Other editions of book The Autobiography of a Clown

TO THE CHILDREN WHO LOVE THE CLOWNSA WORD ABOUT JULESThis story of Jules Turnour interests me more than I can say. I have known him for more than twenty years; have seen him at very close range in all the shifting movement of a great circus organization, and I have yet to find a man with a cleaner, higher aim. Mr. Marcosson, I think, has admirably brought out the contrast between his whitened and motley face and his patient, serious purpose to make his life helpful. The world has been made better by the presence and work of Jules, and I am glad that at last the real story of his somewhat unusual career is now told.Alfred T. Ringling.

The Autobiography of a Clown by Isaac Frederick MarcossonWhen the article on which this little book is based appeared in the Saturday Evening Post we were amazed at the response it evoked. It simply proved that all the world loves a clown. In most of the comment and communication, however, there was a question as to the authenticity of the subject. I beg to say that Jules is a real personage and still the nimble producer of many laughs.It was while writing a series of articles on an entirely different phase of the circus that I first met Jules. I heard of him the moment I stepped into the circus world. So thoroughly had he impressed his personality; so deeply had he become attached to its life, and so profoundly had he gained the respect of its people, that not to have heard of him argued that I was deaf and blind to everything about me. I found him the friend, philosopher, and guide of the nomadic city of tents that rose with the dawn and slipped away into the night. Despite its transiency, there was much permanency of character in its varied inhabitants. No one contributed more to its moral structure than Jules, the clown.We who live in this breathless era are wont to look upon the circus as a temporary amusement makeshift. It is here to-day and gone to-morrow. Yet behind its spangled, tinseled array and restless movement are real traditions. Why has the circus endured in an age that craves new diversion? Simply because it is basic; because it fills a fundamental need; because it is a staple like wheat. Laughter is one of the few eternal things; therefore the circus which produces it takes on something of the same quality. More than this, the circus is as much an expression of art as the drama. Like art, it is universal. The clown being a world citizen interprets a world humor in which there is neither border line, race, nor creed. Most of the great humorists have been sad men, and thus the clown, clothed in his right mind, is grave and reflective. Though he wear cap and bells, he has not wanted for recognition among the great. Garrick, Kemble, and Booth have been glad to claim him as fellow-artists. But it is in the heart of the child that he has found his most grateful friend, and in a larger sense all the world is a child when it goes to the circus.In my work I have had to be, on many occasions, the biographer of the great and the chronicler of much timely achievement. In all this swift march of people and events I have yet to meet a man whose devotion to the ideals of his art is more sincere than that which has animated Jules Turnour through the long years of his clowning. I have been with him in the tumult of tented travel and watched him in the roofed arena before the multitudes. Always I have found him proud to be a clown. To know him has indeed been a liberal education in character and loyalty.

We who live in this breathless era are wont to look upon the circus as a temporary amusement makeshift. It is here to-day and gone to-morrow. Yet behind its spangled, tinseled array and restless movement are real traditions. Why has the circus endured in an age that craves new diversion? Simply because it is basic; because it fills a fundamental need; because it is a staple like wheat. Laughter is one of the few eternal things; therefore the circus which produces it takes on something of the same quality. More than this, the circus is as much an expression of art as the drama. Like art, it is universal. The clown being a world citizen interprets a world humor in which there is neither border line, race, nor creed. Most of the great humorists have been sad men, and thus the clown, clothed in his right mind, is grave and reflective. Though he wear cap and bells, he has not wanted for recognition among the great. Garrick, Kemble, and Booth have been glad to claim him as fellow-artists. But it is in the heart of the child that he has found his most grateful friend, and in a larger sense all the world is a child when it goes to the circus.

