Other editions of book The Sea

'The Sea' is another of M. Michelet's dreamy volumes,—half science, half fancy, with a blending in both of sensuous suggestion. M. Michelet takes the seas of the world in his hands, manipulates them, invokes their monsters, assembles all their finny droves, gossips with the sirens, sails among the Hyperborean waters with Behemoth, and is on intimate terms with Tennyson's little shell-king, who lives in a palace with doors of diamond, and wears a rainbow frill, for the admiration of the nations that dwell in his dim, sunken wildernesses. * * * * * He discourses upon marine terrors and beauties, and tells the reader, as a sublime Peter Parley might, that the salt of all the seas, if piled upon America, would spread over the continent a solid, cliff-edged mass, 4,500 feet high. There are chapters on Sands, Cliffs and Beaches; on Waves; on the anatomy of the Sea itself, which resembles "a gigantic animal arrested in the earliest stage of its organization;" on Tempests; on the sympathy between Air and Water; on the Fecundity of the Sea, which, were it not self-devouring, would putrefy, according to M. Michelet into one solid mass of herring; on Fish of every species, and especially on Pearls. The Queens of the East, he says, dislike the gleams of the diamond. They will allow nothing to touch their skins except pearls. A necklace and two bracelets of pearls constitute the perfection of ornament. The pearls silently say to the woman, "Love us! hush!" In the North, too, dainty Countesses love their pearls,—wearing them beneath their clothes by night and by day, concealing them, caressing them, only now and then exposing them. So do the Odalisques of Asia prize the soft linen vestment that just covers their limbs, never taking it off until worn out, which says little for Oriental baths.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

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Excerpt from The Sea: La MerAnd how many other voices hath the mighty sea! Even when least agitated, how her wailings and her deep sighs contrast with the dull dead silence of the de serted shore, which seems to expect, in mute terror, the threatening of that mighty mass which so recently lav edit with a gentle and caressing wavelet. And will she not speedily fulfil her threat? I know not, and will not anticipate. I will not, just now, at least, speak of those terrible concerts in which, haply, she ere long will take the principal part; of her duets with the rocks, of the basses, those muttered thunders which she utters in the deep caverns of the rocky shore, or of those strange, wild, weird, shrieking tones in which we seem to recognize the Help, Spare, save me of some tor tured or fearfully imperilled humanity. No let us, for the present, contemplate her in her calmer moods; when she is strong, indeed, but not violent.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.