Other editions of book Mr. Munchausen

IN order that there may be no misunderstanding as to the why and the wherefore of this collection of tales it appears to me to be desirable that I should at the outset state my reasons for acting as the medium between the spirit of the late Baron Munchausen and the reading public. In common with a large number of other great men in history Baron Munchausen has suffered because he is not understood. I have observed with wondering surprise the steady and constant growth of the idea that Baron Munchausen was not a man of truth; that his statements of fact were untrustworthy, and that as a realist he had no standing whatsoever. Just how this misconception of the man’s character has arisen it would be difficult to say. Surely in his published writings he shows that same lofty resolve to be true to life as he has seen it that characterises the work of some of the high Apostles of Realism, who are writing of the things that will teach future generations how we of to-day ordered our goings-on. The note of veracity in Baron Munchausen’s early literary venturings rings as clear and as true certainly as the similar note in the charming studies of Manx Realism that have come to us of late years from the pen of Mr. Corridor Walkingstick, of Gloomster Abbey and London. We all remember the glow of satisfaction with which we read Mr. Walkingstick’s great story of the love of the clergyman, John Stress, for the charming little heroine, Glory Partridge. Here was something at last that rang true. The picture was painted in the boldest of colours, and, regardless of consequences to himself, Mr. Walkingstick dared to be real when he might have given rein to his imagination. Mr. Walkingstick was, thereupon, lifted up by popular favour to the level of an apostle—nay, he even admitted the soft impeachment—and now as a moral teacher he is without a rival in the world of literature. Yet the same age that accepts this man as a moral teacher, rejects Baron Munchausen, who, in different manner perhaps, presented to the world as true and life-like a picture of the conditions of his day as that given to us by Mr. Walkingstick in his deservedly popular romance, “Episcopalians I have Met.” Of course, I do not claim that Baron Munchausen’s stories in bulk or in specified instances, have the literary vigour that is so marked a quality of the latter-day writer, but the point I do wish to urge is that to accept the one as a veracious chronicler of his time and to reject the other as one who indulges his pen in all sorts of grotesque vagaries, without proper regard for the facts, is a great injustice to the man of other times. The question arises, why is this? How has this wrong upon the worthy realist of the eighteenth century been perpetrated? Is it an intentional or an unwitting wrong? I prefer to believe that it is based upon ignorance of the Baron’s true quality, due to the fact that his works are rarely to be found within the reach of the public: in some cases, because of the failure of librarians to comprehend his real motives, his narratives are excluded from Public and Sunday-School libraries; and because of their extreme age, they are not easily again brought into vogue. I have, therefore, accepted the office of intermediary between the Baron and the readers of the present day, in order that his later work, which, while it shows to a marked degree the decadence of his literary powers, may yet serve to demonstrate to the readers of my own time how favourably he compares with some of the literary idols of to-day, in the simple matter of fidelity to fact. If these stories which follow shall serve to rehabilitate Baron Munchausen as a lover and practitioner of the arts of Truth, I shall not have made the sacrifice of my time in vain. If they fail of this purpose I shall still have the satisfaction of knowing that I have tried to render a service to an honest and defenceless man.

An excerpt:THERE are moments of supreme embarrassment in the lives of persons given to veracity, indeed it has been my own unusual experience in life that the truth well stuck to is twice as hard a proposition as a lie so obvious that no one is deceived by it at the outset. I cannot quite agree with my friend, Caddy Barlow, who says that in a tight place it is better to lie at once and be done with it than to tell the truth which will need forty more truths to explain it, but I must confess that in my forty years of absolute and conscientious devotion to truth I have found myself in holes far deeper than any my most mendacious of friends ever got into. I do not propose, however, to desert at this late hour the Goddess I have always worshipped because she leads me over a rough and rocky road, and whatever may be the hardships involved in my wooing I intend to the very end to remain the ever faithful slave of Mademoiselle Veracite. All of which I state here in prefatory mood, and in order, in so far as it is possible for me to do so, to disarm the incredulous and sniffy reader who may be inclined to doubt the truth of my story of how the manuscript of the following pages came into my possession. I am quite aware that to some the tale will appear absolutely and intolerably impossible. I know that if any other than I told it to me I should not believe it. Yet despite these drawbacks the story is in all particulars, essential and otherwise, absolutely truthful.

