Girls (1853) is a book by American author Nathaniel Hawthorne, a sequel to A Wonder-Book for Girls and Boys. It is a re-writing of well-known Greek myths in a volume for children. Hawthorne wrote introduction, titled "The Wayside", referring to The Wayside in Concord, where he lived from 1852 until his death. In the introduction, Hawthorne writes about a visit from his young friend Eustace Bright, who requested a sequel to Wonder Book, which impelled him to write the Tales. Although Hawthorne informs us in the introduction that these stories were also later retold by Cousin Eustace, the frame stories of A Wonder-Book have been abandoned. Hawthorne wrote the book while renting a small cottage in the Berkshires, a vacation area for industrialists during the Gilded Age. The owner of the cottage, a railroad baron, renamed the cottage "Tanglewood" in honor of the book written there. Later, a nearby mansion was renamed Tanglewood, where outdoor classical concerts were held, which became a Berkshire summer tradition. The Tanglewood neighborhood of Houston was named after the book. The book was a favorite of Mary Katherine Farrington, the daughter of Tanglewood developer William Farrington. It reportedly inspired the name of the thickly wooded Tanglewood Island in the state of Washington.

This anthology is a thorough introduction to classic literature for those who have not yet experienced these literary masterworks. For those who have known and loved these works in the past, this is an invitation to reunite with old friends in a fresh new format. From Shakespeare s finesse to Oscar Wilde s wit, this unique collection brings together works as diverse and influential as The Pilgrim s Progress and Othello. As an anthology that invites readers to immerse themselves in the masterpieces of the literary giants, it is must-have addition to any library.

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The author has long been of opinion that many of the classical myths were capable of being rendered into very capital reading for children. In the little volume here offered to the public, he has worked up half a dozen of them, with this end in view. A great freedom of treatment was necessary to his plan; but it will be observed by every one who attempts to render these legends malleable in his intellectual furnace, that they are marvellously independent of all temporary modes and circumstances. They remain essentially the same, after changes that would affect the identity of almost anything else. He does not, therefore, plead guilty to a sacrilege, in having sometimes shaped anew, as his fancy dictated, the forms that have been hallowed by an antiquity of two or three thousand years. No epoch of time can claim a copyright in these immortal fables. They seem never to have been made; and certainly, so long as man exists, they can never perish; but, by their indestructibility itself, they are legitimate subjects for every age to clothe with its own garniture of manners and sentiment, and to imbue with its own morality. In the present version they may have lost much of their classical aspect (or, at all events, the author has not been careful to preserve it), and have, perhaps, assumed a Gothic or romantic guise. In performing this pleasant task,--for it has been really a task fit for hot weather, and one of the most agreeable, of a literary kind, which he ever undertook,--the author has not always thought it necessary to write downward, in order to meet the comprehension of children. He has generally suffered the theme to soar, whenever such was its tendency, and when he himself was buoyant enough to follow without an effort. Children possess an unestimated sensibility to whatever is deep or high, in imagination or feeling, so long as it is simple, likewise. It is only the artificial and the complex that bewilder them.

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