Other editions of book The Mind of the Maker

An investigation into the nature of God and creativity from the author of the Lord Peter Wimsey Mysteries, with an introduction by Madeleine L’Engle. From the first pages of Genesis, it is clear that God and man share one vital trait: the ability to create great works out of nothing. More than any other group, artists feel impelled to create, and this urge brings them closer to God. By contemplating the creative drive of humanity, we can better understand the works of God, and by reading deeply into the tenets of Christianity, we can better understand the creative spirit of man. Dorothy L. Sayers explores the concept of the Holy Trinity within the context of invention: the creative idea, the creative energy, and the creative power. In this searching, wide-ranging treatise, one of the greatest minds of the twentieth century shows us what it means to be an artist—and what it takes to make humankind.

This classic, with a new introduction by Madeleine L'Engle, is by turns an entrancing mediation on language; a piercing commentary on the nature of art and why so much of what we read, hear, and see falls short; and a brilliant examination of the fundamental tenets of Christianity. The Mind of the Maker will be relished by those already in love with Dorothy L. Sayers and those who have not yet met her. A mystery writer, a witty and perceptive theologian, culture critic, and playwright, Dorothy Sayers sheds new, unexpected light on a specific set of statements made in the Christian creeds. She examines anew such ideas as the image of God, the Trinity, free will, and evil, and in these pages a wholly revitalized understanding of them emerges. The author finds the key in the parallels between the creation of God and the human creative process. She continually refers to each in a way that illuminates both.

This book is not an apology for Christianity, nor is it an expression of personal religious belief. It is a commentary, in the light of specialised knowledge, on a particular set of statements made in the Christian creeds and their claim to be statements of fact. It is necessary to issue this caution, for the popular mind has grown so confused that it is no longer able to receive any statement of fact except as an expression of personal feeling. Some time ago, the present writer, pardonably irritated by a very prevalent ignorance concerning the essentials of Christian doctrine, published a brief article in which those essentials were plainly set down in words that a child could understand. Every clause was preceded by some such phrase as: "the Church maintains", "the Church teaches", "if the Church is right", and so forth. The only personal opinion expressed was that, though the doctrine might be false, it could not very well be called dull. Every newspaper that reviewed this article accepted it without question as a profession of faith—some (Heaven knows why) called it "a courageous profession of faith", as though professing Christians in this country were liable to instant persecution. One review, syndicated throughout the Empire, called it "a personal confession of faith by a woman who feels sure she is right". Now, what the writer believes or does not believe is of little importance one way or the other. What is of great and disastrous importance is the proved inability of supposedly educated persons to read. So far from expressing any personal belief or any claim to personal infallibility, the writer had simply offered a flat recapitulation of official doctrine, adding that nobody was obliged to believe it. There was not a single word or sentence from which a personal opinion could legitimately be deduced, and for all the article contained it might perfectly well have been written by a well-informed Zoroastrian.

This classic, with a new introduction by Madeleine L'Engle, is by turns an entrancing mediation on language; a piercing commentary on the nature of art and why so much of what we read, hear, and see falls short; and a brilliant examination of the fundamental tenets of Christianity. The Mind of the Maker will be relished by those already in love with Dorothy L. Sayers and those who have not yet met her. A mystery writer, a witty and perceptive theologian, culture critic, and playwright, Dorothy Sayers sheds new, unexpected light on a specific set of statements made in the Christian creeds. She examines anew such ideas as the image of God, the Trinity, free will, and evil, and in these pages a wholly revitalized understanding of them emerges. The author finds the key in the parallels between the creation of God and the human creative process. She continually refers to each in a way that illuminates both.

Dorothy L Sayers' great lay contemporaries in the Church of England were T. S. Eliot, C. S. Lewis and Charles Williams, but none of them wrote a book quite like The Mind of the Maker. In this crisp, elegant exercise in theology, Sayers illuminates the doctrine of the Trinity by relating it to the process of writing fiction, a process about which she could speak with complete authority. She illustrates her thesis with many examples drawn from her own books, and even illuminates the Christian heresies by analysing certain failures of creation which regularly occur in literature. This marvellous classic describes the creative process in terms of the arts and shows that literature can cast light on theology and vice versa.