Other editions of book The Haunted Hotel

Wilke Collins was the author of two of the greatest mysteries ever written, The Moonstone and The Woman in White. However, like Poe before him and Conan Doyle after, he shifted easily from rational domains to the 'superrational'. Like them, he often preferred to indulge his occult predilection, a lifelong indulgence. His last lucid effort in this area (before ill health and opium drained his powers) was this short novel, written in 1878. In it, he artfully combines elements of both the detective story and the supernatural.

"The Haunted Hotel" is a suspenseful and captivating story of a family who has been told of their relative's sudden death whilst on his honeymoon in Italy. Feeling rather suspicious of his new wife, Countess Narona, they decide to set out to Italy themselves to uncover the mystery behind his death. On reaching his palace of residence in Venice which is converted into a hotel after his death each of them starts experiencing something strange and paranormal, and they begin to question whether their relative, Lord Montbarry, really died in the way that have been described to them…

Horror lies waiting. A sinister Countess is driven mad by a dark secret. An innocent woman is made the instrument of retribution. A murdered man’s fury reaches beyond the grave. When Countess Narona marries Agnes Lockwood’s fiancé and takes him to live in a rundown Venetian palace, strange things start happening, a servant mysteriously vanishes and the husband dies a recluse. But the dead won’t rest. When the palace is transformed into a hotel the two women are drawn to its chambers, where a force stronger than death is waiting to wreak its vengeance ...

Shortly after breaking off his engagement to Agnes Lockwood in order to marry the Countess Narona, Lord Montbarry dies of bronchitis. A dilapidated Venetian palace, in which the two had settled following a tour of the continent, is renovated into a fashionable hotel. The ghost of Montbarry soon begins to haunt the hotel arising suspicion that his death may not have been entirely the result of natural causes. One of Wilkie Collin’s shorter novels, “The Haunted Hotel” is a chilling Victorian ghost story.

“In this story, as the chief character is internally melodramatic, the story itself ceases to be merely melodramatic, and partakes of true drama.” — T. S. Eliot.Like Poe before him and Conan Doyle after, Wilkie Collins shifted easily from rational domains to the “superrational.” Like them, he is famed for original contributions to “ratiocinative” (detective) literature, but often preferred to indulge his occult predilection — a lifelong indulgence. His first published story, “The Last Stage Coachmen” (1843), was a supernatural allegory of trains; perhaps his last lucid effort (before ill health and opium drained his powers) was this short novel, The Haunted Hotel.Collins’ methods and themes, developed and elaborated in his earlier, massive novels, are streamlined and concentrated here into a tight novelette. The same relentless pace and narrative power, the same attention to plot and backdrop detail that distinguish The Moonstone and The Woman in White are evident here, as is the obsession with destiny and the willful struggle against it.Collins’ much-loved Venice provides the scenery and fatal beauty, the grim waterways and palaces the author will haunt with mysterious women, grotesques, and bloody conspiracies. The Countess Narona is one of Collins’ cosmopolitan enchantresses; she acts, but as the tool of her doom. T. S. Eliot wrote, “The principal character, the fatal woman, is herself obsessed by the idea of fatality; her motives are melodramatic; she therefore compels the coincidences to occur, feeling that she is compelled to compel them.” Collins relieves the tension with some wry characterizations and ironies; the theatrics are sustained. Indeed, theatrical motifs figure heavily, Collins himself being much involved with the stage at that period.The Haunted Hotel appears to be loosely based on a case from the annals of French crime; the scene, scenery, players and conflicts, and especially the horror, come straight from Collins’ overstimulated, no doubt overwrought, most certainly haunted imagination.

Is there no explanation of the mystery of The Haunted Hotel? Is The Haunted Hotel the tale of a haunting -- or the tale of a crime? The ghost of Lord Montberry haunts the Palace Hotel in Venice --- or does it? Montberry's beautiful-yet-terrifying wife, the Countess Narona, and her erstwhile brother are the center of the terror that fills the Palace Hotel. Are there malefactions at the root of the haunting -- or is there something darker, something much more unknowable at work? (Goodreads)

Is there no explanation of the mystery of The Haunted Hotel? Is The Haunted Hotel the tale of a haunting -- or the tale of a crime? The ghost of Lord Montberry haunts the Palace Hotel in Venice --- or does it? Montberry's beautiful-yet-terrifying wife, the Countess Narona, and her erstwhile brother are the center of the terror that fills the Palace Hotel. Are their malefactions at the root of the haunting -- or is there something darker, something much more unknowable at work?

Is there no explanation of the mystery of The Haunted Hotel? Is The Haunted Hotel the tale of a haunting -- or the tale of a crime? The ghost of Lord Montberry haunts the Palace Hotel in Venice --- or does it? Montberry's beautiful-yet-terrifying wife, the Countess Narona, and her erstwhile brother are the center of the terror that fills the Palace Hotel. Are their malefactions at the root of the haunting -- or is there something darker, something much more unknowable at work?

The Haunted Hotel, A Mystery of Modern Venice by Wilkie CollinsA kind, good-hearted genteel young woman jilted, a suspicious death or two that only a few think could be murder, strange apparitions appearing in an hotel all combine to create a horrifying conundrum. Who was the culprit and will finding out finally put an end to the mystery?This ebook include the original and unabridged content. Enjoy it!