There are moments of supreme embarrassment in the lives of persons given to veracity,—indeed it has been my own unusual experience in life that the truth well stuck to is twice as hard a proposition as a lie so obvious that no one is deceived by it at the outset. I cannot quite agree with my friend, Caddy Barlow, who says that in a tight place it is better to lie at once and be done with it than to tell the truth which will need forty more truths to explain it, but I must confess that in my forty years of absolute and conscientious devotion to truth I have found myself in holes far deeper than any my most mendacious of friends ever got into. I do not propose, however, to desert at this late hour the Goddess I have always worshipped because she leads me over a rough and rocky road, and whatever may be the hardships involved in my wooing I intend to the very end to remain the ever faithful slave of Mademoiselle Veracité. All of which I state here in prefatory mood, and in order, in so far as it is possible for me to do so, to disarm the incredulous and sniffy reader who may be inclined to doubt the truth of my story of how the manuscript of the following pages came into my possession. I am quite aware that to some the tale will appear absolutely and intolerably impossible. I know that if any other than I told it to me I should not believe it. Yet despite these drawbacks the story is in all particulars, essential and otherwise, absolutely truthful. The facts are briefly these: It was not, to begin with, a dark and dismal evening. The snow was not falling silently, clothing a sad and gloomy world in a mantle of white, and over the darkling moor a heavy mist was not rising, as is so frequently the case. There was no soul-stirring moaning of bitter winds through the leafless boughs; so far as I was aware nothing soughed within twenty miles of my bailiwick; and my dog, lying before a blazing log fire in my library, did not give forth an occasional growl of apprehension, denoting the presence or approach of an uncanny visitor from other and mysterious realms: and for two good reasons. The first reason is that it was midsummer when the thing happened, so that a blazing log fire in my library would have been an extravagance as well as an anachronism. The second is that I have no dog. In fact there was nothing unusual, or uncanny in the whole experience. It happened to be a bright and somewhat too sunny July day, which is not an unusual happening along the banks of the Hudson. You could see the heat, and if anything had soughed it could only have been the mercury in my thermometer. This I must say clicked nervously against the top of the glass tube and manifested an extraordinary desire to climb higher than the length of the tube permitted. Incidentally I may add, even if it be not believed, that the heat was so intense that the mercury actually did raise the whole thermometer a foot and a half above the mantel-shelf, and for two mortal hours, from midday until two by the Monastery Clock, held it suspended there in mid-air with no visible means of support. Not a breath of air was stirring, and the only sounds heard were the expanding creaks of the beams of my house, which upon that particular day increased eight feet in width and assumed a height which made it appear to be a three instead of a two story dwelling. There was little work doing in the house. The children played about in their bathing suits, and the only other active factor in my life of the moment was our hired man who was kept busy in the cellar pouring water on the furnace coal to keep it from spontaneously combusting. We had just had luncheon, burning our throats with the iced tea and with considerable discomfort swallowing the simmering cold roast filet, which we had to eat hastily before the heat of the day transformed it into smoked beef.

The Shelf2Life Literature and Fiction Collection is a unique set of short stories, poems and novels from the late 19th to early 20th centuries. From tales of love, life and heartbreaking loss to humorous stories of ghost encounters, these volumes captivate the imaginations of readers young and old. Included in this collection are a variety of dramatic and spirited poems that contemplate the mysteries of life and celebrate the wild beauty of nature. The Shelf2Life Literature and Fiction Collection provides readers with an opportunity to enjoy and study these iconic literary works, many of which were written during a period of remarkable creativity.

