Other editions of book The Re-Creation of Brian Kent

The Re-Creation of Brian Kent carries a message that will strengthen human faith to happiness. "The foundation principles of life - honesty, courage, fidelity, mortality, etc. - are eternal facts. Life must and will go on. You can neither stop it nor turn it back. In the author's inimitable, fascinating style this message is like a heaven sent blessing that will cheer and give courage to millions of weary, storm-tossed souls that have all but gone down in these recent years of chaos. "The Re-Creation of Brian Kent is a delightful Ozark story of life and love, sweet and appealing with pathos, rich in philosophy, masterful in character analysis, charming in description and intensely dramatic, not with physical combat, but with skillful visualization of the clash and conflicts of the invisible forces of life." -- Publisher review

ILLUSTRATIONS By J. ALLEN ST. JOHN. COLOR FRONTISPIECE OF A YOUNG LADY! His ninth book about life and love in the Ozarks. "The Re-Creation of Brian Kent," a novel of life and love in the Ozarks, is sweet and appealing in its pathos and vibrant with the local color of "The Shepherd of the Hills" country. The story is rich in philosophy, charming in description, masterful in character portrayal, tense with dramatic action. Brian Kent, Auntie Sue, Judy and Betty Jo are more than creations - they are actual living human beings. There are thrilling incidents related with such vivid realism that one reads with breathless interest. And yet the fascinating power of the story is rather in the clean cut analysis of life and character, and in the skillful visualization of the clash and conflicts of life's invisible forces out of which the thrilling incidents come.

Harold Bell Wright (May 4, 1872 – May 24, 1944) was a best-selling American writer of fiction, essays, and nonfiction. Although mostly forgotten or ignored after the middle of the 20th century, he is said to have been the first American writer to sell a million copies of a novel and the first to make $1 million from writing fiction. Between 1902 and 1942 Wright wrote 19 books, several stage plays, and many magazine articles. More than 15 movies were made or claimed to be made from Wright's stories, including Gary Cooper's first major movie, The Winning of Barbara Worth (1926) and the John Wayne film The Shepherd of the Hills (1941).In 1902, while pastoring the Christian Church in Pittsburg, Kansas, he wrote a melodramatic story, entitled That Printer of Udell's, which he intended to read to his congregation, one chapter per week, at successive Sunday night meetings. But before he read it to his congregation, the story was published in serial form in The Christian Century, his denomination's official journal. Wright despised the magazine version so much that he "hid the poor mutilated corpse in the bottom of the least used drawer of my desk and moved on to other things" (To My Sons, p. 213). But parishioners enjoyed the story so much that they encouraged him to publish it in book form, which he did. But it was Wright's second novel, The Shepherd of the Hills, published in 1907 and set in Branson, Missouri, that established him as a best-selling author. That book also attracted a growing stream of tourists to the little-known town of Branson, resulting in its becoming a major tourist destination.In 1905 Wright accepted the position of pastor at the Christian Church in Lebanon, Missouri. Wright remained there until 1907 when he accepted another pastoral position in California. In that same year, after the success of The Shepherd of the Hills (his first book to sell one million copies), Wright resigned as pastor of the Redlands, California, Christian Church, moved to a ranch near El Centro, California, and devoted the rest of his life to writing popular stories. In 1911, he published his most popular book, The Winning of Barbara Worth, a historical novel set in the Imperial Valley of southeastern California.Wright was motivated to leave the ministry because he realized he could make more money writing fiction. In most of his novels, beginning with That Printer of Udell's, he attacked the hypocrisy and impractical nature of popular churches. To Wright, hard work, integrity and concrete efforts to aid people in need were far more important than church doctrines or sermons.Wright never responded to his critics, except to say that he never intended to create great literature, only to minister to ordinary people. (wikipedia.org)

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I remember as well as though it were yesterday the first time I met Auntie Sue. It happened during my first roaming visit to the Ozarks, when I had wandered by chance, one day, into the Elbow Rock neighborhood. Twenty years it was, at least, before the time of this story. She was standing in the door of her little schoolhouse, the ruins of which you may still see, halfway up the long hill from the log house by the river, where the most of this story was lived. It was that season of the year when the gold and brown of our Ozark Hills is overlaid with a filmy veil of delicate blue haze and the world is hushed with the solemn sweetness of the passing of the summer. And as the old gentlewoman stood there in the open door of that rustic temple of learning, with the deep-shadowed, wooded hillside in the background and in front, the rude clearing with its crooked rail fence along which the scarlet sumac flamed, I thought, -- as I still think, after all these years, -- that I had never before seen such a woman.

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I remember as well as though it were yesterday the first time I met Auntie Sue. It happened during my first roaming visit to the Ozarks, when I had wandered by chance, one day, into the Elbow Rock neighborhood. Twenty years it was, at least, before the time of this story. She was standing in the door of her little schoolhouse, the ruins of which you may still see, halfway up the long hill from the log house by the river, where the most of this story was lived. It was that season of the year when the gold and brown of our Ozark Hills is overlaid with a filmy veil of delicate blue haze and the world is hushed with the solemn sweetness of the passing of the summer. And as the old gentlewoman stood there in the open door of that rustic temple of learning, with the deep-shadowed, wooded hillside in the background and in front, the rude clearing with its crooked rail fence along which the scarlet sumac flamed, I thought, -- as I still think, after all these years, -- that I had never before seen such a woman.