Other editions of book A Stranger in Olondria: a novel

When reading and writing are the most important things in the world. Jevick, the pepper merchant's son, has been raised on stories of Olondria, a distant land where books are as common as they are rare in his home - but which his mother calls the Ghost Country. When his father dies and Jevick takes his place on the yearly selling trip to Olondria, Jevick's life is as close to perfect as he can imagine. Just as he revels in Olondria's Rabelaisian Feast of Birds, he is pulled drastically off course and becomes haunted by the ghost of an illiterate young girl. In desperation, Jevick seeks the aid of Olondrian priests and quickly becomes a pawn in the struggle between the empire's two most powerful cults. Even as the country simmers on the cusp of war, he must face his ghost and learn her story before he has any chance of freeing himself by setting her free: an ordeal that challenges his understanding of art and life, home and exile, and the limits of that most seductive of necromancies, reading. A Stranger in Olondria is a rich, immersive fantasy that circles around and away from and back to the transportation of reading and how ideas can be carried far from their origins in something so simple as a book.

Jevick, the pepper merchant's son, has been raised on stories of Olondria, a distant land where books are as common as they are rare in his home. When his father dies and Jevick takes his place on the yearly selling trip to Olondria, Jevick's life is as close to perfect as he can imagine. But just as he revels in Olondria's Rabelaisian Feast of Birds, he is pulled drastically off course and becomes haunted by the ghost of an illiterate young girl.In desperation, Jevick seeks the aid of Olondrian priests and quickly becomes a pawn in the struggle between the empire's two most powerful cults. Yet even as the country shimmers on the cusp of war, he must face his ghost and learn her story before he has any chance of becoming free by setting her free: an ordeal that challenges his understanding of art and life, home and exile, and the limits of that seductive necromancy, reading.A Stranger in Olondria is a skillful and immersive debut fantasy novel that pulls the reader in deeper and deeper with twists and turns reminiscent of George R. R. Martin and Joe Hill.

Jevick, the pepper merchant's son, has been raised on stories of Olondria, a distant land where books are as common as they are rare in his home. When his father dies and Jevick takes his place on the yearly selling trip to Olondria, Jevick's life is as close to perfect as he can imagine. But just as he revels in Olondria's Rabelaisian Feast of Birds, he is pulled drastically off course and becomes haunted by the ghost of an illiterate young girl.In desperation, Jevick seeks the aid of Olondrian priests and quickly becomes a pawn in the struggle between the empire's two most powerful cults. Yet even as the country shimmers on the cusp of war, he must face his ghost and learn her story before he has any chance of becoming free by setting her free: an ordeal that challenges his understanding of art and life, home and exile, and the limits of that seductive necromancy, reading.A Stranger in Olondria is a skillful and immersive debut fantasy novel that pulls the reader in deeper and deeper with twists and turns reminiscent of George R. R. Martin and Joe Hill.

"Samatar's sensual descriptions create a rich, strange landscape, allowing a lavish adventure to unfold that is haunting and unforgettable."—Library Journal *starred review*"Thoroughly engaging and thoroughly original. A story of ghosts and books, treachery and mystery, ingeniously conceived and beautifully written. One of the best fantasy novels I've read in recent years."—Jeffrey Ford"Mesmerizing—a sustained and dreamy enchantment. A Stranger in Olondria reminds both Samatar's characters and her readers of the way stories make us long for faraway, even imaginary, places and how they also bring us home again."—Karen Joy Fowler"Gorgeous writing, beautiful and sensual and so precise—a Proustian ghost story."—Paul Witcover"Imagine an inlaid cabinet, its drawers within drawers filled with spices, roses, amulets, bright cities, bones, and shadows. Sofia Samatar is a merchant of wonders, and her A Stranger in Olondria is a bookshop of dreams."—Greer GilmanIn this hypnotic debut Jevik the pepper merchant's son dreams of far Olondria. Raised by his tutors on the written dreams of the distant city, when he gets the opportunity to travel there, his life is thrown off track when he is haunted by the ghost of a girl whom he must face down before he can go free. Reading has never been so seductive, so dangerous.Sofia Samatar is an American of Somali and Swiss German Mennonite background. Her writing has appeared in Clarkesworld, Stone Telling, Apex, and Strange Horizons. She wrote A Stranger in Olondria in Yambio, South Sudan, where she worked as an English teacher. She has worked in Egypt and now lives in the USA with her family.

When reading and writing are the most important things in the world. Jevick, the pepper merchant's son, has been raised on stories of Olondria, a distant land where books are as common as they are rare in his home—but which his mother calls the Ghost Country. When his father dies and Jevick takes his place on the yearly selling trip to Olondria, Jevick's life is as close to perfect as he can imagine. Just as he revels in Olondria's Rabelaisian Feast of Birds, he is pulled drastically off course and becomes haunted by the ghost of an illiterate young girl. In desperation, Jevick seeks the aid of Olondrian priests and quickly becomes a pawn in the struggle between the empire's two most powerful cults. Even as the country simmers on the cusp of war, he must face his ghost and learn her story before he has any chance of freeing himself by setting her free: an ordeal that challenges his understanding of art and life, home and exile, and the limits of that most seductive of necromancies, reading. A Stranger in Olondria is a rich, immersive fantasy that circles around and away from and back to the transportation of reading and how ideas can be carried far from their origins in something so simple as a book.