John Kendrick Bangs (May 27, 1862 – January 21, 1922) was an American author, humorist, editor and satirist.He was born in Yonkers, New York. His father Francis Nehemiah Bangs was a lawyer in New York City, as was his brother, Francis S. Bangs.He went to Columbia College from 1880 to 1883 where he became editor of Columbia's literary magazine, Acta Columbia, and contributed short anonymous pieces to humor magazines. After graduation in 1883 with a Bachelor of Philosophy degree in Political Science, Bangs entered Columbia Law School but left in 1884 to become Associate Editor of Life under Edward S. Martin. Bangs contributed many articles and poems to the magazine between 1884 and 1888. During this period, Bangs published his first books.

"That's what I thought; and when you can't work ruin stares you in the face, eh? Now I have a manuscript--""Oh Lord!" I cried. "Don't. There are millions in the same fix. Even my cook writes."______________________________One perfect evening the author receives a ghostly phone call from none other than the Baron Munchausen himself, with a rich offer no sane living man could refuse. Proclaiming his devotion to the truth behind every one of the baron's tall tales, the author presented this book to the public with absolute faith that you would believe them as much as he does

This volume was published in 1901. This novel is written in the style that has become know as "Bangsian fantasy". Named after the author whose Associated Shades series of novels, from the late 19th and early 20th centuries, deals with the afterlives of various famous dead people. Editor's Apology and Dedication: (a summary) In order that there may he no misunderstanding as to the why and the wherefore of this collection of tales it appears to me to be desirable that I should at the outset state my reasons for acting as the medium between the spirit of the late Baron Munchausen and the reading public. In common with a large number of other great men in history Baron Munchausen has suffered because he is not understood. I have observed with wondering surprise the steady and constant growth of the idea that Baron Munchausen was not a man of truth; that his state- ments of fact were untrustworthy, and that as a realist he had no standing whatsoever. Just how this misconception of the man's character has arisen it would be difficult to say. Surely in his published writings he shows that same lofty resolve to be true to life as he has seen it that characterises the work of some of the high Apostles of Realism, who are writing of the things that will teach future generations how we of today ordered our goings-on. The note of veracity in Baron Mun- chausen's early literary venturings rings as clear and as true certainly as the similar note in the charming studies of Manx Realism that have come to us of late years from the pen of Mr. Corridor Walkingstick, of Gloomster Abbey and London. We all remember the glow of satisfaction with which we read Mr. Walkingstick's great story of the love of the clergyman, John Stress, for the charming little heroine, Glory Partridge. Here was something at last that rang true. The picture was painted in the boldest of colours, and, regardless of conse- quences to himself, Mr. Walkingstick dared to be read when he might have given rein to his imagination. Yet the same age that accepts this man as a moral teacher, rejects Baron Munchausen, who, in different manner perhaps, presented to the world as true and life-like a picture of the conditions of few day as that given to us by Mr. Walkingstick in his deservedly popular romance, "Episcopalians I Have Met". Of course, I do not claim that Baron Munchausen's stories in bulk or in specified instances, have the literary vigour that is so marked a quality of the latter-day writer, but the point I do wish to urge is that to accept the one as a veracious chronicler of his time and to reject the other as one who indulges his pen in all sorts of grotesque vagaries, without proper regard for the facts, is a great injustice to the man of other times. I prefer to believe that it is hosed upon ignorance of the Baron's true quality, due to the fact that his works are rarely to be found within the reach of the public: in some cases, because of the failture of librarians to comprehend his real motives, his narratives are excluded from Public and Sunday School libraries; and because of their extreme age, they are not easily again brought into vogue. I have, therefore, accepted the office of intermediary between the Baron and the readers of the present day, in order that his later work, which, while it shows to a marked degree the decadence of his literary powers, may yet serve to demonstrate to the readers of my own time how favourably he compares with some of the literary idols of today, in the simple matter of fidelity to fact. If these stories which follow shall serve to rehabilitate Baron Munchausen as a lover and practitioner of the arts of Truth, I shall not have made the sacrifice of my time in vain. If they fail of this purpose I shall still have the satisfaction of knowing that I have tried to render a service to an honest and defenceless man.

