Other editions of book Friendship and Folly: A Novel

Friendship and Folly - A Novel by Maria Louise PoolThere was one large wicker chair on the piazza, and in the chair sat a girl. It was a spacious piazza, the roof of which was supported by gnarled tree-trunks, the bark and the knots carefully preserved so as to look "rustic." The deep eaves drooped in a rustic manner also, and there were trumpet-vines and wistaria, and various other creeping things of the vegetable world, wandering about in a careful carelessness, like the hair of a woman when it is dressed most effectively.The lawn swept down rather steeply and stopped suddenly against a thick stone wall that was covered with ivy.On top of this wall, ruthlessly trampling back and forth on the leaves, was a small boy dressed in the fashion of a member of the navy. His blue pantaloons flapped very widely at the ankles, and were belted about him by a leather belt on which was the word "Vireo," in gilt letters; his brimless cap was tipped perilously on that part of his head where the warm affections used to be located in the days of phrenology. On this cap also appeared the word "Vireo," in gilt. This figure, outlined as it was against the bright blue of the sky, had the effect of not being more than about sixteen inches long. And in truth Leander Ffolliott was very small for his age, which was ten years and five months. He did not feel small, however; his mind might suitably have inhabited a giant's frame, so far as his estimation of himself and the Ffolliott family generally was concerned. But the rest of the family did not always agree with him in this estimation, and at such times of disagreement the boy was given to screaming and kicking until the air round about this summer residence resounded, and seemed actually to crackle and glimmer in sympathy with the mood of Leander.

There was one large wicker chair on the piazza, and in the chair sat a girl. It was a spacious piazza, the roof of which was supported by gnarled tree-trunks, the bark and the knots carefully preserved so as to look "rustic." The deep eaves drooped in a rustic manner also, and there were trumpet-vines and wistaria, and various other creeping things of the vegetable world, wandering about in a careful carelessness, like the hair of a woman when it is dressed most effectively.The lawn swept down rather steeply and stopped suddenly against a thick stone wall that was covered with ivy.On top of this wall, ruthlessly trampling back and forth on the leaves, was a small boy dressed in the fashion of a member of the navy. His blue pantaloons flapped very widely at the ankles, and were belted about him by a leather belt on which was the word "Vireo," in gilt letters; his brimless cap was tipped perilously on that part of his head where the warm affections used to be located in the days of phrenology. On this cap also appeared the word "Vireo," in gilt. This figure, outlined as it was against the bright blue of the sky, had the effect of not being more than about sixteen inches long. And in truth Leander Ffolliott was very small for his age, which was ten years and five months. He did not feel small, however; his mind might suitably have inhabited a giant's frame, so far as his estimation of himself and the Ffolliott family generally was concerned. But the rest of the family did not always agree with him in this estimation, and at such times of disagreement the boy was given to screaming and kicking until the air round about this summer residence resounded, and seemed actually to crackle and glimmer in sympathy with the mood of Leander.Just now he had stopped in his trampling of the ivy leaves. He was standing with his legs wide apart, and was bending forward somewhat, stirring with a stick something on the top of the wall in front of him. His atom of a face was screwed up, his lips sticking out,

There was one large wicker chair on the piazza, and in the chair sat a girl. It was a spacious piazza, the roof of which was supported by gnarled tree-trunks, the bark and the knots carefully preserved so as to look "rustic." The deep eaves drooped in a rustic manner also, and there were trumpet-vines and wistaria, and various other creeping things of the vegetable world, wandering about in a careful carelessness, like the hair of a woman when it is dressed most effectively.

Leather Binding on Spine and Corners with Golden Leaf Printing on round Spine (extra customization on request like complete leather, Golden Screen printing in Front, Color Leather, Colored book etc.) Reprinted in 2019 with the help of original edition published long back [1898]. This book is printed in black & white, sewing binding for longer life, Printed on high quality Paper, re-sized as per Current standards, professionally processed without changing its contents. As these are old books, we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set, then it is only single volume, if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Hope you will like it and give your comments and suggestions. Lang: - eng, Pages 324. EXTRA 10 DAYS APART FROM THE NORMAL SHIPPING PERIOD WILL BE REQUIRED FOR LEATHER BOUND BOOKS. COMPLETE LEATHER WILL COST YOU EXTRA US$ 25 APART FROM THE LEATHER BOUND BOOKS. {FOLIO EDITION IS ALSO AVAILABLE.}

Maria Louise Pool (August 20, 1841 – May 18, 1898) was an American writer. She was born in Rockland, Massachusetts to Elias Pool and Lydia Lane. She attended the public school of the town (then East Abington), and later taught school for two years. She moved to Brooklyn, New York in 1870, where she first wrote for a Philadelphia paper and afterward for the New York Evening Post and the New York Tribune. Later she resided in Wrentham, Massachusetts. It was not until 1887 that she became widely known through her A Vacation in a Buggy. Her work was reviewed extensively, as by the New York Times, but has lapsed into obscurity. She was an influence upon the young Canadian-American writer Mary MacLane, who became friends with Pool's "literary companion" (and, it is now believed, lover) Caroline M. Branson. Branson and MacLane lived together from 1902 to 1908 in the house Branson and Pool had lived in. (wikipedia.org) The Title’s CONTENTS A Slight Accident "I Want to Ask You a Question" "I Really Ought to Have Been an Actress" Being a Chaperon The Evening Before "A Blessed Chance" On Board the Scythia "Cold Porridge Hot Again" The Passenger List A Knock-down Blow "Don't Be Cruel to Me" An Involuntary Bath A Bull Terrier "Too Much for Any Woman to Forgive" Tête-à-Tête "Are you Going to Marry Lord Maxwell?" Leander as a means "I Shall Come Back"

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About the Book In historical fiction the plot is set in the past, and pays attention to the manners, social conditions and other details of the period portrayed. Some authors choose to include famous historical figures in their fictional plots, so that audiences can imagine how those individuals might have responded to the plots and environments established by the author. The Western literary component of this genre is founded in the early 19th century works of such authors as Sir Walter Scott, Honoré de Balzac, James Fenimore Cooper, and Leo Tolstoy. Also in this Book The romance novel, which is sometimes termed the romantic novel, places its primary focus on the development of a romantic relationship and love between two people. The sub-genres of the romance novel include: fantasy, historical romance, paranormal fiction, and science fiction. Romance novels existed in ancient Greece, and were also to be found in the literary fiction of the 18th and 19th centuries in the works of such authors as Samuel Richardson and Jane Austen. Also in this Book Titles covering drama and theater in the United States describe that part of the European theatrical tradition, dating back to ancient Greek theater, that is heavily influenced by British theatre. US drama has been heavily focussed on New York City at Broadway, Off-Broadway, and Off-Off-Broadway. Outside of New York, larger cities have professional regional or resident theater companies that produce their own seasons. some works aspiring to eventually play in New York. US theater also has an active community theater culture, relying on local volunteers. About us Leopold Classic Library has the goal of making available to readers the classic books that have been out of print for decades. While these books may have occasional imperfections, we consider that only hand checking of every page ensures readable content without poor picture quality, blurred or missing text etc. That's why we: republish only hand checked books; that are high quality; enabling readers to see classic books in original formats; that are unlikely to have missing or blurred pages. You can search "Leopold Classic Library" in categories of your interest to find other books in our extensive collection. Happy reading!

"Friendship and Folly" by Maria Louise Pool. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.