When the article on which this little book is based appeared in the Saturday Evening Post we were amazed at the response it evoked. It simply proved that all the world loves a clown. In most of the comment and communication, however, there was a question as to the authenticity of the subject. I beg to say that Jules is a real personage and still the nimble producer of many laughs.It was while writing a series of articles on an entirely different phase of the circus that I first met Jules. I heard of him the moment I stepped into the circus world. So thoroughly had he impressed his personality; so deeply had he become at[Pg x]tached to its life, and so profoundly had he gained the respect of its people, that not to have heard of him argued that I was deaf and blind to everything about me. I found him the friend, philosopher, and guide of the nomadic city of tents that rose with the dawn and slipped away into the night. Despite its transiency, there was much permanency of character in its varied inhabitants. No one contributed more to its moral structure than Jules, the clown.We who live in this breathless era are wont to look upon the circus as a temporary amusement makeshift. It is here to-day and gone to-morrow. Yet behind its spangled, tinseled array and restless movement are real traditions. Why has the circus endured in an age that craves new diversion? Simply because it is basic; because it fills a fundamental need; because it is a staple like wheat. Laughter is one of the few eternal things; therefore the circus which produces it takes on something of the same quality. More than this, the circus is as much an expression of art as the drama. Like art, it is universal. The clown being a world citizen interprets a world humor in which there is neither border line, race, nor creed. Most of the great humorists have been sad men, and thus the clown, clothed in his right mind, is grave and reflective. Though he wear cap and bells, he has not wanted for recognition among the great. Garrick, Kemble, and Booth have been glad to claim him as fellow-artists. But it is in the heart of the child that he has found his most grateful friend, and in a larger sense all the world is a child when it goes to the circus.In my work I have had to be, on many occasions, the biographer of the great and the chronicler of much timely achievement. In all this swift march of people and events I have yet to meet a man whose devotion to the ideals of his art is more sincere than that which has animated Jules Turnour through the long years of his clowning. I have been with him in the tumult of tented travel and watched him in the roofed arena before the multitudes. Always I have found him proud to be a clown. To know him has indeed been a liberal education in character and loyalty.

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Excerpt from The Autobiography of a Clown, as Told to Isaac F. MarcossonWhen the article on which this little book is based appeared in the Saturday Evening Post we were amazed at the response it evoked. It simply proved that all the world loves a clown. In most of the com ment and communication, however, there was a question as to the authenticity of the subject. 'i beg to say that Jules is a real personage and still the nimble producer of many laughs.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

About the Book Our offering includes memoirs, or collections of memories that individuals have written about moments or events, both public or private, that took place in their lives. While the assertions made in these works are generally taken to be factual, the biases or perspectives of the authors are often present. Historically, memoirs have been defined as a subcategory of biography or autobiography, however the genre is differentiated in form, since it presents a narrower focus. While a biography or autobiography tells the story "of a life", a memoir generally tells the story "from a life", tending to emphasize touchstone events and turning points in the author's life experience. The authors are referred to as memoirists or memorialists.Also in this Book Economic history involves the study of economies or economic phenomena rooted in the past. Economic history analysis is undertaken using a number of historical methods, statistical methods and require the application of economic theory to historical situations and institutions. Topics include financial and business history, which overlap with areas of social history such as demography and labor history. Many early books on economic history described businesses, economies or industries, with relatively less emphasis on econometrics or theoretical analyses.And in this Book Titles dealing with military veterans are about people who have served or are serving in the armed forces. Those that have had direct exposure to military conflict may also be termed war veterans, even though not all military conflicts, or areas in which armed combat takes place, are necessarily called wars.About us Leopold Classic Library has the goal of making available to readers the classic books that have been out of print for decades. While these books may have occasional imperfections, we consider that only hand checking of every page ensures readable content without poor picture quality, blurred or missing text etc. That's why we: republish only hand checked books; that are high quality; enabling readers to see classic books in original formats; that are unlikely to have missing or blurred pages. You can search "Leopold Classic Library" in categories of your interest to find other books in our extensive collection. Happy reading!

"The Autobiography of a Clown" by Isaac Frederick Marcosson. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

About the Book Our offering includes memoirs, or collections of memories that individuals have written about moments or events, both public or private, that took place in their lives. While the assertions made in these works are generally taken to be factual, the biases or perspectives of the authors are often present. Historically, memoirs have been defined as a subcategory of biography or autobiography, however the genre is differentiated in form, since it presents a narrower focus. While a biography or autobiography tells the story "of a life", a memoir generally tells the story "from a life", tending to emphasize touchstone events and turning points in the author's life experience. The authors are referred to as memoirists or memorialists.Also in this Book Economic history involves the study of economies or economic phenomena rooted in the past. Economic history analysis is undertaken using a number of historical methods, statistical methods and require the application of economic theory to historical situations and institutions. Topics include financial and business history, which overlap with areas of social history such as demography and labor history. Many early books on economic history described businesses, economies or industries, with relatively less emphasis on econometrics or theoretical analyses.And in this Book Titles dealing with military veterans are about people who have served or are serving in the armed forces. Those that have had direct exposure to military conflict may also be termed war veterans, even though not all military conflicts, or areas in which armed combat takes place, are necessarily called wars.About us Leopold Classic Library has the goal of making available to readers the classic books that have been out of print for decades. While these books may have occasional imperfections, we consider that only hand checking of every page ensures readable content without poor picture quality, blurred or missing text etc. That's why we: republish only hand checked books; that are high quality; enabling readers to see classic books in original formats; that are unlikely to have missing or blurred pages. You can search "Leopold Classic Library" in categories of your interest to find other books in our extensive collection. Happy reading!

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