The Shelf2Life Literature and Fiction Collection is a unique set of short stories, poems and novels from the late 19th to early 20th centuries. From tales of love, life and heartbreaking loss to humorous stories of ghost encounters, these volumes captivate the imaginations of readers young and old. Included in this collection are a variety of dramatic and spirited poems that contemplate the mysteries of life and celebrate the wild beauty of nature. The Shelf2Life Literature and Fiction Collection provides readers with an opportunity to enjoy and study these iconic literary works, many of which were written during a period of remarkable creativity.

Here Mr. Munchausen paused for a moment to catch his breath. Then he added with a sigh. “Of course, I went back to France immediately, but by the time I reached Paris the war was over, and the Emperor was in exile. I was too late to save him—though I think if he had lived some sixty or seventy years longer I should have managed to restore his throne, and Imperial splendour to him.” The Twins gazed into the fire in silence for a minute or two. Then one of them asked: “But what did you live on all that time, Uncle Munch?” “Eggs,” said the Baron. “Eggs and occasionally fish. My servant had had the foresight when getting the balloon ready to include, among the things put into the car, a small coop in which were six pet chickens I owned, and without which I never went anywhere. These laid enough eggs every day to keep us alive. The fish we caught when our balloon stood over the sea, baiting our anchor with pieces of rubber gas pipe used to inflate the balloon, and which looked very much like worms.” “But the chickens?” said the Twins. “What did they live on?” The Baron blushed. “I am sorry you asked that question,” he said, his voice trembling somewhat. “But I’ll answer it if you promise never to tell anyone. It was the only time in my life that I ever practised an intentional deception upon any living thing, and I have always regretted it, although our very lives depended upon it.” “What was it, Uncle Munch?” asked the Twins, awed to think that the old warrior had ever deceived anyone. “I took the egg shells and ground them into powder, and fed them to the chickens. The poor creatures supposed it was corn-meal they were getting,” confessed the Baron. “I know it was mean, but what could I do?” “Nothing,” said the Twins softly. “And we don’t think it was so bad of you after all. Many another person would have kept them laying eggs until they starved, and then he’d have killed them and eaten them up. You let them live.” “That may be so,” said the Baron, with a smile that showed how relieved his conscience was by the Twins’ suggestion. “But I couldn’t do that you know, because they were pets. I had been brought up from childhood with those chickens.” Then the Twins, jamming the Baron’s hat down over his eyes, climbed down from his lap and went to their play, strongly of the opinion that, though a bold warrior, the Baron was a singularly kind, soft-hearted man after all.

"Good morning, Mr. Munchausen," said the interviewer of the Gehenna Gazette entering the apartment of the famous traveller at the Hotel Deville, where the late Baron had just arrived from his sporting tour in the Blue Hills of Cimmeria and elsewhere. "The interests of truth, my dear Ananias," replied the Baron, grasping me cordially by the hand, "require that I should state it as my opinion that it is not a good morning. In fact, my good friend, it is a very bad morning. Can you not see that it is raining cats and dogs without?"

The Shelf2Life Literature and Fiction Collection is a unique set of short stories, poems and novels from the late 19th to early 20th centuries. From tales of love, life and heartbreaking loss to humorous stories of ghost encounters, these volumes captivate the imaginations of readers young and old. Included in this collection are a variety of dramatic and spirited poems that contemplate the mysteries of life and celebrate the wild beauty of nature. The Shelf2Life Literature and Fiction Collection provides readers with an opportunity to enjoy and study these iconic literary works, many of which were written during a period of remarkable creativity.